All posts by philgiunta@ptd.net
Ain’t Got No Razzle-Dazzle
Sun-Maid Raisins prints nuggets of advice or motivation on their box tops. It’s typically a random mix. However, every message this week has been the same.
I sure as hell don’t feel that I have much razzle-dazzle, but I’m flattered that someone thinks so and reminds me on a daily basis.
The past seven months have delivered a steady supply of crises and complications in my professional and personal lives, all of which have affected my health.
In late September 2022, a colleague at my day job died suddenly at the age of 42. The ripples of that loss have not yet abated. We’re still feeling it and stress levels have been high, but we’ve brought in help and made enormous strides. That’s all I can say about that.
Unfortunately, a few weeks before he died, I began experiencing a few health issues, which have since been exacerbated by extreme stress. I’m managing it with help, but I’ve been in a dark place for seven months and counting. Anxiety and depression have been frequent companions for most of my life, but this is worst they’ve ever been. Every day I hold onto hope that it will get better with time, patience, and taking the proper actions toward recovery.
Of course, recovery would me much easier were it not for for a recent family complication that has landed on my shoulders. Again, I can’t say much about it, but this could evolve into a critical situation in the near future and erode even more of my writing time.
Another complication that presented itself even before all of the above was the 2021 announcement from the small press that published my paranormal mystery novels (Testing the Prisoner, By Your Side, Like Mother, Like Daughters) that they closed shop and are no longer accepting submissions. Although they’re leaving all current titles on the market for the time being, they are no longer working with the writers to promote, run sales, or otherwise keep the books viable.
In light of this, I’m preparing to publish second editions of Testing the Prisoner (2009) and By Your Side (2012) over the next year. I’m taking the opportunity to re-edit both books, tweaking them just enough to strike a balance between my writing style of the time and my writing style today. Both will undergo a facelift with brand new covers by a local comic book artist. As for Like Mother, Like Daughters (2018), I’ll tackle that once the first two are finished. Stay tuned for more info.
I am pleased to report that my detective story, “Pearl of Great Price,” will be included in the crime noir anthology, Hard-Boiled and Loaded with Sin by Hawkshaw Press (an imprint of Devil’s Party Press). The book is slated for release on June 26, 2023.
Also, my science fiction comedy tale, “See You Around the Cosmos, Sweet Cheeks!” took Honorable Mention in the 2023 NFPW Communications Contest. Click here for more information about the National Federation of Press Women.
I was disappointed to learn that Delaware publisher Cat & Mouse Press retired their annual Rehoboth Beach Reads short story contest after ten years. The contest had a fantastic run and I was honored to have two stories published in the contest anthologies Beach Nights (2016) and Beach Secrets (2021). I also had two stories included in Beach Pulp (2019), an open call anthology that pays homage to the detective and SF pulp magazines of the 1930s and 1940s.
Finally, my YouTube channel has not been updated with new content in nearly a year and is suffering from abandonment issues—again. I recorded a reading of “Pearl of Great Price,” which will posted to my channel when the book goes live in June or thereabouts. I plan to record other stories and updates that will go live soon as well.
That’s where I’ve been for the past several months. Peace of mind has been at an all time low, but as always, I press forward.
I hope all is well with you and yours and that you remain safe and healthy while navigating these bizarre and dangerous times. Don’t lose your razzle-dazzle!
About This Writing Stuff…
This week, we focus more on craft than business. From Good Story Company comes advice on writing authentic female characters, enticing opening lines, and effective descriptions.
Jami Gold reviews the different types of character arcs and how they can be applied to short stories. Over at Mythcreants, Chris Winkle delves into the use of foreshadowing and also explains why realism has no place in fiction.
From Writer Unboxed, John J. Kelley shows us how social events can be used to help with character and plot development while Kim Bullock offers self-care advice for writers during trying times.
All that a lot more. Enjoy!
Writing Descriptions by Good Story Company
Writing Female Characters by Amy Wilson
3 Ways to use AI for Screenwriting (Other Than Writing a Bad Script) by Ken Miyamoto
Writing the Opening Line by Rhiannon Richardson
Using TikTok to Promote Your Writing by Ellen Levitt
Short Stories: Can They Still Have Character Arc? by Jami Gold
Traditional or Self-Publishing – That is the Question by Rod Martinez
Subtext – Guest Post by Karen Albright Lin via Debbie Burke on Kill Zone
The Why and How of Foreshadowing by Chris Winkle
10 Things to Know About BookBub Readers [Infographic] by Carlyn Robertson
Handling Editorial Feedback without Getting Overwhelmed by Tessa Barbosa
Self-Care for Writers in a Pseudo-Dystopian World by Kim Bullock
The Big Event – Using Social Occasions to Elevate Your Story by John J. Kelley
Why Realism is Toxic to Fiction by Chris Winkle
The Last Word: Epilogues by Sophie Masson
Book Review – TV:2000 edited by Isaac Asimov, Charles G. Waugh, Martin Harry Greenberg
Gathering some of the best SF writers of the time including Isaac Asimov, Larry Niven, Theodore Sturgeon, Robert Silverberg, and more, TV:2000 offers prescient tales of television’s effects on society, how it can be used to shape opinion as much as entertain, misinform, disinform, and overwhelm.
As with any anthology, some stories are better than others and a few seem to miss the theme. My favorites included “The Jester” by William Tenn, “The Prize of Peril” by Robert Scheckley, “Mercenary” by Mack Reynolds, “And Madly Teach” by Lloyd Biggle, Jr., and “Interview” by Frank A. Javor.
About This Writing Stuff…
This week, we spotlight BookBub with articles about gaining followers, growing your readership, how BookBub’s auction model works, and strategies for using ads on their platform.
Becca Puglisi, co-author of the Emotion Thesaurus, offers tips on how to create insecure characters while Sarah Gribble provides a guide to writing horror. Do you know who your target audience is? If not, Amy Wilson has some advice for you.
All that and a little more, including a few discussions about Ray Bradbury. Enjoy and Happy St. Patrick’s Day!
What’s Autofiction? Should You Fictionalize the Story of Your Life? by Anne R. Allen
Point of View: What’s the Best Choice? by Jami Gold
Honing Your Author Voice by Heather Webb
BookBub Ads 101: How the Auction Model Works by AJ Jack
Using BookBub Ads to Drive Series Sell-Through by AJ Jack
Who is My Target Audience? by Amy Wilson
How to Write a Novel Synopsis from Good Story Company
How to Write Horror: 8 Crucial Components to Terrify and Delight by Sarah Gribble
Ray Bradbury and Roald Dahl by David Boaz
10 Tips for Growing a Global Audience of Readers by Mark Leslie Lefebvre
Can Writing Heal Physical Pain? by Sue Coletta
In Favor of Present Tense Writing by Rhiannon Richardson
Writing Insecure Characters by Becca Puglisi
14 Ideas for Getting More BookBub Followers by Diana Urban
The Sideshow Magician Who Inspired Ray Bradbury—Then Vanished by Erik Ofgang
About This Writing Stuff
This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.
Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.
With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.
All that and a bit more. Enjoy!
A Copy-Editing Checklist for Novelists by Dana Isaacson
Writing for Theater and Film by Carina Jaramillo*
How to Write an Optimized and High-Converting Book Description by Rob Kosberg
4 Ways to Organize Your Third-Person POVs by Kathryn Craft
5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey
6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan
How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban
Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell
Managing Exposition Starts With Simplifying the Story by Chris Winkle
Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare
An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie
How to Use Scars to Deepen Characterization by Sue Weems
The Ten Types of Stories and How to Master Them by Joe Bunting
*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?