Category Archives: Opinion

Articles, Blog, Craft, Opinion, Writing and Publishing

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This month, Steven H. Wilson discusses some of the elements that comprise a gripping novel while Joe Bunting schools us on the use of rising action in storytelling.

Secrets are revealed over at Career Authors as Tiffany Yates Martin explains the four habits of successful authors, Tracy Clark shares five tips on pacing, and Sharon Short offers strategies for writing from first person POV.

Speaking of POV, third-person omniscient is still alive and well and  that sagacious “mythcreant” Chris Winkle shows us how to use it effectively.  She also shows us ways in which exposition can be used to evoke emotion.

All that and a little more. Enjoy and Happy Holidays!

What Makes a Good Story? by Steven H. Wilson

What Third-Person Omniscient POV is and How to Master It by Chris Winkle

What is Didactic Literature? Have we Outgrown it? by Robert Harrell

4 Survival Skills of Highly Successful Authors by Tiffany Yates Martin

Wait for it! Five Secrets to Perfect Pacing by Tracy Clark via Hank Phillippi Ryan

Six Secrets to Writing from the First Person Point of View by Sharon Short

Nine Things to Consider Before Giving Up on Your Book by Penny C. Sansevieri

Rising Action: Definition and Examples of This Dramatic Structure Element by Joe Bunting

What If You’re Writing Novellas? Now What? by Tara Deal via Jane Friedman

How to Use Exposition to Evoke Emotion by Chris Winkle

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This month, Emily Inkpen explains why context is as important as motive and conflict and why the consequences of trauma must be addressed in character-driven narratives.

Crystal King serves up a lesson on the importance of food and drink in world building, Ellen Buikema shows us how to develop well-rounded characters by including their hobbies and interests, and Kathryn Craft reminds us that even bad novels have something to teach us.

Looking for a writing prompt? Sarah Gribble encourages us to try pictures (personal note: I’ve done this twice and one of the stories was nominated for a Pushcart Prize) while Kelley J. P. Lindberg coaches us through writing those torturous loglines.

All that and a lot more writerly knowledge. Enjoy!

Why Context is Key in Character-Driven Narratives by Emily Inkpen

Why Trauma MUST be Recognised in Character-Driven Narratives by Emily Inkpen

Food and Drink as Essential Elements in Fiction by Crystal King

4 Questions to Strengthen Lean Manuscripts by Lisa Fellinger via Jane Friedman

5 Reasons to Use Pictures as Writing Prompts by Sarah Gribble

6 Ways Reading Bad Novels Can Make Good Writers by Kathryn Craft

7 Important Things I Wish Every Writer Knew by Rachel Toalson

Words of Wisdom on Writer’s Block by Dale Ivan Smith

How Characters’ Hobbies and Interests Affect the Narrative by Ellen Buikema

Pacing in Writing: 10 Ways to Master Pace and Keep Your Readers Riveted by Joslyn Chase

Loglines—One-Sentence Torture Devices for Writers by Kelley J.P. Lindberg

Draft2Digital 2024 AI Training Survey Results by Kris Austin

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This month, we begin with author marketing and branding with Good Story Company’s Michal Leah. From there, Anne R. Allen weighs in on the value of blogging vs Substack (and newsletters in general).

These days, of course, we can’t avoid the digital elephant in the room known as AI, especially as related to copyright infringement. Check out the latest on that from The Authors Guild and Sidebar Saturdays.

We conclude our lineup with a variety of fantastic articles covering such topics as crafting effective dialogue and unforgettable opening scenes to exploring your character’s taboos and writing compelling inner conflict. Enjoy!

DIY Author Marketing 101 by Michal Leah

Substack Newsletters vs. Blogging: Should Authors Quit Blogging and Join Substack by Anne R. Allen

No One Buys Books by Ellie Griffin

Authors Guild Supports Groundbreaking Bill to Create AI Transparency Between Creators and Companies 

Big Tech’s Disregard for Authors: AG Responds to Tech Companies Harvesting Books 

Artificial Intelligence Generated Work – Copyright Protection and Infringement by Matt Knight

Why Should I Bother with an Outline? by Kristen Overman

Dig Into Your Character’s Taboos by Kathryn Craft

Labeling Your Dialogue by Chris Winkle

Shaping the Sound of Your Dialogue by Chris Winkle

Pacing Your Dialogue by Chris Winkle

Avoid, Persevere, Endure, Fight: 4 Goals for Unforgettable Opening Scenes by Ayesha Ali via Jane Friedman

Upmarket Fiction: Everything You Need to Know by Louise Tondeur

Why Trains Make the Perfect Thriller and Mystery Setting by Debbie Babbit

How to Write Compelling Inner Conflict by Angela Ackerman via Jane Friedman

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This month, we begin with Rebecca Jennings’s article from Vox on the importance of TikTok to a creative’s chances of success followed by a rebuttal from publishing industry expert Jane Friedman.

From Good Story Company, Kristen Overman challenges us to try journaling as a route to a solid first draft and Amy Wilson shows us how to describe emotions through action, dialogue, and deep POV.

Speaking of deep POV, Lisa Hall-Wilson at Writers in the Storm expands on that topic while Lynette M. Burrows explains the differences between tension, suspense, and conflict.

On Anne R. Allen’s blog, guest Jodie Hurst addresses the pros and cons of that 800-pound digital gorilla in the room—artificial intelligence.

All that and a little more. Happy St. Patrick’s Day!

Want to sell a book or release an album? Better start a TikTok by Rebecca Jennings

Author Platform is Not a Requirement to Sell Your Novel or Children’s Book by Jane Friedman

How to Describe Emotion by Amy Wilson

Journaling to Productive First Drafts by Kristen Overman

After Your First Draft: The Search for Meaning by Patti Callahan Henry

Beguile Your Readers with Tension, Suspense, and Conflict by Lynette M. Burrows

How to Remove the Author Voice for Deep Point of View by Lisa Hall-Wilson

Don’t Kill Your Darlings by Philip Athans

Substack is Both Great and Terrible for Authors by Jane Friedman

How to Make Your Writing More Sensitive – and Why it Matters by Melissa Haun

It’s the Age of AI: How to Survive and Thrive as a Writer by Jodie Hurst via Anne R. Allen

 

 

 

Articles, Blog, Opinion, Promotion

Endless Self-Promotion? No Thanks.

This article from Vox speaks to a concern I’ve had for several years about promoting your “brand” as an independent author or creator of any kind. The TL;DR version is that you need to be ubiquitous on social media, especially on TikTok, if you want to build an audience and sell your product.
I don’t know about anyone else, but I cannot carve out time to make an endless stream of videos and still manage a writing schedule, high-stress FT job, marriage, a home, my health, and soon caring for an aging parent. I’m only one person already stretched thin across five or six social media platforms, maintaining a website and a YouTube channel that I can barely keep current.
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From the article:
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“The labor of making TikToks — and if you want to reach the most people in the shortest amount of time, TikTok is pretty much the only place to go — requires both tedium and skill. You’ve got to get used to the app’s ever-evolving editing features, understand the culture of the platform, make yourself look presentable but not too presentable or risk coming off as inauthentic, prepare for and practice what you’re going to say, but again, not too much. And you’ve got to do it again and again and again, because according to every single influencer ever, the key to growing your audience is posting consistently.
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More than that, you’ve got to actually spend your time doing this stuff on the off chance that the algorithm picks it up and people care about what you have to say. You’ve got to spend your time doing this even though it’s corny and cringe and your friends from high school or college will probably laugh as you “try to become an influencer.” You’ve got to do it even when you feel like you have absolutely nothing to say, because the algorithm demands you post anyway…
You’ve got to offer your content to the hellish, overstuffed, harassment-laden, uber-competitive attention economy because otherwise no one will know who you are.”
It’s discouraging and demoralizing to know that even if you produce high quality books, art, or music, it means nothing unless you work yourself to exhaustion clamoring for attention on the shitshow dumpster fire that is social media.  Good luck to us all.