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Send the Elevator Back Down

An unexpected honor came today when fellow writer and GLVWG member David Miller asked me to type up the improv speech I gave on Saturday at the Lower Macungie Library local author event. David shared it with other members of the Greater Lehigh Valley Writers Group today.
 
The exercise provided an opportunity to polish the speech, improving the focus and making it less frenetic as improv routines can sometime be. Truly, it’s a touch of personal history about my journey as a writer and to honor those who have mentored me, guided me, and eventually invited me to publish with them.


Send the Elevator Back Down

Phil Giunta

Comedian Steven Wright once told this joke: “When I was little, my grandfather used to make me stand in a closet for 5 minutes without moving. He said it was elevator practice.”

Today, I’d like to talk to you about elevators.

There’s a wonderful quote making its way around the internet from actor Kevin Spacey. “If you’re lucky enough to do well, it’s your responsibility to send the elevator back down.”

I began writing in the realm of fan fiction back in the late 1980s. For the uninitiated, fan fiction is generally a story based on your favorite characters from television or movies such as Captain Kirk, Luke Skywalker, Indiana Jones, the list goes on. I know people who wrote fan fiction based on everything from Bonanza to Quantum Leap.

I found fan fiction to be a marvelous training ground for storytelling. Of course, I couldn’t sell these stories because they were based on copyrighted characters, but I did pass them around and the general feedback was overwhelmingly positive.

It was at about this same time, when I began attending an increasing number of science fiction conventions such as Farpoint, Shore Leave, and Balticon in Maryland and I-CON in Long Island, New York. In addition to meeting so many actors I’d grown up with, I also met many of my favorite writers such as Harlan Ellison, Peter David, Michael Jan Friedman, Howard Weinstein, Bob Greenberger, Steven H. Wilson, and others.

There I was, holding my stack of novels and comic books eagerly waiting to get them signed and to chat with bestselling authors I never thought I would meet. Little did I know that when I was waiting in autograph lines, I was actually waiting for the elevator.

Over the years, I continued to write and to glean advice from many of the aforementioned writers who would return as regulars to Farpoint and Shore Leave. I appreciated their patience and guidance, hoping I was not making a nuisance of myself.

Of particular note was Steven H. Wilson. By the time I met him, Steve had just written a few issues of Star Trek and Warlord for DC Comics and was beginning to craft what would become his science fiction audio drama series, The Arbiter Chronicles. Like me, Steve had also started in fan fiction, but was further along the road than I was. Yet not so far that getting there seemed daunting. I wanted to be that guy.

Steven also founded Farpoint in 1993, and it was at that convention where I came in second place in a writing contest. Steven personally encouraged me to keep writing. Little did I know that the friendship we were forming was also the elevator door opening.

Flash forward to 2007 and Steve had already won both the Parsec and Mark Time audio awards for his podcasts of The Arbiter Chronicles. He had also self-published his first novel based on that series and had received an excellent review from the Library Journal.

By this time, I had moved on from fan fiction and had outlined an original paranormal mystery novel. I asked Steve for the particulars of self-publishing, as the option certainly interested me. However, the business aspects of it seemed a bit overwhelming at the time (not so much today) so I asked him if he was accepting submissions. He agreed and two years later, Testing the Prisoner was published by Firebringer Press, followed in 2013 by my second paranormal mystery, By Your Side.

By 2010, I was attending Farpoint and Shore Leave as an author guest, which I still do today. The reviews for Testing the Prisoner were outstanding and I was beginning to blog.

I was now in the elevator and let me tell you, it was nice and shiny in there.

In June of 2012, I received an email from the aforementioned Bob Greenberger, who is a fantastic SF writer in addition to his long tenure as an editor at DC Comics. Along with another comics veteran Paul Kupperberg and fellow award-winning writer Aaron Rosenberg, Bob had co-created a new fantasy series called ReDeus. Deus is, of course, Latin for God. Slap the “Re” in front of it and it becomes a bit of a pun as in “Again God”. The series ponders what would happen if all of the ancient mythological gods returned to Earth in the 21st century. It was to be published by Crazy 8 Press, a small press formed by Bob, Aaron, Michael Jan Friedman, Peter David, Glenn Hauman, and Howard Weinstein.

Bob was reaching out to other Shore Leave writer guests to see if they would be interested in contributing a story to their first anthology. What an honor! I eagerly accepted, knowing very little about mythology. Bob then sent the series bible with a story deadline of about two weeks. Yikes! They wanted to debut the book at the upcoming Shore Leave convention in August.

The elevator was going up…and fast! I remember researching and writing furiously until 2AM and even writing while on a Saturday conference call for my day job. I work full time in IT. Another technician and I had to migrate a physical server to a virtual machine. If you’re not a tech geek, don’t worry about it. The point is that it became a 12-hour ordeal. When it was the other tech’s turn to take over for a few hours, I wrote like a maniac. I finally finished and submitted the piece on my birthday, July 1.

Two days later, it was accepted with minor revisions. Not only was I published in the first volume, Divine Tales, I returned for the second, Beyond Borders—where all stories take place outside of the USA. I was invited back for the third volume, Native Lands (stories of Native American gods), but was overwhelmed with recording the audio for By Your Side and planning my upcoming wedding. I politely declined, avoiding the risk of promising a story, then failing to deliver.

It was during this time when I decided to pitch an idea to Steve Wilson. I know several wonderful writers who came up in fan fiction and had moved onto crafting original fiction. Some were submitting to magazines but getting nowhere. I knew their work was outstanding and I wanted to find a way to showcase them. I asked Steve if I could submit a collection of their original genre stories with an eye toward publication. Steve agreed, as long as I edited. He and I also tossed in a few of our own tales.

At Shore Leave in 2014, we launched Somewhere in the Middle of Eternity, an anthology of SF, fantasy, and paranormal fiction. Through this book, we brought about five new authors to the public eye and showcased the wonderful work of an Allentown artist.

What a joy it was for me to see these writers at their first launch, signing books and engaging with readers. I had just barely started my own elevator ride when I was holding the door open for others to take the journey with me (thank you, Steve!). In three months, we’re launching a second volume, Elsewhere in the Middle of Eternity, and possibly a third in 2018.

If you’re lucky enough to find success and you know talented, burgeoning artists, give them a chance to blossom by sending the elevator back down. If you’re just beginning your career, as I am, attend conferences and library events. Network with those further along the road, and learn as much as you can about your craft.

You never know what can happen simply by waiting for the elevator.

Book Review: Phoenix Without Ashes by Edward Bryant and Harlan Ellison

In an ultra-religious agrarian community known as Cypress Corners, young Devon has become an outcast not only for questioning authority, but also for falling in love with Rachel, a farmer’s daughter who has been betrothed to Garth, the local blacksmith. Garth and Devon had been friends since childhood, and since Rachel and Garth do not love one another, the blacksmith is all too happy to turn a blind eye toward the “secret”—and forbidden—romance.

While living out his temporary exile in the hills beyond the town, Devon survives on care packages brought by Rachel, who sneaks away from town after evening prayers. When his penance is complete, the town elders escort Devon back to Cypress Corners, expecting him to repent. Yet Devon remains recalcitrant and soon discovers that the Creator’s Machine, from which the Elders receive their instructions for leading the community, is broken. The Elders have since learned how to record their own orders into the machine and play them back at will.

After attacking the Elders and stealing the recording device, Devon tries to reason with Rachel and her parents, but they do not believe him. Knowing he will soon be arrested, Devon flees for the hills. While there, he discovers a portal that leads to a strange and wondrous place. Devon soon learns that he, and everyone in Cypress Corners, is aboard an ancient interstellar Earth vessel known as the Ark.

Upon finding a library computer, Devon learns that the Ark’s purpose was to transport millions of humans from a dying Earth to a new home across the galaxy—until an accident diverted the ship from its course and sent it on a path directly toward a star. If the Ark cannot be repaired and its course corrected, the ship and everyone aboard will be dead in five years.

This mysterious catastrophe, having occurred 400 years ago, also terminated communications between the thousands of communities aboard. As a result, no one in Cypress Corners is even aware of the other societies, or the truth about their very existence.

Can Devon convince the Elders of this new information and enlist their help in repairing the ship, or will they sentence him to a brutal end for his blasphemy?

Edward Bryant did an admirable job of adapting Harlan Ellison’s screenplay for The Starlost into the novelization. The chapters are brief, averaging about 5 pages, and the pacing is solid.

It would not be a Harlan Ellison book without an introduction as interesting as the story itself. This time, Harlan describes the debacle that ensued from the time he pitched The Starlost all the way through the ineptitude of the producers in marketing it, and their ignorance in utterly misinterpreting the series bible that they had pressed him into writing on an impossible deadline.

As a result of his experiences, and his dissatisfaction with the quality of the production, Harlan removed himself from the television project and demanded that his nom de plume, Cordwainer Bird, be used in the credits. Harlan was known to employ this pseudonym as a symbol of his objection to the mistreatment of his work by others.

 

Phoenix_Ashes-Ellison

 

Book Review: Deathbird Stories by Harlan Ellison

Harlan Ellison built his career on the short story format and as a result, became one of the most awarded living writers.  I have many of his collections in my library, which was why I recognized most of the material in this anthology.

Deathbird Stories consists of 19 tales, originally printed between 1960 and 1974, all loosely gathered here under the theme of modern gods.  While some of the stories, such as “Neon”, “Along the Scenic Route”, and “Pretty Maggie Moneyeyes” seem to miss that mark, many of the stories directly fit the theme or at least, contain supernatural elements.

Some of my favorites include (along with Harlan’s taglines for each):

The Whimper of Whipped Dogs – When the new god comes to the Big Apple, its Kyrie Eleison turns out to be a prayer Kitty Genovese simply couldn’t sing. But thirty-eight others knew the tune.

Along the Scenic Route – God, in the latest, chrome-plated, dual-carb, chopped & channeled, eight-hundred-horsepowered incarnation. God’s unspoken name is Vroooom!

On The Downhill Side – Posing the question: does the god of love use underarm deodorant, vaginal spray, and fluoride toothpaste?

Neon – Kurt Weill and Max Anderson wrote, “Maybe God’s gone away, forgetting His promise He made that day: and we’re lost out here in the stars.” And maybe He/She’s just waiting for the right signal to come back, whaddaya think?

Basilisk – Have you ever noticed: the most vocal superpatriots are the old men who send young men off to die? Well, it might just be that the heaviest reverential act when worshipping the god of war is to be the biggest mutherin traitor of them all. Check Spiro, I think he’s having a seizure.

Pretty Maggie Moneyeyes – The god of the slot machine: new religions, new souls, new limbos.

Paingod – If God is good, why does He send us pain and misery?

Adrift Just Off the Islets of Langerhans – Reality has become fantasy; fantasy has become reality.  35mm constructs have more substance than your senior congressman, but Martha Nelson is real, no matter what you think. And the search for your soul in a soulless world requires special maps.

Deathbird Stories-Ellison

 

Book Review: Partners in Wonder by Harlan Ellison

As an avid admirer of Harlan Ellison, I was excited to find a cache of his books in fine to excellent condition at a used bookstore late last year. It was a rare and wonderful discovery, as I hardly ever find Harlan’s backlist in such a quantity in any single location.

Partners in Wonder was one of the books I found that day. It is an anthology of collaborative stories between Harlan and some of the most famous SF and speculative fiction writers of that Golden Age such as Ben Bova, Robert Silverberg, A.E. Van Vogt, Robert Bloch, and others.

While these may not be considered the best works from Harlan or his co-conspirators—which Harlan himself admits in one instance during his brief introduction to “The Power of the Nail”—there is a wide variety of tales that demonstrate the depth and breadth of these august scribes. All told, it is an entertaining collection.

Speaking of Harlan’s introductions, each story has one and I enjoyed being regaled by his recollections of how each collaboration was born as much, if not more in some cases, than the stories themselves.

My favorites yarns in the bunch include:

I See a Man Sitting on a Chair, and the Chair is Biting His Leg – written with Robert Sheckley

Up Christopher to Madness – written with Avram Davidson

The Human Operators – written with A.E. Van Vogt

Wonderbird – written with Algis Budrys

The Song the Zombie Sang – written with Robert Silverberg

Street Scene – written with Keith Laumer

 

Partners in Wonder-Ellison