Category Archives: Opinion

About This Writing Stuff…

This week, we’re doing it by the numbers. At Career Authors, Polly Stewart offers five tips for creating suspense while Barbara Butcher explains six rules for writing true crime.

Mythcreants Chris Winkle and Oren Ashkenazi give us five ways to maintain tension in our stories and five mistakes to avoid when crafting our villain’s master plan.

Over at the Kill Zone, Sue Coletta shows us a formula for writing effective back cover copy while James Scott Bell reviews the latest news in the publishing industry.

If you want to make sure your characters aren’t boring, listen to Amy Wilson at Good Story Company. If you want your characters to be iconic, take some advice from literary agent Donald Maass.

All that and a lot more. Enjoy!

CRAFT

Boring Characters by Amy Wilson

3 Helpful Tips for How to Rewrite a Novel by Rhiannon Richardson

Better Book Descriptions in 3 Easy Steps by Sue Coletta

Five Secrets to Writing Suspense by Polly Stewart

Five Ways to Restore Tension by Chris Winkle

Five Questions to Ask About Your Villain’s Master Plan by Oren Ashkenazi

Six Rules for Writing About True Crime by Barbara Butcher

Iconic Characters: Made Not Born by Donald Maass


BUSINESS

Eye on the Publishing Business by James Scott Bell

The Balance Between Indies by Lauren Wise

8 Unexpected Benefits from BookBub’s New Releases for Less Promotions by AJ Yee

Top Tips on BookBub Cost-Per-Click Bidding from 15 Advertisers by Carolyn Robertson

KKR in Advanced Talks to Buy Simon & Schuster for $1.65 Billion by Anirban Sen and Milana Vinn

 

 

 

 

About This Writing Stuff…

This week, take some lessons in suspense from the master himself, Alfred Hitchcock.

Speaking of lessons, Amy Wilson and Anne R. Allen offer advice about writing effective dialogue while Maggie Smith teaches us several ways to make our secondary characters stand out. Over at Mythcreants, Chris Winkle discusses passive voice and how to create a story outline.

The nice folks at Good Story Company show us how to build a better author website and at BookBub, it’s all about promotion and crafting a captivating book description.

All that and a little more. Enjoy!

Using Dialogue Tags Effectively by Amy Wilson

Electrify Your Thriller with These Tips from the Master of Suspense, Alfred Hitchcock by Dana Isaacson

Writing Under a Pseudonym by Good Story Company

How to Write a Book Description: Tips from BookBub Editors by Lauren Aldrich

What Fiction Writers Should Know About Passive Voice by Chris Winkle

How to Outline Your Story by Chris Winkle

From Sidekick to Scene-Stealer: Making Your Secondary Characters Memorable by Maggie Smith

Who Should Be Telling This Story? by Jeanne Kisacky

9 Common Dialogue Problems and How to Fix Them by Anne R. Allen

10 Author Websites and Why They Work by Good Story Company

12 Fantastic BookBub Ad Designs Promoting New Releases by Shailee Shah

25 Authors Running Fantastic Book Promotions on Instagram by Shailee Shah

About This Writing Stuff…

This week, Dave Chesson reviews the pros and cons of Draft2Digital’s services while Chuck Wendig expresses concern about the current literary landscape with a focus on AI and book bans.

At Mythcreants, Chris Winkle reminds us that the hero of our story should always have agency, even when things go sideways.  Elisa Bernick advises new writers on the right and wrong ways to approach established authors for advice while the nice folks at Good Story Company offer tips on marketing your books to libraries.

Over at BookBub, we have a trove of information on book promotion covering topics such as pre-orders, contests and giveaways, and attracting new readers.

All that and a little more. Enjoy!

Draft2Digital: Read THIS Before You Sign Up by Dave Chesson

Marketing to Libraries by Good Story Company

Giving Your Hero Agency When Things Go Wrong by Chris Winkle

Origin Stories and Big Reveals: Do We Really Need Them? by Barbara Linn Probst

Let’s Chat About ChatGPT by James Scott Bell

6 Ways Clichés Can Help Your Writing by Kathryn Craft

Striking Hollywood Scribes Ponder AI in the Writer’s Room by Mandalit del Barco

The State of Being a Published Writer in 2023 is Really Weird and a Little Worrisome by Chuck Wendig

The Right Way to Ask a Published Writer for Publishing Advice by Elisa Bernick

24 Great Prize Ideas for Book Promotion Contests and Giveaways by Leila Hirschfeld

11 Ways to Promote Preorder Books that Drive Real Results by Therese Walsh

BookBub: Promoting a New Book to Current Fans and New Readers [Case Study] by Carolyn Robertson

 

 

About This Writing Stuff…

This week, the folks at Good Story Company offer tips on writing active protagonists, realistic dialogue, and child characters.

Juliet Kemp discusses the basics of strong prose while Diana Urban provides a guide to social media for writers. How effective are author newsletters and what are the reasons to use them? Bookbub’s AJ Jack provides metrics and testimonials to answer all of your questions.

On the business side, Lauren Aratani spotlights Barnes and Noble’s second wind while David Barnett examines the often painful reality of being a debut author.

All that and a little more. Enjoy!

Authors on Social Media: Choosing Platforms and Avoiding Burnout by Diana Urban

Writing an Active Protagonist by Michal Leah

Tighten Up Your Writing by Juliet Kemp

Tips for Writing Child Characters by Good Story Company

Amazon Doesn’t Care About Books: How Barnes & Noble Bounced Back by Lauren Aratani

Writing Realistic Dialogue by Michal Leah

State of the Author Newsletters: Data from 500+ Authors by AJ Jack

Debut Authors Find Publishing ‘Disappointing’ — Sorry, What Do They Expect? by David Barnett

Writing Is Much Too Important to Be Left to Copywriters by Mike Reed

Know Your Story’s Selling Points by Paula Munier

Ain’t Got No Razzle-Dazzle

Sun-Maid Raisins prints nuggets of advice or motivation on their box tops. It’s typically a random mix. However, every message this week has been the same.

SunMaid Raisins-Razzle Dazzle

I sure as hell don’t feel that I have much razzle-dazzle, but I’m flattered that someone thinks so and reminds me on a daily basis.

The past seven months have delivered a steady supply of crises and complications in my professional and personal lives, all of which have affected my health.

In late September 2022, a colleague at my day job died suddenly at the age of 42. The ripples of that loss have not yet abated. We’re still feeling it and stress levels have been high, but we’ve brought in help and made enormous strides. That’s all I can say about that.

Unfortunately, a few weeks before he died, I began experiencing a few health issues, which have since been exacerbated by extreme stress. I’m managing it with help, but I’ve been in a dark place for seven months and counting. Anxiety and depression have been frequent companions for most of my life, but this is worst they’ve ever been. Every day I hold onto hope that it will get better with time, patience, and taking the proper actions toward recovery.

Of course, recovery would me much easier were it not for for a recent family complication that has landed on my shoulders. Again, I can’t say much about it, but this could evolve into a critical situation in the near future and erode even more of my writing time.

Another complication that presented itself even before all of the above was the 2021 announcement from the small press that published my paranormal mystery novels (Testing the Prisoner, By Your Side, Like Mother, Like Daughters) that they closed shop and are no longer accepting submissions. Although they’re leaving all current titles on the market for the time being, they are no longer working with the writers to promote, run sales, or otherwise keep the books viable.

In light of this, I’m preparing to publish second editions of Testing the Prisoner (2009) and By Your Side (2012) over the next year. I’m taking the opportunity to re-edit both books, tweaking them just enough to strike a balance between my writing style of the time and my writing style today. Both will undergo a facelift with brand new covers by a local comic book artist.  As for Like Mother, Like Daughters (2018), I’ll tackle that once the first two are finished. Stay tuned for more info.

I am pleased to report that my detective story, “Pearl of Great Price,” will be included in the crime noir anthology, Hard-Boiled and Loaded with Sin by Hawkshaw Press (an imprint of Devil’s Party Press). The book is slated for release on June 26, 2023.

Hard-Boiled and Loaded with Sin Book Cover

Also, my science fiction comedy tale, “See You Around the Cosmos, Sweet Cheeks!” took Honorable Mention in the 2023 NFPW Communications Contest. Click here for more information about the National Federation of Press Women.

I was disappointed to learn that Delaware publisher Cat & Mouse Press retired their annual Rehoboth Beach Reads short story contest after ten years. The contest had a fantastic run and I was honored to have two stories published in the contest anthologies Beach Nights (2016) and Beach Secrets (2021). I also had two stories included in Beach Pulp (2019), an open call anthology that pays homage to the detective and SF pulp magazines of the 1930s and 1940s.

Finally, my YouTube channel has not been updated with new content  in nearly a year and is suffering from abandonment issues—again. I recorded a reading of “Pearl of Great Price,” which will posted to my channel when the book goes live in June or thereabouts. I plan to record other stories and updates that will go live soon as well.

That’s where I’ve been for the past several months. Peace of mind has been at an all time low, but as always, I press forward.

I hope all is well with you and yours and that you remain safe and healthy while navigating these bizarre and dangerous times.  Don’t lose your razzle-dazzle!

About This Writing Stuff…

This week, we focus more on craft than business. From Good Story Company comes advice on writing authentic female characters, enticing opening lines, and effective descriptions.

Jami Gold reviews the different types of character arcs and how they can be applied to short stories.  Over at Mythcreants, Chris Winkle delves into the use of foreshadowing and also explains why realism has no place in fiction.

From Writer Unboxed, John J. Kelley shows us how social events can be used to help with character and plot development while Kim Bullock offers self-care advice for writers during trying times.

All that a lot more. Enjoy!

Writing Descriptions by Good Story Company

Writing Female Characters by Amy Wilson

3 Ways to use AI for Screenwriting (Other Than Writing a Bad Script) by Ken Miyamoto

Writing the Opening Line by Rhiannon Richardson

Using TikTok to Promote Your Writing by Ellen Levitt

Short Stories: Can They Still Have Character Arc? by Jami Gold

Traditional or Self-Publishing – That is the Question by Rod Martinez

Subtext – Guest Post by Karen Albright Lin via Debbie Burke on Kill Zone

The Why and How of Foreshadowing by Chris Winkle

10 Things to Know About BookBub Readers [Infographic] by Carlyn Robertson

Handling Editorial Feedback without Getting Overwhelmed by Tessa Barbosa

Self-Care for Writers in a Pseudo-Dystopian World by Kim Bullock

The Big Event – Using Social Occasions to Elevate Your Story by John  J. Kelley

Why Realism is Toxic to Fiction by Chris Winkle

The Last Word: Epilogues by Sophie Masson