Tag Archives: joe bunting

About This Writing Stuff…

This month, Steven H. Wilson discusses some of the elements that comprise a gripping novel while Joe Bunting schools us on the use of rising action in storytelling.

Secrets are revealed over at Career Authors as Tiffany Yates Martin explains the four habits of successful authors, Tracy Clark shares five tips on pacing, and Sharon Short offers strategies for writing from first person POV.

Speaking of POV, third-person omniscient is still alive and well and  that sagacious “mythcreant” Chris Winkle shows us how to use it effectively.  She also shows us ways in which exposition can be used to evoke emotion.

All that and a little more. Enjoy and Happy Holidays!

What Makes a Good Story? by Steven H. Wilson

What Third-Person Omniscient POV is and How to Master It by Chris Winkle

What is Didactic Literature? Have we Outgrown it? by Robert Harrell

4 Survival Skills of Highly Successful Authors by Tiffany Yates Martin

Wait for it! Five Secrets to Perfect Pacing by Tracy Clark via Hank Phillippi Ryan

Six Secrets to Writing from the First Person Point of View by Sharon Short

Nine Things to Consider Before Giving Up on Your Book by Penny C. Sansevieri

Rising Action: Definition and Examples of This Dramatic Structure Element by Joe Bunting

What If You’re Writing Novellas? Now What? by Tara Deal via Jane Friedman

How to Use Exposition to Evoke Emotion by Chris Winkle

 

About This Writing Stuff…

This month, book consultant and developmental editor Mary Kole encourages writers to diversify their skills in the age of AI. Now that self-publishing is no longer a “new thing,” Anne R. Allen advises indie writers on how to keep expectations grounded.

Kristen Lamb reviews the Johari Window and how it can be used as a tool for character and story development. Over at the Write Practice, Joe Bunting gives us a detailed lesson on first and third person points of view.

Fantasy writer Philip Athans defends the adverb—with some caveats—and, along with PJ Parrish, provides guidance on the skillful use of description in narrative.

All that and much more. Enjoy!

The Irrelevance of the Modern Writer by Mary Kole & Good Story Company

The Über Skill for Writers by Tiffany Yates Martin

How to Write the Beginning of a Novel by Rhiannon Richardson

How to Tighten Your Midpoint Twist by Ley Taylor Johnson

Is an Unpublishable Book Worth Writing? by Lory Widmer Hess

Is Self-Publishing a Good Choice for Authors in 2024? by Anne R. Allen

Adverbs Are Fine! by Philip Athans

Describe Characters as You Go Along by Philip Athans

How Much Description Does Your Book Need? by PJ Parrish

The Johari Window & Character Blind Spots by Kristen Lamb

How to Get Your Plot Arcs Working Together by Chris Winkle

Ninety-Nine Words to Seek and Destroy by Chris Winkle

Fresh Perspective Sells by Kathryn Craft

Types of Point of View: The Ultimate Guide to First Person & Third Person POV by Joe Bunting

 

About This Writing Stuff

This week, Kathryn Craft provides strategies for managing POV in your story while James Scott Bell discusses the three types of “mirror moments” in fiction.

Chris Winkle encourages writers to simplify their stories for improved reader experience. Looking for better ways to build suspense? Tracy Clark has a few tips for you.

With language AI gaining attention, Erma Clare examines ChatGPT as a story development tool for writers and Joe Bunting reviews the ten types of stories and their underlying values.

All that and a bit more. Enjoy!

A Copy-Editing Checklist for Novelists by Dana Isaacson

Writing for Theater and Film by Carina Jaramillo*

How to Write an Optimized and High-Converting Book Description by Rob Kosberg

4 Ways to Organize Your Third-Person POVs by Kathryn Craft

5 Strategies I Use to Launch New Books on Kindle Unlimited by Nicholas Harvey

6 Tips for Building Suspense by Tracy Clark via Hank Phillippi Ryan

How Promo Stacking Helps Authors Hit Bestseller Lists by Diana Urban

Put a Funhouse Mirror in the Middle of Your Mystery by James Scott Bell

Managing Exposition Starts With Simplifying the Story by Chris Winkle

Friend or Foe: ChatGPT Has Pushed Language AI into the Spotlight by Erma Clare

An Anxiety Episode Changed My (Dis)Belief in Writer’s Block by Kathryn Magendie

How to Use Scars to Deepen Characterization by Sue Weems

The Ten Types of Stories and How to Master Them by Joe Bunting

*Special thanks to youth services librarian and educator Chloe Pederson and her student, Anna, for alerting me to this one. Who would have thought a home theater furniture store would offer such a helpful blog?

 

About This Writing Stuff…

This week, Kathryn Craft offers guidance on adding foreshadowing to your manuscript while Anne R. Allen strongly advises writers to appoint a social media executor.

At the Write Practice, Michelle Renee Miller provides a few time management methods for writing on a busy schedule and Joe Bunting lists ten book writing strategies that, in his opinion, are doomed to fail. I don’t agree with all of them, but his arguments are persuasive.

Kristen Lamb speaks out against the latest trend of reading ebooks in their  entirety and returning them for a refund. She also takes to task writers for purple prose, crutch phrases, and other forms of filler.

All that and a little more. Enjoy!

Foreshadowing: A Revision Skill to Love by Kathryn Craft

Exploit Your Hero’s Flaws by Jim Dempsey

10 Book Writing Strategies that End in Failure by Joe Bunting

3 Foolproof Ways to Write With a Busy Schedule by Michelle Renee Miller

What is Rhythmic Writing? by Sue Coletta

Tolkien on the Importance of Fantasy and Science Fiction by Jonny Thomson

Literary Larceny & Why People Should Be Ashamed by Kristen Lamb

Fiction Filler: Bloated Writing Makes Readers Sick by Kristen Lamb

Why Every Writer Needs a Social Media Executor by Anne R. Allen

The Indie Writer Book Launch Guide Part I and Part II by Scott Semegran

About This Writing Stuff

This week, James Scott Bell makes a good case for putting your protagonists between opposing characters, thereby forcing them to choose a path. Siera London introduces us to the BENP system of book marketing, and Daphne Gray-Grant links perfectionism with depression.

Richie Billing examines the use of religion in the fantasy genre, Joe Bunting provides a 20-step guide to novel writing, and Donald Maass teaches us to how dance to the beat (story beats, that is).

At Fiction University, we get schooled by Kassandra Lamb on the relationshp between backstory and behavior, Chris Eboch explains the importance of plot questions, and Janice Hardy offers advice about planting clues in your story.

All that and a lot more. Enjoy and Happy Holidays!

Religion in Fantasy by Richie Billing

What Kind of Marketing Plan Will Work for Us? by Siera London via Jami Gold

Put Your Lead Between Opposite Characters by James Scott Bell

How to Choose Scenes for Your Story by Chris Winkle

What is DRM (Digital Rights Management)? by Matt Knight at Sidebar Saturdays

Show Me the Money: Royalties, Rights, and Riches for Indie Authors by Erika Liodice

The Beat Goes On by Donald Maass

How to Write a Novel (Without Fail) by Joe Bunting

How to Sneak Clues Past Your Readers and Keep Them Guessing by Janice Hardy

Writing a Page-Turner: Keep the Reader Guessing with Story Questions by Chris Eboch

The Importance of Backstory (or How the Brain Connects the Present to the Past) by Kassandra Lamb

Is Your Depression Masquerading as Perfectionism? by Daphne Gray-Grant

11 Ways to Give Writing Perfectionism the Heave-Ho by Daphne Gray-Grant

60 Things For Your Character to Do When They Talk or Think by Amanda Patterson

About This Writing Stuff…

This week, Charlie Jane Anders encourages us to write what is in our hearts regardless of current events. At Career Authors, David Bell provides five reasons for outlining your novel, while over at IndieReader, Savannah Cordova shows us five ways to get your novel noticed on Amazon.

Marlene Cullen explains how to use the freewrite method to chronicle traumatic experiences. Jami Gold delves into the risks and benefits of foreshadowing. John Gilstrap warns us against second guessing our writing. Kristen Lamb demonstrates how the Johari Window can be used to provide depth to our characters. Tajja Isen discusses the importance of sensitivity readers for stories involving minority characters.

Congratulations to writer pal, Amanda Headlee, on winning the “When Words Count Pitch Week XVII contest” with her upcoming horror novel, My Brother’s Keeper.

All that and a lot more. Enjoy!

Never Say You Can’t Survive: Everything is Broken! What Should I Write About? by Charlie Jane Anders

5 Tips for Navigating a Successful Novel Outline by David Bell

Freewrite: How to Write About Traumatic Events Without Adding More Trauma by Marlene Cullen

5 Tips for Getting Your Book Noticed on Amazon by Savannah Cordova

What’s the Point of Foreshadowing? by Jami Gold

Eyes Front by John Gilstrap

Pulp Diction. What We Can Learn from the Noir Czars by PJ Parrish

How to Characterize by James Scott Bell

The Johari Window: Understanding and Harnessing the Character Blind Spot by Kristen Lamb

Parody, Satire, and Fan Fiction: What’s the Difference? by Matt Knight

How Not to Write a Book About a Minority Experience by Tajja Isen

6 Ways to Incorporate a Dash of Foreign Language by Kathryn Craft

Blurbing and Being Blurbed by Barbara Linn Probst

How the Rising Action Works in a Story by Joe Bunting

Meet the Pitch Week XVII Finalists from When Worlds Collide!