Tag Archives: hank phillipi ryan

About This Writing Stuff

This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.

Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.

With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.

All that and a bit more. Enjoy!

A Copy-Editing Checklist for Novelists by Dana Isaacson

Writing for Theater and Film by Carina Jaramillo*

How to Write an Optimized and High-Converting Book Description by Rob Kosberg

4 Ways to Organize Your Third-Person POVs by Kathryn Craft

5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey

6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan

How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban

Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell

Managing Exposition Starts With Simplifying the Story by Chris Winkle

Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare

An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie

How to Use Scars to Deepen Characterization by Sue Weems

The Ten Types of Stories and How to Master Them by Joe Bunting

*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?

 

About This Writing Stuff…

New on the monthly roundup, Philip Athans reminds us that writing is a lifelong calling while Kristen Lamb reviews different aspects of world-building.

Tiffany Yates Martin examines the elements that go into creating complex characters. Speaking of which, what makes characters “likeable”? That depends on genre, as Anne R. Allen explains.

Over at Career Authors, Hank Phillippi Ryan and Dana Isaacson provide advice on self-editing while Daryl Wood Gerber helps us avoid burnout while writing a series.

From Writer Unboxed, Donald Maass delves into the inner workings of story imagination and Kathryn Craft encourages us to visualize our scenes not as authors, but as our characters.

All that a lot more. Enjoy!

Are You a “Lifer”? by Philip Athans

Beyond Character Goal and Motivation – The Longing and the Lack by Tiffany Yates Martin

17 BookBub As Designs Promoting Books in a Series by Carlyn Robertson

DIY Author Marketing 101 by Michal Leah

Why “Likeable” Characters Depend on Genre by Anne R. Allen

10 Things Beginning Writers Must Do by Anne R. Allen

5 Tips to Pick Up the Pace by Dana Isaacson

Copy Editing Secrets by Hank Phillippi Ryan

5 Tips to Keep a Series Fresh by Daryl Wood Gerber

World-Building: Captivate Readers and Never Let Go by Kristen Lamb

Seeing Through a Character’s Eyes: Literally by Kathryn Craft

Three Modes of Story Imagination by Donald Maass

Trademark Tips for Writers – How to Protect Your Creative Work by Matt Knight

Writing Mistakes: Choosing Between Plotting vs. Pantsing by Michael Woodson

10 Relaxing Activities to Rediscover Your Writing Voice by Miles Oliver

 

About This Writing Stuff…

After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!

This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.

Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.

All that and a little more. Happy Holidays!

What is a Novel Synopsis? Here are Two Examples by MasterClass Staff

3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto

How to Tell a Story: The Rule of Three by Anne R. Allen

How to Handle the Blurb Thing by Hank Phillippi Ryan

Getting Your Book Noticed by Patricia Bradley

Foreshadowing Reveals is Easier Than You Think by Chris Winkle

Street Cred: Getting Your Work Noticed by Liza Taylor Nash

Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez

Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase

How to Use Vivid Verbs to Bring Your Scenes to Life  by J.D. Edwin

About This Writing Stuff…

This week’s lineup bring us several “how-to” articles including writing diverse and developed characters, marketing your book without social media, and outlining your novel (or not).

Is writing for TV better than writing feature films? Ken Miyamoto discusses. Confused about when and how to use a Framing Device in your story? Britton Perelman explains.

Jennie Nash explores the importance of asking yourself why you feel compelled to write that story that’s been bouncing around in your head. Over at Sidebar Saturdays, Matt Knight delves into estate planning for writers while at the Kill Zone, James Scott Bell argues on behalf of going exclusive with KDP and Kindle Unlimited.

All that and a little more. Enjoy!

Elevator Pitching: How to Grab Someone’s Attention in 30 Seconds or Less by David Young

How to Write Diverse Characters (And, Also, Are You Qualified?) by Joiya Morrison-Efemini

How to Create Characters by Kristen Overman

Why Writing TV is Better than Writing Feature Films (and Why it’s Not) by Ken Miyamoto

Everything You Need to Know About Framing Devices by Britton Perelman

Sequencing and Layering: Advanced Techniques That Will Improve Your Writing by Kevin Nelson

Why Write This Book? by Jennie Nash via Jane Friedman

How to Market Your Book Without Social Media by Carol J. Michel

Warning to Writers: You Won’t See This New Publishing Scam Coming by Anne R. Allen

How to Outline Your Novel. Or Not by Hank Phillippi Ryan

On Going Exclusive by James Scott Bell

Estate Planning for Writers by Matt Knight

Estate Planning for Writers Part II – Transferring Intellectual Property to a Corporate Entity by Matt Knight

World-Building Through Architecture by Dave King

 

 

Creatures, Crimes, and Creativity Recap

A busy week resulted in a delayed after-action report of my first experience with Creatures, Crimes, and Creativity (C3). While this annual writers conference in Columbia, MD is geared toward crime fiction, mystery, paranormal, fantasy, and science fiction, all genres are welcome. This year’s keynote speakers were Hank Phillippi Ryan, NYT bestselling author and 37-time Emmy-award winning journalist and  Sherrilyn Kenyon, NYT bestselling author of over 80 novels. Sherrilyn’s inspiring, poignant speech damn near brought many of us to tears. 

Vaughn Jackson, Sherrilyn Kenyon, and Phil Giunta
With Vaughn Jackson and Sherrilyn Kenyon at Creatures, Crimes, and Creativity Con (C3).

Special guests included Kathleen Barber, whose novel Are You Sleeping was the basis for Apple TV’s Truth Be Told, and James Grady, author of Six Days of the Condor, which was made into the classic 1975 Robert Redford film, Three Days of the Condor. I suspect the other three days were victims of Hollywood budget cuts, but I digress.

Phil Giunta with James Grady
With James Grady at Creatures, Crimes, and Creativity Con (C3).

The conference delivered a fun and edifying variety of discussion panels and presentations on various aspects of writing and publishing, ranging from creating captivating characters and writing believable fight scenes to the value of deep listening and the elements of world building. I participated in the latter panel as well as another on writing in the paranormal and speculative fiction genres. 

Friday night’s Noir at the Bar treated us to eight talented storytellers who read samples of their work from a breadth of genres including crime fiction, fantasy, steampunk, and paranormal.

It was a joy to meet and chat with several amazing writers throughout the weekend including Lanny Larcinese, Ef Deal, Glenn Parris, Vaughn Jackson, F.J. Talley, Frank Hopkins, Sharon Buchbinder, and former MMA fighter, J.R. White. A special shout-out to Weldon Burge on the debut of his first novel, Harvester of Sorrow. Weldon is also the owner of Smart Rhino Publications and had published my ghost story, “Bottom of the Hour,” in his anthology A Plague of Shadows in 2018. He and I have stories in about four different anthologies, each from different presses. 

Speaking of anthologies, C3 produces a limited edition anthology available only to attendees of the conference each year. Although the book is not available to the public, it was no less exciting to see my Sherlock Holmes and Johnny Watson tale, “The Five-Day Killer,” in print for the first time since I wrote it six years ago. Perhaps it’ll become a valuable collector’s item if I ever hit the big time. 

C3 2021 Anthology Front Cover   C3 2021 Anthology Back Cover    The Five-Day Killer - first page

I carpooled to the con with fellow speculative fiction writer, Chris Ochs, who also happens to be the president of the Greater Lehigh Valley Writers Group. After the con ended on Sunday, Chris and I drove to the Common Kitchen in Clarksville where we met several local friends for lunch before heading home. 

My deepest gratitude and admiration to redoubtable C3 organizers Austin Camacho, Denise Camacho, Cynthia Lauth, Susan Henry McBride, and Jodi Schwartz for their Herculean efforts to make the conference a success!

C3 Conference Team
The C3 Team! (L to R): Jodi Schwartz, Cynthia Lauth, Austin Camacho, Susan Henry McBride, Denise Camacho

About This Writing Stuff…

The past several weeks have been hectic, leaving me little time for blogging. Unfortunately, I’ve also been contending with depression, burnout, and fatigue for reasons too long to elucidate here (and you probably don’t care anyway).  Winter and ongoing pandemic stress have exacerbated the problem. Whatever. I’m working through it.

On a lighter note, I’m thrilled to announce that four of my short stories will be published across two anthologies in late March. More information on that soon! For now, I lined up another fantastic selection of helpful articles about writing and publishing.

Monica Valentinelli discusses the ingredients of dark science fiction and offers a generous helping of positive writing advice to keep us motivated.

Ken Miyamoto explains the difference between story and plot while Susan DeFreitas delves into strategies for presenting backstory.

Over at Mythcreants, Oren Ashkenazi warns prose writers against emulating TV and film while Chris Winkle teaches us how to improve reader engagement.

Brian Andrews guides us through writing believable action scenes, Julie Duffy provides pointers on transitioning between novels and short stories, and Philip Athens summarizes the history of pulp magazines.

All that a little more. Enjoy!

When Science Fiction Meets Horror in World-Building by Monica Valentinelli

101 Softly-Delivered Writing Lessons by Monica Valentinelli

What the 2021 Facebook Changes Mean for Authors by Thomas Umstattd, Jr.

Plot vs. Story: What’s the Difference? by Ken Miyamoto

Backstory and Exposition: 4 Key Tactics by Susan DeFreitas via Jane Friedman

Focus on Short Fiction by Julie Duffy

Five Bad Habits Writers Learn from Movies and TV by Oren Ashkenazi

Optimizing Your Story Ideas for Better Engagement by Chris Winkle

How to Write Amazing Action Scenes by Brian Andrews

How to Write A Bestselling Thriller by Hank Phillippi Ryan

Doublespeak: A Look at Voice by Terry Odell

A Brief History of Pulp Fiction by Philip Athans