About This Writing Stuff…

This week, we start strong right out of the gate with Gabino Iglesias and ten types of authors who, let’s just say, he doesn’t like.

Anne R. Allen advises us on how to prepare for life after death on social media, while Hank Phillippi Ryan, Brian Andrews, and Meg Dowell offer tips on writing—and surviving—during the pandemic.

Jami Gold reviews the concept of Scene and Sequel, the folks at Now Novel wax lyrical about crafting captivating prose, and Callie Sutcliffe differentiates between creating a new draft of your work versus editing.

All that and a little more. Enjoy!

Ten Types of Authors Who Can Go F*ck Themselves by Gabino Iglesias

Don’t Become a Social Media Ghost: Appoint a Social Media Executor by Anne R. Allen

Getting Your Writer Brain Back on Track by Hank Phillippi Ryan

A Submariner’s Guide to Crisis and Isolation by Brian Andrews

12 Tips for Writing When You’re Not Calm and the World is Burning by Meg Dowell

Scenes & Sequels: Adding Reflections for Meaning by Jami Gold

Can Comic Books Survive the Coronavirus Era? by Dave Itzkoff

Using Letters in Creative Work—What Writers Should Know About Copyright Protection by Matt Knight

The Practice Novel by Dave King

First Draft, Second Draft, or Editing: How to Know What Draft You’re On by Callie Sutcliffe

Lyrical Writing: 5 Tips for Crafting Richer Prose by Now Novel

 

 

 

Book Review: Starshine by Theodore Sturgeon

Starshine by Ted SturgeonThis aptly named collection of six stories shines brightly and showcases the distinct and diverse talents of one of speculative fiction’s most celebrated voices.

“Derm Fool” – While courting a beautiful woman, a man with a disturbing skin disease discovers that she suffers from the same affliction—they both molt like reptiles. After isolating the cause as well as a cure, they decide to put both to a profitable use.

“The Haunt” – Two young men rig an abandoned house with special effects in order to scare an unflappable woman, but the results are far more harrowing than expected.

“Artnan Process” – An alien race known as the Artnans possess the technology to transmute Uranium 238 into Uranium 235, but refuse to reveal the process. Earth and Mars each send a crew to the Artnan homeworld in an effort to uncover the secret. Perhaps they’ll succeed, if they don’t kill each other first.

“The World Well Lost” – A captain and first mate are charged with the task of transporting a pair of alien refugees back to their homeworld. During the journey, the first mate learns that the alien lovers are not only telepaths but of the same gender and for this, they will be executed upon arrival.

“The Pod and the Barrier” – A motley crew of scientists and engineers embark on an expedition to find a way to break through an energy barrier surrounding a planet of benevolent aliens. Each believes that his plan will succeed, but perhaps the power of doubt will be what wins the day.

“How to Kill Aunty” – A willful but crippled elderly woman believes her maladroit nephew is bent on murdering her.  Amused by his doltish efforts, she mocks his intelligence by actively aiding his efforts, but the final results are not what she anticipated.

 

Cat & Mouse Press Wins Seven State Awards!

Congratulations to indie publisher, Cat & Mouse Press, for winning seven state awards in the Delaware Press Association’s 2020 Communications Contest!

One of the winning books was Beach Pulp, published in March 2019. I’m honored to have two stories in this anthology, “Tapestry” and “The Celestials.”

Read more details about the awards in the Coastal Point. 

Beach Pulp Front Cover Art by Joe Palumbo

 

About This Writing Stuff…

This week, Robert Lee Brewer presents several examples of successful query letters categorized by genre. Anne R. Allen offers methods for rescuing a stagnant manuscript as well as an analysis of Amazon’s increasingly stringent review system.

Over at Mythcreants, Oren Ashkenazi discusses ways to avoid recycling the same types of conflict within your story while on Writer Unboxed,  Donald Maass discusses the dread and anxiety that propel our protagonists forward. No one likes to receive one-star reviews, but Sandra Beckwith explains how writers can learn from them.

All that and little more. Enjoy!

How to Write Successful Queries for Any Genre of Writing by Robert Lee Brewer

How to Rescue an Endangered Book and Restore Your Author Mojo by Anne R. Allen

Amazon’s Review Rules Have Become Even Stricter in 2020 by Anne R. Allen

Space Kadet: The Twisted Tale of a Sad, Sad Internet Troll by Victoria Strauss

Six Tips for Avoiding Repetitive Conflict by Oren Ashkenazi

5 Important Tips for Achieving Indie Author Success by Dave Chesson

3 Reasons to Embrace One-Star Reader Reviews by Sandra Beckwith

Writing Craft: How Point-of-View Affects Dialogue by Jami Gold

‘Emergency’ Online Library Draws Ire of Some Authors by Alexander Alter

Will Online-Only Events Bring Book Sales? No One Knows Yet by Kate Dwyer

The Upside of Anxiety by Donald Maass