All posts by philgiunta@ptd.net

Book Review – Origins: Fourteen Billion Years of Cosmic Evolution by Neil deGrasse Tyson and Donald Goldsmith

Arguably the most popular science communicator since Carl Sagan, Neil deGrasse Tyson, in collaboration with fellow astrophysicist Donald Goldsmith, delivers an engaging and sometimes humorous account of the origins of the universe, our solar system, our planet, and life on Earth. I read Origins shortly after watching Tyson’s Inexplicable Universe series and reading A Universe from Nothing by Lawrence M. Krauss. As such, some of the material covered in the book (as well as a few of Tyson’s jokes) was review, such as the types and nature of quarks, the expansion of the universe as demonstrated by the Doppler effect (something I learned while watching the original Cosmos as the age of nine), the formation (and naming) of the planets, moons, and asteroids in our solar system (learned in middle school and high school), and a tour of periodic table (it’s been a while!).

I enjoyed the refresher on topics such as the anthropic principle, ekpyrotic theory of the universe, homogeneous versus isotropic models of the universe, classifications of galaxies and of nebulae, methods for discovering exoplanets (some of which were also demonstrated in episode seven of Carl Sagan’s Cosmos series. At least some things haven’t changed!), measuring a star’s age by its depletion of lithium, the three branches of the tree of life (bacteria, archaea, and eukaryota), and much more.

Highly recommended!

Book Review: A Universe from Nothing by Lawrence M. Krauss

Universe from Nothing by Lawrence KraussCounted among the best of contemporary science popularizers, Dr. Lawrence Krauss presents an edifying and eminently readable guide through the scientific theories of cosmogony, as well as the history of scientific research and discovery on the topic, all to answer the question, “Is there truly such a thing as nothing?”

An award-winning theoretical physicist and cosmologist, Krauss explains various theories and evidence including the Big Bang versus steady state theory, cosmic inflation, particle physics, string theory (of which he is not necessarily a proponent), dark energy, dark matter, cosmic microwave background radiation, the “cosmic jerk” effect on the accelerating universe, and much more. He also spends several pages pondering whether cosmologists and astronomers trillions of years from now will be able to ascertain the true origins of the universe once it has expanded to a point where so much physical evidence may no longer be available.

I would be remiss if I didn’t mention that an underlying theme of Krauss’s book is the dismissal of theology and all Creation myths as possessing any factual basis for the origin of the universe—a point which Krauss touches on sporadically at various points.

One aspect that I enjoy as much as the science is learning about the history of scientific theories and discovery. As the book unfolds, Krauss—like Carl Sagan, Neil deGrasse Tyson, Michio Kaku, and others—takes the time to offer brief anecdotes and background information on several of the notable physicists, mathematicians, astronomers, and cosmologists who have contributed to our knowledge of the universe over the past century.

About This Writing Stuff…

This week, Harrison Demchick delivers a comprehensive four-part series on Point of View.* Over at Mythcreants, Chris Winkle talks specifically about omniscient narration and Anthony Ehlers at Writer Write touches on ways to spice up your writing by changing POV.

(*Mr. Demchick will be a guest at The Write Stuff writers conference in March in Bethlehem, PA!)

Anne R. Allen offers advice on writing your final chapter while Peter Selgin warns against wasting the first one. James Scott Bell encourages us to find the one thing at the heart of your novel.

Matthew V. Clemens sites one of my all-time favorite films as the apotheosis of suspense—which is precisely what Allison Brennan discusses in her article about pacing.

All that and a lot more. Enjoy!

How to Write Better Fiction Using Limited Point of View by Harrison Demchick

How to Choose the Best Point of View for Your Story’s Purpose by Harrison Demchick

How to Rely on the Unreliable Narrator by Harrison Demchick

How to Exploit Uncommon Points of View in Your Novel by Harrison Demchick

Writing Your Final Chapter: 6 Do’s and Don’ts for Bringing Your Novel to a Satisfying Conclusion by Anne R. Allen

Secrets of Suspense: What I Learned from JAWS by Matthew V. Clemens

Pacing: The Key to Scintillating Suspense by Allison Brennan

What One Thing is Your Novel About? by James Scott Bell

Five Essentials of Omniscient Narration by Chris Winkle

Taxes and the Writer—The Tax Cuts and Jobs Act of 2017 by Matt Knight

Fiction Contests Worth Your Time in Winter 2019 by Arthur Klepchukov

When Your Story Opening Does Nothing but Blow Smoke by Peter Selgin via Jane Friedman

Revive Dull Descriptions with Simple Tweaks in Viewpoint by Anthony Ehlers

How Do You Find the Plot of a Story? Using Scenarios by Now Novel

A Home Library Can Have a Powerful Effect on Children by Robby Berman

Dorothy Catherine “D.C.” Fontana, 1939-2019

One of Gene Roddenberry’s most redoubtable storytellers from the original Star Trek series has died. Dorothy Catherine “D.C.” Fontana was a supremely talented screenwriter whose career spanned decades and included BonanzaThe Six Million Dollar ManThe Waltons, Kung Fu, Land of the Lost, The Streets of San Francisco, Star Trek: The Next Generation, Star Trek: Deep Space Nine, and more.

As a writer and a Trekkie, I wish I’d had the opportunity to meet Ms. Fontana. She was a master of her craft and someone I consider a personal influence.

Dorothy FontanaD.C. Fontana Obituary Dorothy FontanaJourney to Babel This Side of Paradise
Encounter at Farpoint

 

On Santa, Elves, and Angels…

Over the River and Through the Woods (front cover)We often hear about the mystery of Christmas. In  Over the River and Through the Woods, we not only have a mystery, but a detective noir tale set in Santa’s North Pole workshop complete with a hilariously crass elven anti-heroine named Tink.

“I didn’t write Tink; I think Tink wrote herself. Her voice was so loud, strong, funny, and irreverent, I had to put it on a page. She may end up in a full-length novel, because I’m not sure she’s done talking yet.” —Abigail Drake, author of “Tink”

Speaking of mysteries, a peculiar woman on the street catches the attention of the protagonist in Maryalice Meli’s story and we soon learn that appearances can be deceiving…

“When I think of Christmas holiday celebration, I think of Wampum, PA. This little Lawrence County town has the biggest parade of any outside Pittsburgh. My story is set at a Christmas parade though the story itself of an elderly woman outsmarting the angel of death has nothing to do with the parade.” —Maryalice Meli author of “The Christmas Angel”

Finally, Amy Morley reminds us that regardless of whether he’s flesh and blood or merely a myth, Santa Claus is a symbol of hope and virtue worth believing in—at any age.

“This is longer than you wanted. But I had to give the whole story in order for it to make sense.

I wrote “Reminiscing on the Nostalgia of Happier Times” as part of a writing exercise when I took a poetry class with regional poet Bill Boggs back in the fall of 2011. The prompt was to write about a memory, and to practice using imagery. As I sat down to write I remember hearing jingle bells in my memory.

The fall of 2011 was actually a very sad time in my life due to unexpected challenges that turned my life upside down. During these months I had numbed myself from feeling anything just so I could get through it without crying every second, so this was a very difficult assignment for me. I was trying not to remember anything at all as a defense mechanism from feeling additional remorse from what I thought at the time was a life full of regrets. But when I thought about what to write, I kept hearing jingle bells.

Those bells brought me back to a memory from November 1993, when I was 15 years old and I met a “Sidewalk” Santa at the South Street Seaport in New York City. I was a sophomore in high school and my marching band had performed in the Macy’s Thanksgiving Day Parade earlier that day. We had to wake up at 2AM so I was sleep deprived, so I am not sure what was real and what I had imagined from this memory.

But from this memory, I heard jingle bells. Santa was walking along the pier and ringing a bell. The bells were haunting, and I was drawn to them, almost hypnotized, and I felt as though they were calling me. I walked up to Santa and out of nowhere I told him that even though I was 15 years old, I still believed in him, and asked him what I had to do to get people to believe in me? I told him that it was impossible for people to believe in a mythical being, but somehow there are enough people in this world who continually believe and therefore keep him alive. Yet I was only 15 years old and I felt as though no one noticed me, no one thought I was important, no one believed that I would ever become someone of worth or recognition, but I knew that I was someone worthy. I knew I had talents and skills, I just didn’t know what they were, and I was afraid to even try to figure it out because I knew it would be useless since I felt discouraged and defeated all of the time. I told him that I just needed someone to believe in me. I asked him if he would believe in me since I still believe in him. He told me, “you keep believing in me and I will keep believing in you. And I promise you that things will change for you in the new year.”

And they did. A million different ways they did.

I wrote this poem when I was 32 years old. It was seventeen years after I met the real Santa Claus. I needed him at age 15 and then again at age 32. He was there for me both times; once in person or as a spirit even perhaps, and once again in my memory. Both times he was the one who believed in me, when I was alone, even when I didn’t believe in myself. Both times his presence in my life changed things so significantly that there’s no other explanation as to how he was able to do this, other than the fact that he was the real Santa Claus.” —Amy Morley

Proceeds from the sale of Over the River and Through the Woods benefit the Ligoner Camp and Conference Center, home of the Mindful Writers Retreat. We thank you for your support!

Over the River and Through the Woods (front cover) Over the River and Through the Woods (back cover)

Book Review: New Dreams This Morning edited by James Blish

New Dreams This Morning edited by James BlishJames Blish presents a science fiction anthology with a thought-provoking and often contentious theme—the future of the arts. What will become of creativity in the age of automation, or after the apocalypse, or when humanity migrates to other worlds? These topics are addressed by such master storytellers as Isaac Asimov, Harry Harrison, Damon Knight, C.M. Kornbluth, Edgar Pangborn, Robert Silverberg, and James Blish.

Every story in this gathering was excellent and choosing favorites was next to impossible.

In Isaac Asimov’s “Dreaming is a Private Thing,” corporations hire people whose dreams are so opulent and vivid that they can be recorded and sold for public consumption.

In James Blish’s “A Work of Art” resurrects 19th century German composer Richard Strauss in the year 2161. Repulsed by what he considers the regression of music in this modern age, Strauss sets out to compose an opera based on Christopher Fry’s play, Venus Observed. Although his opera is wildly successful, Strauss comes to realize two awful truths about himself… and his fate.

Blish’s second tale, “The Dark Night of the Soul” takes place at an artist’s retreat on the Jovian moon Callisto. However, it does not take long before the residents realize that a conspiracy is afoot, one that could result in the elimination of the arts from human civilization!

Harry Harrison’s “Portrait of the Artist” shows us what happens when the comic book industry succumbs to automation, leaving artists to do little more than touch up after computers stamp imagery onto the page—but what happens when the machines are upgraded and the artist is no longer needed at all?

In Damon Knight’s “The Country of the Kind,” a pariah wreaks havoc after being shunned by everyone in his community simply for being different. Finally, he tries to create art in a peaceful attempt to connect with another soul like this own.

In C.M. Kornbluth’s “With These Hands,” a sculptor and art instructor struggles to survive in a world where machines can be programmed to create sculptures from plastic in a method similar to today’s 3-D printing.

Edgar Pangborn’s novella, “A Master of Babylon” brings us into the post-apocalyptic life of an aging, eccentric musician living as a hermit for over two decades in what remains of New York’s Museum of Human History. When a teenage couple visit him in search of “Old Ones” to bring back to their village, the musician is thrilled to have an audience for his greatest—and final—performance.

In “A Man of Talent,” Robert Silverberg shows us the fate of a poet who, disgusted with the degradation of poetry on Earth, migrates to the farthest and least populated human colony of Rigel Seven. Hoping to live as a recluse, the poet is invited to adopt a unique role in a society where art is taken for granted.