Category Archives: Articles

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

About This Writing Stuff…

This week, Kathryn Craft offers guidance on adding foreshadowing to your manuscript while Anne R. Allen strongly advises writers to appoint a social media executor.

At the Write Practice, Michelle Renee Miller provides a few time management methods for writing on a busy schedule and Joe Bunting lists ten book writing strategies that, in his opinion, are doomed to fail. I don’t agree with all of them, but his arguments are persuasive.

Kristen Lamb speaks out against the latest trend of reading ebooks in their  entirety and returning them for a refund. She also takes to task writers for purple prose, crutch phrases, and other forms of filler.

All that and a little more. Enjoy!

Foreshadowing: A Revision Skill to Love by Kathryn Craft

Exploit Your Hero’s Flaws by Jim Dempsey

10 Book Writing Strategies that End in Failure by Joe Bunting

3 Foolproof Ways to Write With a Busy Schedule by Michelle Renee Miller

What is Rhythmic Writing? by Sue Coletta

Tolkien on the Importance of Fantasy and Science Fiction by Jonny Thomson

Literary Larceny & Why People Should Be Ashamed by Kristen Lamb

Fiction Filler: Bloated Writing Makes Readers Sick by Kristen Lamb

Why Every Writer Needs a Social Media Executor by Anne R. Allen

The Indie Writer Book Launch Guide Part I and Part II by Scott Semegran

About This Writing Stuff…

This week, Anne R. Allen explains the need for sensitivity readers and the consequences of disregarding them. Also on Anne’s blog, Stefan Edmunds presents The Adversity Cycle as a method for storytelling.

On the Screencraft blog, Ken Miyamoto offers advice on how to secure a manager and agent for your screenplay and David Young shows us effective ways to describe our characters beyond mere physical appearance.

At Career Authors, Brian Andrews delves into methods for managing backstory while Erica Ferencik provides valuable guidance on navigating the writing life. Kathryn Craft and Barbara Linn Probst discuss ways to breathe life into our secondary characters.

All that and a little more. Enjoy!

Screenwriting Basics: How to Sign with a Manager (and Agent) by Ken Miyamoto

7 Unusual Ways to Describe Characters in Your Screenplay by David Young

The Difference Between Jeff Bezos and Me by Bradley Graham

The Adversity Cycle by Stefan Edmunds via Anne R. Allen

Writers, Do You Need a Sensitivity Reader for Your Book? by Anne R. Allen

3 Successful Strategies to Write a Short Story by Sarah Gribble

4 Tips for Writing Backstory by Brian Andrews

11 Hard-Earned Lessons from Three Decades of Writing by Erica Ferencik

Are You Drowning Your Story in Your Imagery? by Dave King

Secondary Characters Deserve a Life of Their Own by Kathryn Craft

Secondary Characters with Purpose and Pzazz by Barbara Linn Probst

About This Writing Stuff…

This week, Anne R. Allen warns us against critiques that do more harm than good while Amanda Bennett takes a graphical approach to story structure.

C.S. Lakin encourages us to be the Foley artists of our fiction, Sarah Gribbles delves into the elements of compelling short stories, and Matt Knight reviews basics of copyright law.

Jaime Herndon and Adam Gabbatt address the alarming rise in book burning and book banning, respectively.

All that and a little more. Enjoy!

10 Dangerous Critiques: Beware Bad Writing Advice by Anne R. Allen

Copyright Basics for Writers by Matt Knight

How I Came Up with My Story Structure Mash-Up by Amanda Bennet

US Conservatives Linked to Rich Donors Wage Campaign to Ban Books from Schools by Adam Gabbatt

Draft2Digital Acquires Smashwords by Kevin Tumlinson

Rereading Fahrenheit 451 in an Age of Mass Censorship by Jaime Herndon

Grab the Popcorn and Improve Your Novel by Wendall Thomas

How to Use Framing Devices in Fiction by Heather Webb

How to Effectively Bring Sounds into Your Fiction by C.S. Lakin

What is a Satire and How Do I Write One? by Susanne Bennett

Elements of a Short Story by Sarah Gribble

About This Writing Stuff…

This week, Kristen Overman shows us what active dialogue is all about while Anne Hawley analyzes how our brains process exposition.

Over at BookBub, Diana Urban offers ideas for unusual book marketing, promoting sequels, and using social media effectively while avoiding burnout. At Writer Unboxed, Donald Maass has seen the gods, monsters, and murderbots and they are us!

Clayton Noblit and Lauren McLean prognosticate on what’s ahead in publishing this year and Michael Ventrella provides an astonishing example of how NOT to handle a story rejection.

All that and a little more. Enjoy!

How to Write Active Dialogue by Kristen Overman

Gods, Monsters, and Murderbots by Donald Maass

Too Much Information: Exposition and the Reading Brain by Anne Hawley

FBI Arrests Man Who Allegedly Stole Book Manuscripts and Defrauded Hundreds by Deepra Shivaram

Authors on Social Media: Choosing Platforms & Avoiding Burnout by Diana Urban

6 Out of the Box Marketing Ideas You HAVE to See by Diana Urban

12 Clever Ideas for Promoting Sequels or Later-Series Books by Diana Urban

The Top Eight Publishing Trends for 2022 by Clayton Noblit

2022 Publishing Predictions from Literary Agent Laurie McLean via Anne R. Allen

How Not to Accept a Rejection by Michael A. Ventrella

List of 234 Interesting Character Quirks presented by YourDictionary

About This Writing Stuff…

After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!

This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.

Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.

All that and a little more. Happy Holidays!

What is a Novel Synopsis? Here are Two Examples by MasterClass Staff

3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto

How to Tell a Story: The Rule of Three by Anne R. Allen

How to Handle the Blurb Thing by Hank Phillippi Ryan

Getting Your Book Noticed by Patricia Bradley

Foreshadowing Reveals is Easier Than You Think by Chris Winkle

Street Cred: Getting Your Work Noticed by Liza Taylor Nash

Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez

Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase

How to Use Vivid Verbs to Bring Your Scenes to Life  by J.D. Edwin