In his hometown of New Warfield, Detective Ezekiel Marrs faces a spate of illegal drug overdoses, ritual murders, and a malignant version of voudon religion resulting in a deadly contest of wit and willpower. Until Marrs can determine how all of these are connected, no one in the city is safe—man, woman, or child.
No stranger to the suspense genre, Weldon Burge is a seasoned short story writer and editor whose prowess is evident in this deftly crafted debut novel.
I began reading The Writer’s Journey in April 2019, then put it aside for a few years when I became busy with several short story projects, a new novel, and a few harrowing life changes. When I picked up The Writer’s Journey again in late May 2021, I started from page one again and found Vogler’s interpretation and application of Joseph Campbell’s analysis of mythology useful. I approached it in much the same way I approach outlining my novels and short stories. It is a roadmap, not a strict rule book and even Vogler admits this. When developing any story, there are many avenues a writer can take and crafting the story is an organic process. Often while writing, I will have an epiphany that takes the story in an even better direction than what I had originally outlined.
Vogler’s guide is no different. I know other reviewers accuse Vogler of diluting or cheapening Campbell’s work. I’ve heard other writers at conventions and conferences deride The Hero’s Journey as an obsolete model that no longer has a place in modern storytelling. To each their own. I enjoyed The Writer’s Journey and found Vogler’s voice and style easy to follow. Even after three novels and over 20 short stories in my young writing career, I never stop learning and will keep this book close at hand as I work through the latest revision of my next novel.
On an artificial world created by the immortal Lord Urthona, the landscape is forever shifting. Mountains crumble into plains, flesh-eating trees roam the surface, chunks of the planet are ejected into orbit as temporary moons only to fall back and crash into the surface. It is on this world that Earthman Paul Janus Finnegan—known as Kickaha among other aliases—and his companion, the Lady Anana, find themselves stranded with the devious Urthona, Red Orc, and their human henchman, McKay. Somewhere on this vexing planet floats Urthona’s palace and the means for finding a gateway to another world. Before Kickaha and Anana can find it, however, they must survive the treachery of the other three—not to mention the dangerous plants, animals, and natives.
In this fifth and penultimate volume in his Word of Tiers series, Farmer provides enough detail about previous events involving the characters that you don’t need to read the previous books to enjoy The Lavalite World. However, what this story fails to mention is that the series began with a character named Robert Wolff also known as Jadawin, one of the immortals lords. Thus, to grasp the full scope and breadth of the World of Tiers, it is advisable to begin with book one, The Maker of Universes.
I can’t help but to compare Farmer’s World of Tiers to Jack Vance’s Planet of Adventure series or to some of Farmer’s other works such as The Stone God Awakens, The Green Odyssey, or even Riverworld. In all cases, a human finds himself (by whatever means) in a strange world and in order to escape, must venture across the planet, battling dangerous tribes, animals, and the environment along the way, all while earning the companionship of a beautiful woman and making a few unlikely allies. There is nothing wrong in these comparisons and each story puts its own spin on that basic premise, making every one a rip-roaring adventure.
Encased in stone for millions of years as a result of a failed experiment, atomic scientist Ulysses Singing Bear is liberated from his imprisonment by a bolt of lightning during a battle between two races of bipedal creatures. One group appears to have evolved from cats while the other, raccoons. Ulysses soon learns that humans have long since become extinct and the earth populated by sentient beings evolved from familiar animals of the late 20th century.
As Ulysses acclimates to his new environment, the Wufea come to worship him as a god and ask for his help in defeating the Great Devourer known as Wurutana. To uphold his status as a deity, Ulysses has little choice but to agree and, along with an army of Wufea warriors, treks across the wilderness to do battle with what he understands to be an enormous tree that is spreading across the land. Along the way, he manages to form a truce between the Wufea and their enemy, the Wagarondit. He even recruits Wagarondit warriors to join the offensive.
All the while, they are guided by Ghlikh, a pygmy creature with batwings who offers Ulysses information about the land and peoples ahead of them, including a village of humans who live along the southern coast. In order to reach them, however, Ulysses and his armies must cross Wurutana. Yet, Ulysses senses that Ghlikh is withholding information and possibly leading them into a trap.
Will Ulysses and his troops survive their passage through Wurutana and their encounters with the treacherous denizens within its vast network of tangled branches, vines, trunks, and waterways?
At its core, The Stone God Awakens is a fish out of water adventure much like Farmer’s The Green Odyssey published 13 years earlier, or Jack Vance’s Planet of Adventure series, or even The Time Machine by H.G. Welles. In this case, Farmer adds a few imaginative twists including the evolution of various animal species, an uncommon antagonist, and the development of plant-based science and engineering. The fact that an atomic scientist displays such exceptional prowess in survival, military tactics, and political leadership is, at times, a stretch. Still, The Stone God Awakens is another outstanding tale from one of the giants of the genre.
After 14 years in space defending the planet Meloa from an incursion by the Throm, Captain Duke O’Neill returns to find Kordule, the capital of Meloa, devastated after a series of Throm raids that occurred over the past few months.
To make matters worse, Earth remained neutral and refused to intervene on behalf Meloa. For this, O’Neill holds a bitter grudge against his home planet and refuses to return. Rather, he decides to remain on Meloa. He first tracks down his wife, Ronda, who survived the raids, but is living in squalor along with many other humans and native Meloans. O’Neill soon learns that his marriage was a sham from the beginning and Ronda wants nothing more to do with him.
Meanwhile, another war is brewing between the humanoid Kloomirians and the Earth colony Cathay and yet again, Earth maintains its position of neutrality. With no job prospects on Meloa, O’Neill attempts to reenlist on behalf of Cathay, but Director Flannery of the Earth Foreign Office has other ideas for the soldier, one that will explain the psychology behind Earth’s apparent cowardice.
Victory begins as a story of a bitter, displaced war veteran with few prospects and ends with the lesson the maturation of cultures from destructive warmongering to peaceful coexistence.
In the middle of summer, an ice floe materializes in New York harbor, leaving two ships in distress. During the ensuing confusion, a strange black aircraft descends and hovers over the scene before vanishing as quickly as it appeared. Shortly after, several more ice “cakes” form without warning in the Straits of Gibraltar, Folkestone Harbor, and Yokohama.
With panic mounting across the globe, a manifesto is sent to the British government from a man named Wladislaw Varrhus, who announces his intention to assume control of all world governments and establish himself as dictator. If the nations fail to meet his demands, more waterways will be frozen, disrupting commerce.
The American military consults with one Professor Hawkins and his assistant Teddy Gerrod, who develop a method to neutralize Varrhus’s “cold bombs”—but the deranged inventor is not so easily foiled. He not only returns with an improved version of his cold bomb, but murders Professor Hawkins in revenge. With the help of the professor’s daughter, Evelyn, and an American pilot named Davis, Teddy devises a plan to defeat Varrhus.
A Thousand Degrees Below Zero was Murray Leinster’s (William Fitzgerald Jenkins) first published novella, featured in the July 1919 edition of The Thrill Book pulp magazine. It’s a typical Leinster story with two-dimensional protagonists and a plot that relies heavily on the science and technology of the time with inventive twists. A fun science fiction adventure tale that would make an enjoyable TV movie.