julie glover | Phil Giunta – Award-Winning Writer of Fun, Frightening, and Fantastic Tales

This week, Ken Miyamoto provides a regimen for becoming a screenwriter in one year. Chris Winkle offers suggestions for maintaining tension during those in-between scenes (often called sequels) while Donald Maass shows us how to meld the mundane and spectacular in our stories to suspend the reader’s disbelief.

We delve into all things editing with Patti Callhan Henry, PJ Parrish, and Jim Dempsey. Julie Glover reminds us of how real life can be fodder for fiction, and NYT bestselling author Jeffrey Deaver reveals his 13 rules for writing fiction that sells.

All that a little more. Enjoy!

365 Days: How to Become a Screenwriter in One Year by Ken Miyamoto

Self-Editing Secret: Listen Carefully by Patti Callahan Henry

Editing: The Three Levels of Hell by PJ Parrish

What to Expect from an Editor by Jim Dempsey

Five Ways to Restore Tension by Chris Winkle

The Real vs. The Unreal by Donald Maass

How Much of Our Real Life Shows Up in Our Fiction? by Julie Glover

List of Fantasy Magazines and Journals by Richie Billing

10 Things Screenwriters Don’t Need to Worry About by Ken Miyamoto

Jeffrey Deaver: Thirteen Rules for Writing Commercial Fiction by Diana Belchase (video)

This week, Melodie Campbell offers advice on how to save that sagging middle in your novel while Penny Sansevieri shows you how to optimize your Amazon Author Central page.

Jennie Nash provides a short checklist of common mistakes that might land your manuscript in the rejection pile and Jami Gold explores how our characters can drive the narrative—despite our best laid plans.

Esther Jones extols the benefits of reading SF and fantasy, Julie Glover defends the practice of editing as you go, and Donald Maass helps us to understand how to develop a meaningful narrative.

All that and a little more. Enjoy!

My Novel is as Mess: How to Survive the Chaos Point in Your Novel by Melodie Campbell via Anne R. Allen

Science Fiction Builds Mental Resiliency in Young Readers by Esther Jones

5 Quick Fixes for Making the Most of Author Central (and Why it Should be a Top Priority) by Penny Sansevieri

Do Your Characters Take on a Life of Their Own? by Jami Gold

In Defense of Editing as You Go by Julie Glover

The Secret to More Efficient Revision: Pattern Recognition by Jennie Nash

The Meaning of Meaning by Donald Maass

The Art of Condensing an Entire Book into a Brief Sales Pitch by Florence Osmund

Six Common Problems with Short Stories by Oren Ashkenazi

The Rich Can’t Hide from a Plague. Just Ask Edgar Allan Poe by Maya Phillips