Category Archives: Writing and Publishing

About This Writing Stuff…

This week, Dave Chesson reviews the pros and cons of Draft2Digital’s services while Chuck Wendig expresses concern about the current literary landscape with a focus on AI and book bans.

At Mythcreants, Chris Winkle reminds us that the hero of our story should always have agency, even when things go sideways.  Elisa Bernick advises new writers on the right and wrong ways to approach established authors for advice while the nice folks at Good Story Company offer tips on marketing your books to libraries.

Over at BookBub, we have a trove of information on book promotion covering topics such as pre-orders, contests and giveaways, and attracting new readers.

All that and a little more. Enjoy!

Draft2Digital: Read THIS Before You Sign Up by Dave Chesson

Marketing to Libraries by Good Story Company

Giving Your Hero Agency When Things Go Wrong by Chris Winkle

Origin Stories and Big Reveals: Do We Really Need Them? by Barbara Linn Probst

Let’s Chat About ChatGPT by James Scott Bell

6 Ways Clichés Can Help Your Writing by Kathryn Craft

Striking Hollywood Scribes Ponder AI in the Writer’s Room by Mandalit del Barco

The State of Being a Published Writer in 2023 is Really Weird and a Little Worrisome by Chuck Wendig

The Right Way to Ask a Published Writer for Publishing Advice by Elisa Bernick

24 Great Prize Ideas for Book Promotion Contests and Giveaways by Leila Hirschfeld

11 Ways to Promote Preorder Books that Drive Real Results by Therese Walsh

BookBub: Promoting a New Book to Current Fans and New Readers [Case Study] by Carolyn Robertson

 

 

About This Writing Stuff…

This week, the folks at Good Story Company offer tips on writing active protagonists, realistic dialogue, and child characters.

Juliet Kemp discusses the basics of strong prose while Diana Urban provides a guide to social media for writers. How effective are author newsletters and what are the reasons to use them? Bookbub’s AJ Jack provides metrics and testimonials to answer all of your questions.

On the business side, Lauren Aratani spotlights Barnes and Noble’s second wind while David Barnett examines the often painful reality of being a debut author.

All that and a little more. Enjoy!

Authors on Social Media: Choosing Platforms and Avoiding Burnout by Diana Urban

Writing an Active Protagonist by Michal Leah

Tighten Up Your Writing by Juliet Kemp

Tips for Writing Child Characters by Good Story Company

Amazon Doesn’t Care About Books: How Barnes & Noble Bounced Back by Lauren Aratani

Writing Realistic Dialogue by Michal Leah

State of the Author Newsletters: Data from 500+ Authors by AJ Jack

Debut Authors Find Publishing ‘Disappointing’ — Sorry, What Do They Expect? by David Barnett

Writing Is Much Too Important to Be Left to Copywriters by Mike Reed

Know Your Story’s Selling Points by Paula Munier

About This Writing Stuff…

This week, we focus more on craft than business. From Good Story Company comes advice on writing authentic female characters, enticing opening lines, and effective descriptions.

Jami Gold reviews the different types of character arcs and how they can be applied to short stories.  Over at Mythcreants, Chris Winkle delves into the use of foreshadowing and also explains why realism has no place in fiction.

From Writer Unboxed, John J. Kelley shows us how social events can be used to help with character and plot development while Kim Bullock offers self-care advice for writers during trying times.

All that a lot more. Enjoy!

Writing Descriptions by Good Story Company

Writing Female Characters by Amy Wilson

3 Ways to use AI for Screenwriting (Other Than Writing a Bad Script) by Ken Miyamoto

Writing the Opening Line by Rhiannon Richardson

Using TikTok to Promote Your Writing by Ellen Levitt

Short Stories: Can They Still Have Character Arc? by Jami Gold

Traditional or Self-Publishing – That is the Question by Rod Martinez

Subtext – Guest Post by Karen Albright Lin via Debbie Burke on Kill Zone

The Why and How of Foreshadowing by Chris Winkle

10 Things to Know About BookBub Readers [Infographic] by Carlyn Robertson

Handling Editorial Feedback without Getting Overwhelmed by Tessa Barbosa

Self-Care for Writers in a Pseudo-Dystopian World by Kim Bullock

The Big Event – Using Social Occasions to Elevate Your Story by John  J. Kelley

Why Realism is Toxic to Fiction by Chris Winkle

The Last Word: Epilogues by Sophie Masson

 

About This Writing Stuff…

This week, we spotlight BookBub with articles about gaining followers, growing your readership, how BookBub’s auction model works, and strategies for using ads on their platform.

Becca Puglisi, co-author of the Emotion Thesaurus, offers tips on how to create insecure characters while Sarah Gribble provides a guide to writing horror. Do you know who your target audience is? If not, Amy Wilson has some advice for you.

All that and a little more, including a few discussions about Ray Bradbury. Enjoy and Happy St. Patrick’s Day!

What’s Autofiction? Should You Fictionalize the Story of Your Life? by Anne R. Allen

Point of View: What’s the Best Choice? by Jami Gold

Honing Your Author Voice by Heather Webb

BookBub Ads 101: How the Auction Model Works by AJ Jack

Using BookBub Ads to Drive Series Sell-Through by AJ Jack

Who is My Target Audience? by Amy Wilson

How to Write a Novel Synopsis from Good Story Company

How to Write Horror: 8 Crucial Components to Terrify and Delight by Sarah Gribble

Ray Bradbury and Roald Dahl by David Boaz

10 Tips for Growing a Global Audience of Readers by Mark Leslie Lefebvre

Can Writing Heal Physical Pain? by Sue Coletta

In Favor of Present Tense Writing by Rhiannon Richardson

Writing Insecure Characters by Becca Puglisi

14 Ideas for Getting More BookBub Followers by Diana Urban

The Sideshow Magician Who Inspired Ray Bradbury—Then Vanished by Erik Ofgang

About This Writing Stuff

This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.

Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.

With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.

All that and a bit more. Enjoy!

A Copy-Editing Checklist for Novelists by Dana Isaacson

Writing for Theater and Film by Carina Jaramillo*

How to Write an Optimized and High-Converting Book Description by Rob Kosberg

4 Ways to Organize Your Third-Person POVs by Kathryn Craft

5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey

6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan

How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban

Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell

Managing Exposition Starts With Simplifying the Story by Chris Winkle

Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare

An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie

How to Use Scars to Deepen Characterization by Sue Weems

The Ten Types of Stories and How to Master Them by Joe Bunting

*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?

 

About This Writing Stuff…

This week, Kristen Lamb asks, “Would you STILL write even if I told you you’d never make a dime and likely die in obscurity?” Something to ponder as you embark on your writing journey.

Christina Delay explains how to clear our creative “ley lines” when we’re feeling blocked while Anne R. Allen encourages us to create (or resurrect) a blog rather than relying on the train wreck that is social media.

James Scott Bell helps us avoid sinkholes in our plot, Dave King speaks out in defense of the prologue, and Oren Ashkenazi points out typical mistakes when writing fight scenes—both with and without weapons.

All that and much more! Enjoy…

The Prologue is Past? by Dave King

Finding Those Laser Beam Words by PJ Parrish

To the Pain: Is Writing a Career or a Hobby? by Kristen Lamb

Three Things That Can Sink Your Novel by James Scott Bell

Creativity: Avoiding Blocks and Refreshing Ideas by Christina Delay via Jami Gold

Five Common Weapon Mistakes in Speculative Fiction by Oren Ashkenazi

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

7 Tips from Ernest Hemingway on How to Write Fiction by Open Culture

Stephen King’s 20 Rules for Writing by Open Culture

Blogging is Essential in the Era of Fragmenting Social Media by Anne R. Allen

Honey, I Shrunk the Plot! Learning to Love Synopses by Diana Giovinazzo

The Art of Misdirection: How to Keep Readers on Their Toes by Maggie Smith

TikTok to Sell Books Directly to Users via Marketplace by Arwa Mahdawi

BookBub Ads 101: How the Auction Model Works by AJ Jack