Tag Archives: anne r allen

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

It has been three weeks since my last blog post. How the hell did that happen? Well, I’ve been stretched thin as of late with my FT job, a few expensive home renovations, health problems, managing eBay auctions (the time has come to downsize), and yes, writing projects.

I have a short story in progress for a contest, the second draft of my SF novel awaits my attention after that, and I’m waiting to hear back from two small presses on short stories I submitted to them. I’m also scheduling a book signing or two for a speculative fiction anthology I just released with a group of fantastic writers and I’m reviewing a presentation on self-editing that I wll be giving to a local writers group on Monday evening (24 May).

However, the fact that I’ve been neglecting my blog has been gnawing at me, so here we go!

This week, Steve Hooley reviews several sites for serialized fiction, including Kindle Vella, while Jodie Renner discusses close and deep third person POV.

Mary Alice Monroe and KL Burd use fiction to raise awareness of environmental issues and social issues, respectively, while Philip Athans offers advice on blending SF, fantasy, and horror. James Scott Bell provides tips on increasing productivity, Terry Odell delves into crafting character descriptions, and Kathryn Craft wages war against the lame apology.

All that and much more. Enjoy!

Serialized Fiction and Vella – What Do You Think? by Steve Hooley

Tips for Deepening the POV in Your Fiction by Jodie Renner

Weaving Real-Life Environmental Issues into Your Fictional World by Mary Alice Monroe

Fantasy and/or Science Fiction and/or Horror by Philip Athans

The Five Things You Need When Writing a Mystery Novel by Melodie Campbell

6 Practical Business Tips for Authors to Market Their Story of Success by Taylor Payne

7 Tips for Producing More Words by James Scott Bell

Character Descriptions Part I by Terry Odell

Character Descriptions Part II by Terry Odell

Why Bookshop.org is Not the Savior the Book World Needs by Ellen Peirson Hagger

The Magic Number by Todd Sattersten

Legal Protection for Fictional Characters by Matt Knight

Kick Your Story Up a Notch by Knowing Your Character’s Conflict Style by Kelsey Allagood

Unapologetic Characterization by Kathryn Craft

Incorporating Social Issues Into Your Manuscript by KL Burd

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Ken Miyamoto discusses five categories of SF and Fantasy worldbuilding while Anne R. Allen lists several reader pet peeves that writers should avoid.

Kris Calvin and Philip Athans provide their points of view on writing multiple points of view, Brian Andrews concludes his lesson on crafting believable action scenes, and Penny Sansevieri offers strategies for book marketing and author branding.

All that and a little more. Enjoy!

The Craft and Rules of Worldbuilding in Science Fiction and Fantasy by Ken Miyamoto

Three Things Your Query Letter Needs to Stand Out by Lucinda Halpern via Anne R. Allen

How to Avoid Writing Stuff Readers Hate by Anne R. Allen

30+ Ideas for Bite-Sized Book Marketing by Penny Sansevieri

Writing from Multiple Points of View by Kris Calvin

Whose POV Should it Be? by Philip Athans

How to Write Amazing Action Scenes (Part 2 of 2) by Brian Andrews

5 Great Tips: A Beginner’s Guide to Author Branding by Penny Sansevieri

Make Your Protagonist an Actor by Kathryn Craft

7 Awesome Foreshadowing Tips for Fiction Writers by Mia Botha

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, learn how to deal with writer burnout from Tom Meitner, and let attorney Joseph Perry explain the critical components of a publishing contract.

At Career Authors, Erin Celello urges us to take our story idea on a date while Hank Phillippi Ryan offers advice on self-editing.

Kelly Jensen reminds us of the value of mood to both writer and reader while over at the The Write Practice, Joslyn Chase and Ruthanne Reid discuss the proper use of cause and effect and the elements of plot, respectively.

Janice Hardy give us some strong opening lines and Anthony Ehlers shows us how to be visual storytellers.

All that and a little more. Enjoy!

Stretched to Your Limits? How to Avoid—and Cure—Writing Burnout by Tom Meitner

Know Your Rights: Key Provisions in a Publishing Contract by Joseph Perry via Anne R. Allen

How to Cut 20,000 Words by Hank Phillippi Ryan

4 Questions to Ask Before You Start Writing that Book by Erin Celello

How Much Really Needs to Be in Your Novel’s Opening Sentence by Janice Hardy

5 Tips on How to Fit Your Book’s Hook into a Super Short Amazon Ad by Bryan Cohen

10 Powerful Visual Storytelling Techniques for Writers by Anthony Ehlers

How to Maximize the Power of Cause and Effect in Your Stories by Joslyn Chase

What is Plot? The 6 Elements of Plot and How to Use Them by Ruthanne Reid

Mood is the Most Underrated Literary Device—and the Most Valuable by Kelly Jensen

Wattpad to Be Acquired for $600 Million by Korean Internet Conglomerate Naver by Todd Spangler for Variety

Class Action Suit: Amazon and Publishers Face Price Collusion by Personanondata

 

Articles, Blog, Craft, Opinion

About This Writing Stuff…

This week, David Brown and Michelle Barker explain the differences between situation and plot while Jami Gold leads us into our protagonist’s dark moments.

Over at Mythcreants, Chris Winkle casts a skeptical eye on The Hero’s Journey and its basis, The Hero with a Thousand Faces.

Matt Knight warns against common perils in publishing contracts and agreements, Sarah Manavis discusses why Story Graph is a better online book cataloguing tool than Goodreads, and Josyln Chase provides methods to improve our productivity.

All that and a little more. Enjoy!

Situation Versus Plot by David Brown and Michelle Barker via Anne R. Allen

How to Leave Traditional Publishing, Go Indie, and Not Regret It by Kurt Dinan

Traditional and Self-Publishing Contracts—When to Say No! by Matt Knight

Black Moments: Understanding our Options by Jami Gold

Why Structures Like the Hero’s Journey Don’t Work by Chris Winkle

It’s Time to Throw Out the Hero with a Thousand Faces by Chris Winkle

Why Goodreads is Bad for Books by Sarah Manavis

Managing Your Cast by Dave King

Managing Expectations, One Book at a Time by Heather Webb

Road, Neighborhood, Sky: A Three-Layered Approach to Writing a Novel by Barbara Linn Probst

8 Proven Strategies to Write More and Boost Your Productivity by Joslyn Chase

Writing Your First Novel: How to Fix an (Accidentally) Autobiographical Novel by Sarah Gribble

 

 

 

Articles, Blog, Craft, Opinion

About This Writing Stuff…

This week, Debbie Burke lists a dozen ways to tighten our prose while Jael R. Bakari provides an insightful guide to story development.

Dana Isaacson offers advice on keeping track of our story’s timeline, Paula Munier shows us ways to make readers fall in love with our protagonists from the first scene, and Chris Winkle discusses why some protagonists are unlikeable.

If you’re perplexed by the true meaning of premise, let Larry Brooks clear up the confusion and explain how the facets of premise should be applied to every story.

All that and a little more. Enjoy!

12 Tips to Write Tight by Debbie Burke via Anne R. Allen

Suspense in Books: 6 Ways to Grow Anticipation by Now Novel

Charting a Fictional Timeline by Dana Isaacson

Writing Process: Developing a Coherent Story by Jael R. Bakari via Jami Gold

The Grand Entrance: How to Introduce Your Protagonist so that Readers Care by Paula Munier

Seven Common Reasons Protagonists Are Unlikable by Chris Winkle

Why I Actually Prefer Stories with Prologues by Vaughn Roycroft

How to Start Writing Again When You Haven’t in a While by Sarah Gribble

How to Use Vivid Verbs to Bring Your Scenes to Life by J.D. Edwin

How to Mine the Facets of Premise for Story Gold by Larry Brooks

How to Use Simple Psychology and Basic Common Sense to Sell More Books by Barb Drodzowich via Anne R. Allen

 

 

 

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anne R. Allen reminds us that a story is more than just a series of disjointed, tragic episodes. Brian Andrews encourages us to use strong opening lines while Dana Isaacson, Barbara O’Neal, and Kim Bullock offer ideas for writing through these disconcerting times.

Jami Gold lists various ways a character’s occupation can be used to enhance a story and Terry Odell urges us to foreshadow some of our character’s skills before revealing them in a pivotal scene.

All that and a little more. Enjoy!

Promoting Your Sci-Fi or Fantasy Novel on Social Media by Erica Verrillo

The Biggest Writing Craft Issue New Novelists Face, and 7 Ways to Avoid It by Anne R. Allen

How to Write a Powerful, Enticing, Intriguing, Amazing Opening Line for Your Novel by Brian Andrews

How to Write (or Not Write) about the Pandemic by Dana Isaacson

How to Write During a Pandemic, Even if it Feels Like You Can’t by Barbara O’Neal

What’s Our Character’s Job? by Jami Gold

If They Buy the Premise by Terry Odell

Description Makeover: Creating Magical Atmosphere by Chris Winkle

Crime Fiction is Complicit in Police Violence—But It’s Not Too Late to Change by Aya de Leon

Trademarks and the Writer’s Brand Strategy by Matt Knight

Writing Througnh Turbulent Times: Using Uncertainty to Enhance Your Story by Kim Bullock

A Plotstorming Technique by Jan O’Hara