About This Writing Stuff…

This week, Charlie Jane Anders encourages us to write what is in our hearts regardless of current events. At Career Authors, David Bell provides five reasons for outlining your novel, while over at IndieReader, Savannah Cordova shows us five ways to get your novel noticed on Amazon.

Marlene Cullen explains how to use the freewrite method to chronicle traumatic experiences. Jami Gold delves into the risks and benefits of foreshadowing. John Gilstrap warns us against second guessing our writing. Kristen Lamb demonstrates how the Johari Window can be used to provide depth to our characters. Tajja Isen discusses the importance of sensitivity readers for stories involving minority characters.

Congratulations to writer pal, Amanda Headlee, on winning the “When Words Count Pitch Week XVII contest” with her upcoming horror novel, My Brother’s Keeper.

All that and a lot more. Enjoy!

Never Say You Can’t Survive: Everything is Broken! What Should I Write About? by Charlie Jane Anders

5 Tips for Navigating a Successful Novel Outline by David Bell

Freewrite: How to Write About Traumatic Events Without Adding More Trauma by Marlene Cullen

5 Tips for Getting Your Book Noticed on Amazon by Savannah Cordova

What’s the Point of Foreshadowing? by Jami Gold

Eyes Front by John Gilstrap

Pulp Diction. What We Can Learn from the Noir Czars by PJ Parrish

How to Characterize by James Scott Bell

The Johari Window: Understanding and Harnessing the Character Blind Spot by Kristen Lamb

Parody, Satire, and Fan Fiction: What’s the Difference? by Matt Knight

How Not to Write a Book About a Minority Experience by Tajja Isen

6 Ways to Incorporate a Dash of Foreign Language by Kathryn Craft

Blurbing and Being Blurbed by Barbara Linn Probst

How the Rising Action Works in a Story by Joe Bunting

Meet the Pitch Week XVII Finalists from When Worlds Collide!

 

About This Writing Stuff…

This week, Alice Sudlow and Dan Brotzel each offer ten tips for entering and winning short story contests. Joe Bunting provides a guide to story arcs and writing an effective first chapter, while Robert Wood challenges us to add a radical twist to our plots.

At Writer’s Digest, David Corbett teaches us how to develop our characters with each new scene while Elizabeth Sims shows us ways to elevate our stories to greatness. KD Holmberg reminds us that inanimate objects can also be powerful characters, and Chris Winkle helps us fill in our story’s middle.

All that and little more. Enjoy!

How to Write a Good First Chapter by Joe Bunting

Story Arcs: Definitions and Examples of the Six Shapes of Stories by Joe Bunting

Ten Lessons from Entering Hundreds of Short Story Competitions by Dan Brotzel

10 Steps to Win a Writing Contest by Alice Sudlow

6 Daring Plot Twists to Try in Your Writing Part I and Part II by Robert Wood

7 Simple Ways to Make a Good Story Great by Elizabeth Sims

Inanimate Objects as Characters by KD Holmberg

How to Craft Characters Scene by Scene by David Corbett

Backstory for Writers: When and How by Ane Mulligan

Filling in Your Story’s Middle by Chris Winkle

Publishers File Suit Against Internet Archive by Association of American Publishers

Publisher Rocket vs. KD Spy: Which is Best for You? by Brendan Hufford

 

 

 

Book Review: The Masks of Time by Robert Silverberg

The Masks of Time by Robert SilverbergOn Christmas Day in 1998, a charismatic being in the form of a nude man materializes from a shimmering electrical field in the middle of Rome. Calling himself Vornan-19, he claims to have traveled back in time 1,000 years to observe the cultures of primitive Earth.

Soon after, the United States government assembles a motley team of five scientists to escort Vornan across the nation, around the globe, even to the moon colonies, all the while studying him in an attempt to determine or debunk his authenticity. Yet, Vornan offers little more than nebulous scraps of information about the future and evades direct questions about the mechanics of time travel, asserting ignorance about all matters scientific and technical.

Rather, Vornan admits to being little more than a bored dilettante from the future seeking to amuse himself by partaking in the sexual customs of “underdeveloped” humans. He reveals only that he hails from a land known as the Centrality and that poverty, starvation, even death have been eliminated, somehow, during the 1,000 years between our time and his.

Among Vornan’s cadre of guardians is Leo Garfield, a middle-aged physicist stymied in his current academic career and in need of a distraction. It is his through Garfield’s point of view that we experience the escapades of Vornan-19, for it is with Garfield that Vornan forms the closest bond.

Vornan’s habitual venery not only extends to the female scientists of the group, but almost any random woman, or man, he happens to encounter in his travels. Despite Garfield’s attempts to keep him in check, Vornan manages to leave chaos and frustration in his wake wherever he goes. Whether that is intentional or a merely the result of being a stranger in a strange land is anyone’s guess.

His popularity in the media rapidly escalates, to the chagrin of a cult known as the Apocalyptists, who believe that the world will end on January 1, 2000. Their public protests and orgies become more fervent as they rail against Vornan, even while he amasses a rabid following of his own. To desperate millions around the world, this prophet from the future brings hope and wisdom. He becomes their new messiah.

Is Vornan-19 merely a simple observer from the future seeking an escape from ennui and indolence, or is he a sham taking advantage of a gullible and “underdeveloped” humanity?

The Masks of Time was published in 1968, during the Vietnam War and a period of violent civil unrest in the United States. People sought hope, equality, peace, but most of all meaning, and many of them looked to various new-age religions and cults to find it. Robert Silverberg deftly adopted all of these elements into the tale of Vornan-19.

While the story opens with the amusing and engaging arrival of Vornan in Rome, the second chapter is loaded down with exposition during Garfield’s initial visit with his friends Jack and Shirley in Arizona. From there, the pacing remains uneven, but the story held my attention to the end.

About This Writing Stuff…

This week, Ruth Harris reminds us that writing is a marathon, not a sprint while Meghan Ward offers tips for ramping up the action in our stories.

Jami Gold provides a three-part series on point of view, Kristen Lamb discusses the benefits of using an unreliable narrator, Sandra Beckwith guides us through the challenges of book marketing, and Chris Winkle walks us through plotting a novel series.

All that, and a little more. Enjoy!

A Writer’s Guide to Patience, Practice, and Persistence by Ruth Harris via Anne R. Allen

Is Your Story a Bit Lazy? Five Ways to Improve the Action by Meghan Ward via Anne R. Allen

7 Questions to Ask Before Creating Your Book Marketing Plan by Sandra Beckwith

Is Our Story’s Point of View Really What We Think It Is? by Jami Gold

How Does Our Characters POV Affect Our Story? by Jami Gold

What Do Readers Want from a Story’s POV? by Jami Gold

Deception as a Storytelling Device: Introducing the Unreliable Narrator by Kristen Lamb

Will China’s Entry into U.S. Publishing Lead to Censorship? by Ed Nawotka

How to Plot a Novel Series by Chris Winkle

Getting Comfortable with Failure by Jael McHenry

Into the Woods by Dave King

Learning from Pinocchio: Creating Charaters Who Are Fully Alive by Barbara Linn Probst