I enjoyed this memoir from beginning to end, even though I’d already heard, seen, or read about 60% of it from other sources such as Leonard Nimoy’s own memoirs (I Am Not Spock, then later, I Am Spock), interviews with Nimoy over the years, and the recent documentary, For the Love of Spock, directed by Adam Nimoy. Much of Nimoy’s television and early film career is covered and often compared to Shatner’s own.
It was that other 40% that piqued my interest such as the depth of Nimoy’s love for the written word through his poetry and how he had come to love photography. These are parts of Nimoy’s creative career with which I was only superficially familiar. It pains me to admit that I’ve never read his poetry and have only seen a small subset of his photographs, but after reading Shatner’s memoir, I’m inspired to action and will make the time to delve more into these aspects of Nimoy’s art.
No memoir about Leonard Nimoy would be complete without mentioning his love for the stage and his brilliant performances in Fiddler on the Roof and his one man show, Vincent, about the life and work of Van Gogh. Shatner also touched on the enormous charitable donations made by Leonard and his wife Susan to theatres in New York as well as the Griffith Observatory in Los Angeles.
To his credit, Shatner was honest about his conflicts with Nimoy and Roddenberry in the early months of Star Trek and the reasons behind that. He also expressed great disappointment and sadness that Nimoy had stopped speaking to him in the weeks before his passing. All of that, and Shatner’s brotherly love for Nimoy, shined through as truly genuine and heartfelt.
al book sale. I hope to track down more of these collections as I comb used book stores and dealer tables at conventions.
nology, be considered “infodumps.” There are also the occasional archaic sentence structures and words (a few even sent me to the dictionary) and outdated expressions of the time.