On Santa, Elves, and Angels…

Over the River and Through the Woods (front cover)We often hear about the mystery of Christmas. In  Over the River and Through the Woods, we not only have a mystery, but a detective noir tale set in Santa’s North Pole workshop complete with a hilariously crass elven anti-heroine named Tink.

“I didn’t write Tink; I think Tink wrote herself. Her voice was so loud, strong, funny, and irreverent, I had to put it on a page. She may end up in a full-length novel, because I’m not sure she’s done talking yet.” —Abigail Drake, author of “Tink”

Speaking of mysteries, a peculiar woman on the street catches the attention of the protagonist in Maryalice Meli’s story and we soon learn that appearances can be deceiving…

“When I think of Christmas holiday celebration, I think of Wampum, PA. This little Lawrence County town has the biggest parade of any outside Pittsburgh. My story is set at a Christmas parade though the story itself of an elderly woman outsmarting the angel of death has nothing to do with the parade.” —Maryalice Meli author of “The Christmas Angel”

Finally, Amy Morley reminds us that regardless of whether he’s flesh and blood or merely a myth, Santa Claus is a symbol of hope and virtue worth believing in—at any age.

“This is longer than you wanted. But I had to give the whole story in order for it to make sense.

I wrote “Reminiscing on the Nostalgia of Happier Times” as part of a writing exercise when I took a poetry class with regional poet Bill Boggs back in the fall of 2011. The prompt was to write about a memory, and to practice using imagery. As I sat down to write I remember hearing jingle bells in my memory.

The fall of 2011 was actually a very sad time in my life due to unexpected challenges that turned my life upside down. During these months I had numbed myself from feeling anything just so I could get through it without crying every second, so this was a very difficult assignment for me. I was trying not to remember anything at all as a defense mechanism from feeling additional remorse from what I thought at the time was a life full of regrets. But when I thought about what to write, I kept hearing jingle bells.

Those bells brought me back to a memory from November 1993, when I was 15 years old and I met a “Sidewalk” Santa at the South Street Seaport in New York City. I was a sophomore in high school and my marching band had performed in the Macy’s Thanksgiving Day Parade earlier that day. We had to wake up at 2AM so I was sleep deprived, so I am not sure what was real and what I had imagined from this memory.

But from this memory, I heard jingle bells. Santa was walking along the pier and ringing a bell. The bells were haunting, and I was drawn to them, almost hypnotized, and I felt as though they were calling me. I walked up to Santa and out of nowhere I told him that even though I was 15 years old, I still believed in him, and asked him what I had to do to get people to believe in me? I told him that it was impossible for people to believe in a mythical being, but somehow there are enough people in this world who continually believe and therefore keep him alive. Yet I was only 15 years old and I felt as though no one noticed me, no one thought I was important, no one believed that I would ever become someone of worth or recognition, but I knew that I was someone worthy. I knew I had talents and skills, I just didn’t know what they were, and I was afraid to even try to figure it out because I knew it would be useless since I felt discouraged and defeated all of the time. I told him that I just needed someone to believe in me. I asked him if he would believe in me since I still believe in him. He told me, “you keep believing in me and I will keep believing in you. And I promise you that things will change for you in the new year.”

And they did. A million different ways they did.

I wrote this poem when I was 32 years old. It was seventeen years after I met the real Santa Claus. I needed him at age 15 and then again at age 32. He was there for me both times; once in person or as a spirit even perhaps, and once again in my memory. Both times he was the one who believed in me, when I was alone, even when I didn’t believe in myself. Both times his presence in my life changed things so significantly that there’s no other explanation as to how he was able to do this, other than the fact that he was the real Santa Claus.” —Amy Morley

Proceeds from the sale of Over the River and Through the Woods benefit the Ligoner Camp and Conference Center, home of the Mindful Writers Retreat. We thank you for your support!

Over the River and Through the Woods (front cover) Over the River and Through the Woods (back cover)

Book Review: New Dreams This Morning edited by James Blish

New Dreams This Morning edited by James BlishJames Blish presents a science fiction anthology with a thought-provoking and often contentious theme—the future of the arts. What will become of creativity in the age of automation, or after the apocalypse, or when humanity migrates to other worlds? These topics are addressed by such master storytellers as Isaac Asimov, Harry Harrison, Damon Knight, C.M. Kornbluth, Edgar Pangborn, Robert Silverberg, and James Blish.

Every story in this gathering was excellent and choosing favorites was next to impossible.

In Isaac Asimov’s “Dreaming is a Private Thing,” corporations hire people whose dreams are so opulent and vivid that they can be recorded and sold for public consumption.

In James Blish’s “A Work of Art” resurrects 19th century German composer Richard Strauss in the year 2161. Repulsed by what he considers the regression of music in this modern age, Strauss sets out to compose an opera based on Christopher Fry’s play, Venus Observed. Although his opera is wildly successful, Strauss comes to realize two awful truths about himself… and his fate.

Blish’s second tale, “The Dark Night of the Soul” takes place at an artist’s retreat on the Jovian moon Callisto. However, it does not take long before the residents realize that a conspiracy is afoot, one that could result in the elimination of the arts from human civilization!

Harry Harrison’s “Portrait of the Artist” shows us what happens when the comic book industry succumbs to automation, leaving artists to do little more than touch up after computers stamp imagery onto the page—but what happens when the machines are upgraded and the artist is no longer needed at all?

In Damon Knight’s “The Country of the Kind,” a pariah wreaks havoc after being shunned by everyone in his community simply for being different. Finally, he tries to create art in a peaceful attempt to connect with another soul like this own.

In C.M. Kornbluth’s “With These Hands,” a sculptor and art instructor struggles to survive in a world where machines can be programmed to create sculptures from plastic in a method similar to today’s 3-D printing.

Edgar Pangborn’s novella, “A Master of Babylon” brings us into the post-apocalyptic life of an aging, eccentric musician living as a hermit for over two decades in what remains of New York’s Museum of Human History. When a teenage couple visit him in search of “Old Ones” to bring back to their village, the musician is thrilled to have an audience for his greatest—and final—performance.

In “A Man of Talent,” Robert Silverberg shows us the fate of a poet who, disgusted with the degradation of poetry on Earth, migrates to the farthest and least populated human colony of Rigel Seven. Hoping to live as a recluse, the poet is invited to adopt a unique role in a society where art is taken for granted.

When Christmas Was Still Christmas…

Over the River and Through the Woods (front cover)In A Charlie Brown Christmas, cynicism resulting from the commericalism of the holidays is summed up by Lucy Van Pelt when she says, “Look, Charlie, let’s face it. We all know that Christmas is a big commercial racket. It’s run by a big eastern syndicate, you know.”

Well, I’m not sure about that eastern syndicate, but in Over the River and Through the Woods, James Robinson, Jr. addresses this sentiment—as well as his childhood disappointment in learning the truth about Santa Claus—through his honest yet hopeful essay, “The Day the Magic Died.”

“I guess it’s now that I realize—and expressed in my own twisted little way in this piece—is that Christmas used to be a special time for me. As a child, my senses tingled with excitement when I sensed that Santa was due to make his annual appearance. Even as an adult—at the tender age of 38 or so—my wife and I drove around with our three girls with a New Kid’s On the Block cassette playing the entire season. It was a time of reflection, a time to seize the moment to enjoy the good will, the music, and all of the feelings that go along with the experience.

But when it comes to children, the old mantra that Christmas is for children is simple not the case anymore. Christmas isn’t for kids; Christmas isn’t for adults; Christmas is a percentage increase of the of retail sales. Kids don’t just get a bicycle; they get Best Buy Gift Cards, wireless headphones, iPhones, and a bunch of other meaningless crapola. Christmas is impersonal. Christmas is a fit it in when you get a chance, “I haven’t done my Xmas shopping yet,” “We need to get a gift for your Aunt Pearl,” impersonal mess. Christmas is a lazy online scam, a boon for Amazon, a fiasco.

But my pet peeve has to be the commercials that begin to rear their ugly heads in November and refuse to die until after New Year’s featuring Mercedes Benz’s and Lexus’ wrapped in huge bows—the ultimate gift for the few who can afford it, commercialism run wild. —but I siphon whatever magic I can from the modern-day experience.

If you dread Christmas and breathe a sigh of relief when it’s gone, I can’t blame for your feelings. I can’t chastise you if, for whatever reason, you’ve lost the dream. But if a small spark somehow still burns, despite the madness and lunacy that has overtaken us all, enjoy whatever piece of the magic that remains. After all, people are still a little nicer from mid-November until January. They still smile little more and try a little harder to get together as family units. Take solace in the little things. And have a nice Christmas.” —James Robinson Jr., author of, “The Day the Magic Died”

In the final essay of our anthology,  Sherren Elias Pensiero reminisces about rockin’ out with The Beatles on New Year’s Eve…

“I wrote this with the memory of a simpler, happier time… before the earth shook beneath my feet… in my mind.” —Sherren Elias Pensiero, author of “‘Twas A Hard Day’s Night and Another Auld Lang Syne”

Proceeds from the sale of Over the River and Through the Woods benefit the Ligoner Camp and Conference Center, home of the Mindful Writers Retreat. We thank you for your support!

Over the River and Through the Woods (front cover) Over the River and Through the Woods (back cover)