Tag Archives: chris winkle

About This Writing Stuff

This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.

Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.

With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.

All that and a bit more. Enjoy!

A Copy-Editing Checklist for Novelists by Dana Isaacson

Writing for Theater and Film by Carina Jaramillo*

How to Write an Optimized and High-Converting Book Description by Rob Kosberg

4 Ways to Organize Your Third-Person POVs by Kathryn Craft

5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey

6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan

How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban

Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell

Managing Exposition Starts With Simplifying the Story by Chris Winkle

Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare

An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie

How to Use Scars to Deepen Characterization by Sue Weems

The Ten Types of Stories and How to Master Them by Joe Bunting

*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?

 

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

About This Writing Stuff…

After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!

This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.

Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.

All that and a little more. Happy Holidays!

What is a Novel Synopsis? Here are Two Examples by MasterClass Staff

3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto

How to Tell a Story: The Rule of Three by Anne R. Allen

How to Handle the Blurb Thing by Hank Phillippi Ryan

Getting Your Book Noticed by Patricia Bradley

Foreshadowing Reveals is Easier Than You Think by Chris Winkle

Street Cred: Getting Your Work Noticed by Liza Taylor Nash

Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez

Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase

How to Use Vivid Verbs to Bring Your Scenes to Life  by J.D. Edwin

About This Writing Stuff…

This week, Shanee Edwards offers advice on creating a powerful antagonist while James Scott Bell teaches us practical thaumaturgy for conjuring short stories.

Brian Andrews explains the importance of self-editing and developmental editing, while mythcreant Chris Winkle delves into crafting effective descriptions.

Joslyn Chase steps us through ten  ways to add foreshadowing, and Porter Anderson discusses the dangers of self-censorship.

All that and little more. Enjoy!

 

5 Tips for Negotiating Your Author Agreements by Joseph Perry via Anne R. Allen

Writing Rising Action by Linda S. Clare

A Love of Mystery is Woven into Our Biology, and Edgar Allan Poe was the First to Find the Formula for a Very Specific Dopamine Hit by Jonah Lehrer

7 Tips for Writing Bad Ass Antagonists by Shanee Edwards

The 3 Pass Rough Draft—Embracing Editing (Part I) by Brian Andrews

Developmental Editing —Embracing Editing (Part II) by Brian Andrews

Dialog and POV by Philip Athans

Creating and Resolving Conflict in Your Novel by Clare Langley-Hawthorne

The Alchemy and the Craft by James Scott Bell

What Do Writers Need to Describe? by Chris Winkle

Flights of Self-Censorship by Porter Anderson

Foreshadowing: 10 Clever Methods to Write an Engaging Plot Twist by Joslyn Chase

 

About This Writing Stuff…

This week, Anne R. Allen urges us to promote our books regionally while Jodie Renner provides a rundown on loglines, taglines, and back cover copy.

Donald Maass and Joslyn Chase pick up the pace while Kathryn Craft helps our scenes become better oriented by asking the three (or five!) W’s.  Kelsey Allagood and Mckenzie Cassidy offer tips on self-care for creatives.

Over at Mythcreants, Oren Ashkenanzi shows us how to identify troubled throughlines while Chris Winkle helps us polish our prose.

All that and a little more. Enjoy!

The Inherent Nature of Story Structure by Jim Dempsey

Want to Be a Bigger Fish? Try a Smaller Pond. Regional Fiction Sells! by Anne R. Allen

You Are Doing it Completely Wrong and You Are Doomed to Fail! by Philip Athans

How to *Easily* Publish on Apple Books by Gary Rodgers

Hook Your Readers with a Compelling Storyline, Tagline, and Back Cover Copy by Jodie Renner

The Three W’s of Scene Orientation by Kathryn Craft

On Pacing: Faster Than the Speed of Thought by Donald Maass

Story Pacing: 4 Techniques That Help Manage Your Plot’s Timeline by Joslyn Chase

Writing While Languishing: How to Be Creative When You’re Feeling ‘Blah’ by Kelsey Allagood

Six Signs of a Weak Throughline by Oren Ashkenazi

Five Simple Ways to Make Your Prose Easier to Read by Chris Winkle

Preserving Your Creativity with Self-Care by Mckenzie Cassidy

About This Writing Stuff…

This week, Deb Caletti offers reliable tips on unreliable narrators while Chris Winkle explains the importance of planning character arcs. Emma Lombard and Carol Van Den Hende discuss developing a marketing plan and creating an author brand, respectively.

At the Write Practive, Jeff Elkins provides six critical steps to creating a good villain and J.D. Edwin gets back to basics with four foundational skills for writing fiction.

Claire Armitstead delves into the growing theme of climate fiction (cli-fi) and if you’re struggling to write the perfect ending to your novel, the folks at NaNoWriMo might be of help.

All that and a little more. Enjoy!

8 Tips to Writing Unreliable Narrators by Deb Caletti

How to Develop a Marketing and Promotion Plan as an Indie Author by Emma Lombard

Don’t Cheat Your Reader by Mae Clair

Keeping it Real—or Not: Fact and Fiction in the Novel by Carol Goodman

Planning Character Arcs by Chris Winkle

How Twitter Can Ruin a Life by Emily VanDerWerff

Stories to Save the World: The New Wave of Climate Fiction by Claire Armitstead

Selling Foreign Book Rights – How Authors Generate International Income by Matt Knight

How to Write Good Fiction: 4 Foundational Skills and How to Build Them by J.D. Edwin

How to Write a Villain – 6 Scenes Your Story Needs by Jeff Elkins

8 Mistakes to Avoid While Writing the Perfect Ending to Your Novel from the NaNoWriMo Blog

The Myth of Quality vs Quantity in Publishing by Kristina Adams (podcast)

What is Author Brand and How to Craft Yours by Carol Van Den Hende