Tag Archives: about this writing stuff

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Harrison Demchick delivers a comprehensive four-part series on Point of View.* Over at Mythcreants, Chris Winkle talks specifically about omniscient narration and Anthony Ehlers at Writer Write touches on ways to spice up your writing by changing POV.

(*Mr. Demchick will be a guest at The Write Stuff writers conference in March in Bethlehem, PA!)

Anne R. Allen offers advice on writing your final chapter while Peter Selgin warns against wasting the first one. James Scott Bell encourages us to find the one thing at the heart of your novel.

Matthew V. Clemens sites one of my all-time favorite films as the apotheosis of suspense—which is precisely what Allison Brennan discusses in her article about pacing.

All that and a lot more. Enjoy!

How to Write Better Fiction Using Limited Point of View by Harrison Demchick

How to Choose the Best Point of View for Your Story’s Purpose by Harrison Demchick

How to Rely on the Unreliable Narrator by Harrison Demchick

How to Exploit Uncommon Points of View in Your Novel by Harrison Demchick

Writing Your Final Chapter: 6 Do’s and Don’ts for Bringing Your Novel to a Satisfying Conclusion by Anne R. Allen

Secrets of Suspense: What I Learned from JAWS by Matthew V. Clemens

Pacing: The Key to Scintillating Suspense by Allison Brennan

What One Thing is Your Novel About? by James Scott Bell

Five Essentials of Omniscient Narration by Chris Winkle

Taxes and the Writer—The Tax Cuts and Jobs Act of 2017 by Matt Knight

Fiction Contests Worth Your Time in Winter 2019 by Arthur Klepchukov

When Your Story Opening Does Nothing but Blow Smoke by Peter Selgin via Jane Friedman

Revive Dull Descriptions with Simple Tweaks in Viewpoint by Anthony Ehlers

How Do You Find the Plot of a Story? Using Scenarios by Now Novel

A Home Library Can Have a Powerful Effect on Children by Robby Berman

Articles, Blog, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Kristen Lamb delves into the traits of a perfect villain and reminds us of the importance of story mastery above all else. Anne R. Allen offers advice on writing that challenging first chapter while Marie Eberle would like to see less of certain hackneyed character types in SF and Fantasy.

It’s a foregone conclusion that conflict is the heart of storytelling, but what about conflict management? L. Deborah Sword discusses.

Over at Writer Unboxed, Jim Dempsey encourages us to delve into our characters’ values to find their ultimate motivation, and speaking of characters, Donald Maass suggests examining psychological archetypes as a means for crafting character arcs.

If you’re struggling to build a readership, there may be a good reason for that. In fact, as Shannon Ashley reveals, there might be at least twelve reasons.

All that and a little more. Enjoy!

On Writing: Why Mastery Should Matter To the Serious Author by Kristen Lamb

The Villain: Crafting Scoundrels, Sinners, and Substance of Legends by Kristen Lamb

Finding and Using Competing Book Titles in Your Book Marketing by Penny Sansevieri

Writing that First Chapter: 10 Dos and Don’ts for Starting a Novel by Anne R. Allen

Avoid these Crutch Words by Dana Isaacson

Story Conflict: It’s Not as Simple as We Think by L. Deborah Sword via Jami Gold

Nine Ways for Your Hero to Earn the Clues They Need by Chris Winkle

The Two Types of Archetype by Donald Maass

What Really Drives Your Characters? by Jim Dempsey

12 Reasons Nobody Wants to Read Your Writing by Shannon Ashley

3 Types of Fantasy and Sci-Fi Characters We’ve Seen Enough Of by Marie Eberle

What is a Vignette & How Do I Write One? by Amanda Patterson

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Tim Grahl reveals the ingredients to a successful book launch while Joanna Penn offers quick advice on how to combat imposter syndrome.

Over at the Kill Zone, James Scott Bell provides guidance on character description while Jordan Dane talks layering scenes and plot. We have a twofer from that wise Mythcreant, Chris Winkle, who first expounds several methods for ensuring your protagonists pull their weight, and then points out how to spot misandry in your story.

Writer pal Kathryn Craft reveals why you might be afraid of your WIP while Tiffany Yates Martin whips our editor’s brain into shape.

All that and a little more. Enjoy!

The Book Launch Framework: How I Keep Launching Bestselling Books by Tim Grahl

How Writers Can Deal with Self-Doubt and Imposter Syndrome by Joanna Penn

How to Describe Your Main Character by James Scott Bell

How to Enhance Your Writing by Layering Your Scenes & Plot by Jordan Dane

18 Ways for Protagonists to Contribute and Five Signs Your Story is Sexist—Against Men by Chris Winkle

CockyGate Update: One Writer’s Adjective; Another Writer’s Short-Lived Trademark by Matt Knight

How to Train Your Editor Brain by Tiffany Yates Martin

12 Signs You’re Afraid of Your WIP by Kathryn Craft

6 Ways to Immerse Your Readers in the Setting of a Story by Joslyn Chase

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Kristen Lamb ponders the importance of talent while Chris Syme offers a primer on preserving your authorial reputation in a crisis.

Kris Kennedy concludes her five-part series on avoiding the nefarious info-dump and Jordan Dane defines narrative drive.

Over at Writer Unboxed, Donald Maass analyzes what makes a true hero or heroine while Heather Webb provides tips on writing an effective query letter.

The New York Times reminds us that fact-checking is everyone’s responsibility and Kickstarter finds itself embroiled in a labor dispute.

All that and a little more. Enjoy!

Do Some People Lack the Talent to be a Successful Author? by Kristen Lamb

The Five Myths of Crisis Management for Authors by Chris Syme via Anne R. Allen

Pitfalls and Solutions for Writing a Science Thriller by Amy Rogers

Backstory: Avoid Info Dumping by Making it Essential-Part Four and Part Five by Kris Kennedy via Jami Gold

Narrative Drive—Do You Have It? by Jordan Dane

Rookie Mistakes Indie Writers Make by James Scott Bell

It’s a Fact: Mistakes are Embarrassing the Publishing Industry by Alexandra Alter

The Making of a Hero or Heroine by Donald Maass

Writing the Query Letter: Dos and Don’ts by Heather Webb

How to Market a Book: 10 First Steps by Joe Bunting

Is There a Labor War Brewing Inside of Kickstarter? by Tobias Carroll

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

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This week, Ruth Harris lays solid groundwork when it comes to cliffhangers and David Safford reinforces the concept of the hero’s journey.

Mary Anna Evans helps us find our author voice while Nancy Bilyeau provides tips on crafting believable historical fiction. Struggling to avoid those ugly info dumps? Let Kris Kennedy show you how to adroitly divulge all those details you’re dying to share with the reader.

Although writers must develop a thick skin when it comes to receiving criticism, we’re often called upon to give it as well. PJ Parrish and Jim Dempsey discuss constructive methods for offering valuable and relevant critiques.

All that and a little more. Enjoy!

How to Write a Page-Turner: Master the Seven Rules of the Cliffhanger by Ruth Harris

The Hero’s Journey: How to Write the Crossing the Threshold Scene by David Safford

How to Find Your Author Voice by Mary Anna Evans

4 Tips for Writing Historical Fiction by Nancy Bilyeau

How Can We Make Scenes Feel Stronger with Sequels? by Jami Gold

Backstory: Avoid Info Dumping by Making it Essential Part One / Part Two / Part Three by Kris Kennedy via Jami Gold

The Fine Art of Giving Out Criticism by PJ Parrish

How to Give Useful Criticism by Jim Dempey

Seven Tips for a Satisfying Mystery by Oren Ashkenazi

Advice to Writers Who Are In It by Annie Neugebauer

 

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

2 Comments

This week, Anne R. Allen laments the rise of “dark pattern marketing” by authors who attempt to bully potential readers by invading their privacy.

Dana Isaacson advises us on the effective use of flashbacks while Kristen Lamb reminds us of what it takes to be successful.

Going by the numbers, Jordan Dane expounds seven categories of conflict and Chris Winkle offers six types of climactic turning points. Oren Ashkenazi warns us to be aware of the messages we’re communicating through our writing and Angela Ackerman delves into the repercussions of fear.

All that and plenty more. Enjoy!

Is a “Personal Relationship” with Authors What Readers Want? by Anne R. Allen

How to Write Amazing Flashbacks by Dana Isaacson

Key Types of Conflict: Which One Best Fits Your Story? by Jordan Dane

In It to WIN It: How Committed Are You to Being a Successful Author? Kristen Lamb

Six Types of Turning Points for Climaxes and Filling In Your Story’s Middle by Chris Winkle

Depicting Characters Held Back by Fear by Angela Ackerman

Authorial Endorsement 101 by Oren Ashkenazi

Give Your Reader an Experience by Kathryn Craft

Negotiating Social Privilege as a Writer by Rheea Mukherjee

The Wonders of Your Character’s World View by Jim Dempsey