Tag Archives: jane friedman

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff

In our final edition of About This Writing Stuff for 2020, Ken Brosky offers advice for managing multiple narrators while Abigail Perry helps us decide when our story can support two protagonists.

Even as an inveterate plotter, I admit that Hank Phillippi Ryan makes a strong case for writing without an outline (aka pantsing, but I like her use of “emergent design”).

In the Kill Zone, Sue Coletta provides insightful tips for crafting a series bible while James Scott Bell shows us three ways to weave humor into our stories. Over at Mythcreants, Oren Ashkenazi discusses how to handle content edits and Chris Winkle suggests clever ways to describe your POV character.

If you’re considering self-publishing, I encourage you to take some pointers from Anne R. Allen, and if you’re struggling to find that powerful opening to your story, let Josyln Chase help.

All that and a lot more. Enjoy… and Happy Holidays!

How to Effectively Manage Multiple Narrators in Your Novel by Ken Brosky via Jane Friedman

5 Tell-Tale Signs of an Amateur Self-Published Book by Anne R. Allen

How to Write Without an Outline by Hank Phillippi Ryan

Productive Procrastination: Re-Purposing Downtime to Profitably Promote by Ellen Byron

6 Tips to Help You Network Like a Natural by Penny Sansevieri

Tips to Create a Series Bible by Sue Coletta

On Using Humor in Fiction by James Scott Bell

Five Things to Know When You Get Content Editing by Oren Ashkenazi

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Staging the Scene by John J. Kelley

The Secret for Creating Characters that Readers Want to Root For by J.D. Edwin

Can You Have More Than One Protagonist in Your Story? by Abigail Perry

How to Start Your Story: 10 Ways to Get Your Story off to a Great Start by Joslyn Chase

A Look at Literary Devices: What is Motif? by Sherry Howard

How a Limited vs. Tight Point of View Can Confuse Writers by Janice Hardy

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Lawrence Block reminds us that while real life often does not make sense, our fiction must. Ruth Harris provides a handy checklist on effective dialogue while Jami Gold and Janice Hardy expound ways to ensure that our characters are not puppets to plot.

Calling all Scrivener users, Gwen Hernandez and Joslyn Chase offer tips on using some of the app’s features to organize our work.

Jennifer L. Harris shows us how to determine whether or not our story ideas will support a full-length novel. Over at the Write Practice, David Stafford reviews methods for applying the principle’s of the Hero’s Journey, and Jane Friedman delivers a comprehensive guide to writing query letters.

All that a little more. Enjoy!

Stop Making Sense: Explaining Some Fiction Rules of Logic by Lawrence Block

He Said. She Said. Fifteen Keys to Writing Great Dialogue by Ruth Harris

How Can We Make Our Protagonist More Proactive? by Jami Gold

Things to Consider When Adding a POV Character by Janice Hardy

What is Causing the Uptick in Independent Bookstores? by Mike Shatzkin

Using Bookmarks in Scrivener 3 for Quick Access to Supporting Materials by Gwen Hernandez

How to Use Scrivener to Write Scenes That Work by Joslyn Chase

5 Essential Hero’s Journey Themes and Symbolic Archetypes That Will Thrill Your Readers by David Stafford

The Complete Guide to Query Letters by Jane Friedman

13 Tips for Writers Who Just Want to Finish Something For Once by Meg Dowell

How to Test Your Story Idea: Is Your Idea Strong Enough to Support a Novel? by Jennifer L. Harris

Why I Don’t Write Every Day by Phoebe Quinn

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Harrison Demchick delivers a comprehensive four-part series on Point of View.* Over at Mythcreants, Chris Winkle talks specifically about omniscient narration and Anthony Ehlers at Writer Write touches on ways to spice up your writing by changing POV.

(*Mr. Demchick will be a guest at The Write Stuff writers conference in March in Bethlehem, PA!)

Anne R. Allen offers advice on writing your final chapter while Peter Selgin warns against wasting the first one. James Scott Bell encourages us to find the one thing at the heart of your novel.

Matthew V. Clemens sites one of my all-time favorite films as the apotheosis of suspense—which is precisely what Allison Brennan discusses in her article about pacing.

All that and a lot more. Enjoy!

How to Write Better Fiction Using Limited Point of View by Harrison Demchick

How to Choose the Best Point of View for Your Story’s Purpose by Harrison Demchick

How to Rely on the Unreliable Narrator by Harrison Demchick

How to Exploit Uncommon Points of View in Your Novel by Harrison Demchick

Writing Your Final Chapter: 6 Do’s and Don’ts for Bringing Your Novel to a Satisfying Conclusion by Anne R. Allen

Secrets of Suspense: What I Learned from JAWS by Matthew V. Clemens

Pacing: The Key to Scintillating Suspense by Allison Brennan

What One Thing is Your Novel About? by James Scott Bell

Five Essentials of Omniscient Narration by Chris Winkle

Taxes and the Writer—The Tax Cuts and Jobs Act of 2017 by Matt Knight

Fiction Contests Worth Your Time in Winter 2019 by Arthur Klepchukov

When Your Story Opening Does Nothing but Blow Smoke by Peter Selgin via Jane Friedman

Revive Dull Descriptions with Simple Tweaks in Viewpoint by Anthony Ehlers

How Do You Find the Plot of a Story? Using Scenarios by Now Novel

A Home Library Can Have a Powerful Effect on Children by Robby Berman

Articles, Blog, Craft, Opinion

About This Writing Stuff…

This week on the blog, Ceridwen Dovey expounds the concept of “bibliotherapy” and the restorative power of reading fiction. Kristen Lamb encourages writers to be secret-keepers… and to get more rest. Jami Gold explains what it means to add layers to your characters and Anne R. Allen councils us against worrying too much about plot purloiners.

Over at Career Authors, Paula Munier cites three mistakes by debut writers that potentially exasperate agents and editors while Glenn Miller advises us on how to be trustworthy writers. C.S. Lakin offers tips on preparing your scenes, Sarah Chauncey talks effective use of POV in memoir, and from Mythcreants, Chris Winkle enumerates six manuscript mistakes that a copy editor might (or might not) help you fix.

Enjoy!

Can Reading Make You Happier? by Ceridwen Dovey

Secret-Keepers: Generate Page-Turning, Nerve-Shredding Tension and Rest for Success and Why Busy is Seriously Overrated by Kristen Lamb

Make Characters Unique with Layering by Jami Gold

What if Somebody Steals Your High-Concept Book Idea? by Anne R. Allen

Are You Making One of These Risky Moves for Writers? by Paula Munier

This is What Happens When You Stop Lying to Readers by Glenn Miller

Questions to Consider When Plotting a Scene by C.S. Lakin via Jane Friedman

The Tricky Issue of POV in Memoir by Sarah Chauncey via Jane Friedman

Six Common Wordcraft Mistakes in Manuscripts by Chris Winkle

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anna Elliott offers three tips for “kicking your readers right in the feels” while Chris Winkle and Damon Suede explore various facets of character. Peter Selgin boils fiction down to two plot types and explains how to introduce foreshadowing in your story’s opening.

Juliet Marillier defines the fantasy genre, Blake Morrison delves into the often distressing burden of managing a deceased writer’s estate, and Olivia Mason presents a top-ten list of best works from one of my all-time favorite writers, Harlan Ellison.

All that and a little more… Enjoy!

3 Tips to Hook Your Reader’s Emotions by Anna Elliott

What Is Fantasy, Exactly? by Juliet Marillier

Take Cover! by John Gilstrap

The Six Traits of Strong Characters by Chris Winkle

Characters: More Than Just Imaginary People by Damon Suede via Jami Gold

How Works of Fiction Can Be Boiled Down to Two Types of Plots and  How Your Story Opening Foreshadows What’s to Come by Peter Selgin

Up in Smoke: Should an Author’s Dying Wishes Be Obeyed? by Blake Morrison

The Best of the Best: 10 Must-Read Works by Harlan Ellison by Olivia Mason

Scam Down Under: Love of Books Brisbane / Julie “Jules” McGregor by Victoria Strauss for Writer Beware

 

Calvin & Hobbes on Writing

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Peter Selgin offers ideas on dramatizing the routine in your story, writer pal Donna Galanti shines light on how to build your author persona, and Sue Weems suggests ways to combat multitasking that will improve your writing and save your sanity.

Despite arguments to the contrary, author blogging is not dead according to Anne R. Allen, and she provides eight solid reasons why.

Struggling to avoid hackneyed methods to describe your first-person POV character? Laura DiSilverio has some advice for you while James Scott Bell wants to pump you up—or at least your prose—by showing you how to immerse your reader in both action and emotion.

All that and a little more… Enjoy!

Four Ways to Create Your Author Persona by Donna Galanti

How to Make the Best Use of “Routine” Events in Your Fiction by Peter Selgin via Jane Friedman

‘The ebook is a stupid product: no creativity, no enhancement,’ says the Hachette Group CEO by Harsimran Gill

‘Laughably bad’: Terry Goodkind Apologises After Insulting Cover of His Own Book by Sian Cain

Get Some Blood Pumping in Your Prose by James Scott Bell

Why Multitasking is Killing Your Writing by Sue Weems

How the Internet Archive Infringed My Copyrights and Then (Kind of) Blew Me Off by Victoria Strauss

8 Reasons to Start an Author Blog by Anne R. Allen

6 Tips for Describing a First Person POV Character by Laura DiSilverio

Facebook’s Algorithm has Wiped Out a Once Flourishing Digital Publisher by Mike Shields

Styles of Writing