Tag Archives: brian andrews

About This Writing Stuff…

In this month’s roundup, Becca Puglisi reminds us to enhance our characters by imbuing them with unique talents and skills.

Struggling to write a compelling start to your novel? Maggie Smith can help. Over at Career Authors, Brian Andrews and Gina Panettieri show us how loglines help authors answer that dreaded question, “what’s your book about?”

If you’re grappling with impostor syndrome, as many creatives do, Ruth Harris and Tiffany Yates Martin have some encouraging advice for you.

There’s no denying that TikTok has become one of the hottest sites for book promotion. Shailee Shah offers a roster of writers who are using the platform to build an enormous following.

All that and a lot more. Enjoy!

Character Traits & Skills: Beyond the Superficial by Becca Puglisi via Jami Gold

Seven Components of a Successful Novel Opening by Maggie Smith

Exposing Inner Conflict in non-POV Characters by Kathryn Craft

It’s Messy in the Middle: Unpacking Cultural Appropriation by Colice Sanders

Understanding the Three Types of Character Arcs by Britton Perelman

Why a Strong Plot Requires a Significant Goal by September C. Fawkes

The Upside of Impostor Syndrome by Ruth Harris

Are You Telling Yourself the Wrong Stories? by Tiffany Yates Martin

What is Your Book About… Do You Know? by Brian Andrews

Loglines and Comps by Gina Panettieri

14 Indie Authors to Follow on TikTok for Ideas and Inspiration by Shailee Shah

How to Build an Amazing “About the Author” Page by Jason Hamilton

About This Writing Stuff…

New on the monthly roundup, Philip Athans reminds us that writing is a lifelong calling while Kristen Lamb reviews different aspects of world-building.

Tiffany Yates Martin examines the elements that go into creating complex characters. Speaking of which, what makes characters “likeable”? That depends on genre, as Anne R. Allen explains.

Over at Career Authors, Hank Phillippi Ryan and Dana Isaacson provide advice on self-editing while Daryl Wood Gerber helps us avoid burnout while writing a series.

From Writer Unboxed, Donald Maass delves into the inner workings of story imagination and Kathryn Craft encourages us to visualize our scenes not as authors, but as our characters.

All that a lot more. Enjoy!

Are You a “Lifer”? by Philip Athans

Beyond Character Goal and Motivation – The Longing and the Lack by Tiffany Yates Martin

17 BookBub As Designs Promoting Books in a Series by Carlyn Robertson

DIY Author Marketing 101 by Michal Leah

Why “Likeable” Characters Depend on Genre by Anne R. Allen

10 Things Beginning Writers Must Do by Anne R. Allen

5 Tips to Pick Up the Pace by Dana Isaacson

Copy Editing Secrets by Hank Phillippi Ryan

5 Tips to Keep a Series Fresh by Daryl Wood Gerber

World-Building: Captivate Readers and Never Let Go by Kristen Lamb

Seeing Through a Character’s Eyes: Literally by Kathryn Craft

Three Modes of Story Imagination by Donald Maass

Trademark Tips for Writers – How to Protect Your Creative Work by Matt Knight

Writing Mistakes: Choosing Between Plotting vs. Pantsing by Michael Woodson

10 Relaxing Activities to Rediscover Your Writing Voice by Miles Oliver

 

About This Writing Stuff…

This week, Anne R. Allen explains the need for sensitivity readers and the consequences of disregarding them. Also on Anne’s blog, Stefan Edmunds presents The Adversity Cycle as a method for storytelling.

On the Screencraft blog, Ken Miyamoto offers advice on how to secure a manager and agent for your screenplay and David Young shows us effective ways to describe our characters beyond mere physical appearance.

At Career Authors, Brian Andrews delves into methods for managing backstory while Erica Ferencik provides valuable guidance on navigating the writing life. Kathryn Craft and Barbara Linn Probst discuss ways to breathe life into our secondary characters.

All that and a little more. Enjoy!

Screenwriting Basics: How to Sign with a Manager (and Agent) by Ken Miyamoto

7 Unusual Ways to Describe Characters in Your Screenplay by David Young

The Difference Between Jeff Bezos and Me by Bradley Graham

The Adversity Cycle by Stefan Edmunds via Anne R. Allen

Writers, Do You Need a Sensitivity Reader for Your Book? by Anne R. Allen

3 Successful Strategies to Write a Short Story by Sarah Gribble

4 Tips for Writing Backstory by Brian Andrews

11 Hard-Earned Lessons from Three Decades of Writing by Erica Ferencik

Are You Drowning Your Story in Your Imagery? by Dave King

Secondary Characters Deserve a Life of Their Own by Kathryn Craft

Secondary Characters with Purpose and Pzazz by Barbara Linn Probst

About This Writing Stuff…

This week, Shanee Edwards offers advice on creating a powerful antagonist while James Scott Bell teaches us practical thaumaturgy for conjuring short stories.

Brian Andrews explains the importance of self-editing and developmental editing, while mythcreant Chris Winkle delves into crafting effective descriptions.

Joslyn Chase steps us through ten  ways to add foreshadowing, and Porter Anderson discusses the dangers of self-censorship.

All that and little more. Enjoy!

 

5 Tips for Negotiating Your Author Agreements by Joseph Perry via Anne R. Allen

Writing Rising Action by Linda S. Clare

A Love of Mystery is Woven into Our Biology, and Edgar Allan Poe was the First to Find the Formula for a Very Specific Dopamine Hit by Jonah Lehrer

7 Tips for Writing Bad Ass Antagonists by Shanee Edwards

The 3 Pass Rough Draft—Embracing Editing (Part I) by Brian Andrews

Developmental Editing —Embracing Editing (Part II) by Brian Andrews

Dialog and POV by Philip Athans

Creating and Resolving Conflict in Your Novel by Clare Langley-Hawthorne

The Alchemy and the Craft by James Scott Bell

What Do Writers Need to Describe? by Chris Winkle

Flights of Self-Censorship by Porter Anderson

Foreshadowing: 10 Clever Methods to Write an Engaging Plot Twist by Joslyn Chase

 

About This Writing Stuff…

This week, Ken Miyamoto discusses five categories of SF and Fantasy worldbuilding while Anne R. Allen lists several reader pet peeves that writers should avoid.

Kris Calvin and Philip Athans provide their points of view on writing multiple points of view, Brian Andrews concludes his lesson on crafting believable action scenes, and Penny Sansevieri offers strategies for book marketing and author branding.

All that and a little more. Enjoy!

The Craft and Rules of Worldbuilding in Science Fiction and Fantasy by Ken Miyamoto

Three Things Your Query Letter Needs to Stand Out by Lucinda Halpern via Anne R. Allen

How to Avoid Writing Stuff Readers Hate by Anne R. Allen

30+ Ideas for Bite-Sized Book Marketing by Penny Sansevieri

Writing from Multiple Points of View by Kris Calvin

Whose POV Should it Be? by Philip Athans

How to Write Amazing Action Scenes (Part 2 of 2) by Brian Andrews

5 Great Tips: A Beginner’s Guide to Author Branding by Penny Sansevieri

Make Your Protagonist an Actor by Kathryn Craft

7 Awesome Foreshadowing Tips for Fiction Writers by Mia Botha

 

 

About This Writing Stuff…

The past several weeks have been hectic, leaving me little time for blogging. Unfortunately, I’ve also been contending with depression, burnout, and fatigue for reasons too long to elucidate here (and you probably don’t care anyway).  Winter and ongoing pandemic stress have exacerbated the problem. Whatever. I’m working through it.

On a lighter note, I’m thrilled to announce that four of my short stories will be published across two anthologies in late March. More information on that soon! For now, I lined up another fantastic selection of helpful articles about writing and publishing.

Monica Valentinelli discusses the ingredients of dark science fiction and offers a generous helping of positive writing advice to keep us motivated.

Ken Miyamoto explains the difference between story and plot while Susan DeFreitas delves into strategies for presenting backstory.

Over at Mythcreants, Oren Ashkenazi warns prose writers against emulating TV and film while Chris Winkle teaches us how to improve reader engagement.

Brian Andrews guides us through writing believable action scenes, Julie Duffy provides pointers on transitioning between novels and short stories, and Philip Athens summarizes the history of pulp magazines.

All that a little more. Enjoy!

When Science Fiction Meets Horror in World-Building by Monica Valentinelli

101 Softly-Delivered Writing Lessons by Monica Valentinelli

What the 2021 Facebook Changes Mean for Authors by Thomas Umstattd, Jr.

Plot vs. Story: What’s the Difference? by Ken Miyamoto

Backstory and Exposition: 4 Key Tactics by Susan DeFreitas via Jane Friedman

Focus on Short Fiction by Julie Duffy

Five Bad Habits Writers Learn from Movies and TV by Oren Ashkenazi

Optimizing Your Story Ideas for Better Engagement by Chris Winkle

How to Write Amazing Action Scenes by Brian Andrews

How to Write A Bestselling Thriller by Hank Phillippi Ryan

Doublespeak: A Look at Voice by Terry Odell

A Brief History of Pulp Fiction by Philip Athans