Tag Archives: good story company

About This Writing Stuff…

It’s been three months since I gathered a collection of informative articles here, something that was once a monthly feature on this blog. My life took an unexpected and disquieting detour in September which affected my health and my writing. I’m struggling to put both back on track as we head into the new year, but for now…

Philip Athans thinks there should be a little bit of Harlan Ellison in all of us and I agree. Harlan remains one of my literary heroes.

Kristen Lamb warns us against self-sabotage in all its forms while over at Good Story Company, Mary Kole offers advice on dealing with criticism.

Anne R. Allen encourages believability over realism in our fiction, Jami Gold explains the differences between foreshadowing and spoilers, and Amanda Patterson shows us how to use motifs.

All that and much more. Enjoy!

Maybe We Should All Be More Like Harlan Ellison by Philip Athans

How to Deal with Negative Criticism by Mary Kole

Self-Sabotage: I Don’t Deserve Success by Kristen Lamb

5 Tips to Boost Your Professional Writing Cred by Lori Freeland

7 Ways Public Readings Can Help Your Writing by Kathryn Craft

Revise for Success – A Stree-Free Plan for Polishing Your Novel by Jodie Renner via Anne R. Allen

Why Realism is Irrelevant in Fiction: Aim for Believability Instead by Anne R. Allen

How to Enhance Contrast In Your Writing by Jessica Strawser

Foreshadowing vs. “Spoilers”: What’s the Difference? by Jami Gold

Do You See Dead People? by PJ Parrish

How to Motivate Yourself to Write and Finish Your Novel by Lorna Faith

What is a Motif in Fiction? by Amanda Patterson

About This Writing Stuff…

New on the monthly roundup, Philip Athans reminds us that writing is a lifelong calling while Kristen Lamb reviews different aspects of world-building.

Tiffany Yates Martin examines the elements that go into creating complex characters. Speaking of which, what makes characters “likeable”? That depends on genre, as Anne R. Allen explains.

Over at Career Authors, Hank Phillippi Ryan and Dana Isaacson provide advice on self-editing while Daryl Wood Gerber helps us avoid burnout while writing a series.

From Writer Unboxed, Donald Maass delves into the inner workings of story imagination and Kathryn Craft encourages us to visualize our scenes not as authors, but as our characters.

All that a lot more. Enjoy!

Are You a “Lifer”? by Philip Athans

Beyond Character Goal and Motivation – The Longing and the Lack by Tiffany Yates Martin

17 BookBub As Designs Promoting Books in a Series by Carlyn Robertson

DIY Author Marketing 101 by Michal Leah

Why “Likeable” Characters Depend on Genre by Anne R. Allen

10 Things Beginning Writers Must Do by Anne R. Allen

5 Tips to Pick Up the Pace by Dana Isaacson

Copy Editing Secrets by Hank Phillippi Ryan

5 Tips to Keep a Series Fresh by Daryl Wood Gerber

World-Building: Captivate Readers and Never Let Go by Kristen Lamb

Seeing Through a Character’s Eyes: Literally by Kathryn Craft

Three Modes of Story Imagination by Donald Maass

Trademark Tips for Writers – How to Protect Your Creative Work by Matt Knight

Writing Mistakes: Choosing Between Plotting vs. Pantsing by Michael Woodson

10 Relaxing Activities to Rediscover Your Writing Voice by Miles Oliver

 

About This Writing Stuff…

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

About This Writing Stuff…

This week, Kristen Overman shows us what active dialogue is all about while Anne Hawley analyzes how our brains process exposition.

Over at BookBub, Diana Urban offers ideas for unusual book marketing, promoting sequels, and using social media effectively while avoiding burnout. At Writer Unboxed, Donald Maass has seen the gods, monsters, and murderbots and they are us!

Clayton Noblit and Lauren McLean prognosticate on what’s ahead in publishing this year and Michael Ventrella provides an astonishing example of how NOT to handle a story rejection.

All that and a little more. Enjoy!

How to Write Active Dialogue by Kristen Overman

Gods, Monsters, and Murderbots by Donald Maass

Too Much Information: Exposition and the Reading Brain by Anne Hawley

FBI Arrests Man Who Allegedly Stole Book Manuscripts and Defrauded Hundreds by Deepra Shivaram

Authors on Social Media: Choosing Platforms & Avoiding Burnout by Diana Urban

6 Out of the Box Marketing Ideas You HAVE to See by Diana Urban

12 Clever Ideas for Promoting Sequels or Later-Series Books by Diana Urban

The Top Eight Publishing Trends for 2022 by Clayton Noblit

2022 Publishing Predictions from Literary Agent Laurie McLean via Anne R. Allen

How Not to Accept a Rejection by Michael A. Ventrella

List of 234 Interesting Character Quirks presented by YourDictionary

About This Writing Stuff…

This week’s lineup bring us several “how-to” articles including writing diverse and developed characters, marketing your book without social media, and outlining your novel (or not).

Is writing for TV better than writing feature films? Ken Miyamoto discusses. Confused about when and how to use a Framing Device in your story? Britton Perelman explains.

Jennie Nash explores the importance of asking yourself why you feel compelled to write that story that’s been bouncing around in your head. Over at Sidebar Saturdays, Matt Knight delves into estate planning for writers while at the Kill Zone, James Scott Bell argues on behalf of going exclusive with KDP and Kindle Unlimited.

All that and a little more. Enjoy!

Elevator Pitching: How to Grab Someone’s Attention in 30 Seconds or Less by David Young

How to Write Diverse Characters (And, Also, Are You Qualified?) by Joiya Morrison-Efemini

How to Create Characters by Kristen Overman

Why Writing TV is Better than Writing Feature Films (and Why it’s Not) by Ken Miyamoto

Everything You Need to Know About Framing Devices by Britton Perelman

Sequencing and Layering: Advanced Techniques That Will Improve Your Writing by Kevin Nelson

Why Write This Book? by Jennie Nash via Jane Friedman

How to Market Your Book Without Social Media by Carol J. Michel

Warning to Writers: You Won’t See This New Publishing Scam Coming by Anne R. Allen

How to Outline Your Novel. Or Not by Hank Phillippi Ryan

On Going Exclusive by James Scott Bell

Estate Planning for Writers by Matt Knight

Estate Planning for Writers Part II – Transferring Intellectual Property to a Corporate Entity by Matt Knight

World-Building Through Architecture by Dave King