Tag Archives: oren ashkenazi

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This month, writer pal Kathryn Craft shows us how to use weddings and funerals in our stories to explore characters and heighten emotions. Over at Mythcreants, Oren Ashkenazi examines the ever-popular literary device known as unreliable narrator.

Kristen Overman offers advice on self-editing and developing strong characters while Meredith Lyons talks about keepin’ it real in paranormal fiction. Do you feel pressured to sacrifice your social time for your writing? John Gilstrap reminds us not to feel guilty for living our lives.

Kelsey McConnell discusses the need for trigger warnings in horror novels. This is a timely topic given that I just released the second edition of Testing the Prisoner, my first paranormal mystery novel from 2009 that deals with child abuse and domestic violence.

All that and a lot more. Enjoy!

Writing Believable Characters by Michal Leah

There’s Always a Choice: Revision Techniques to Make Your Writing Stronger by Kristen Overman

How Subplots and Plot Filaments Lend Texture and Depth to Any Novel by Michael Craft

Why Is Strong Character Development Important? by Kristen Overman

Marry ’em and Bury ’em: Weddings, Funerals, and Your Novel by Kathryn Craft

Is There a Place For Trigger Warnings in Horror Books? by Kelsey Christine McConnell

How to Write a Realistic Paranormal by Meredith R. Lyons

How to Point Readers’ Attention in the Right Direction by Jami Gold

How to Increase Your Productivity When You Don’t Feel Productive by James Scott Bell

Writer’s Guilt by John Gilstrap

Unreliable Narration: A Useful Tool or Just Hype? by Oren Ashkenazi

Atmosphere Literary Definition: Genre Examples that Evoke Emotion by Joslyn Chase

If you’re a LibraryThing member, I’m running a giveaway for Testing the Prisoner! Six winners will receive a signed copy. Check it out here. Ends October 25th.

Testing the Prisoner is available now in ebook ($2.99) and paperback ($18.99)!

Testing the Prisoner print promo

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Kristen Lamb asks, “Would you STILL write even if I told you you’d never make a dime and likely die in obscurity?” Something to ponder as you embark on your writing journey.

Christina Delay explains how to clear our creative “ley lines” when we’re feeling blocked while Anne R. Allen encourages us to create (or resurrect) a blog rather than relying on the train wreck that is social media.

James Scott Bell helps us avoid sinkholes in our plot, Dave King speaks out in defense of the prologue, and Oren Ashkenazi points out typical mistakes when writing fight scenes—both with and without weapons.

All that and much more! Enjoy…

The Prologue is Past? by Dave King

Finding Those Laser Beam Words by PJ Parrish

To the Pain: Is Writing a Career or a Hobby? by Kristen Lamb

Three Things That Can Sink Your Novel by James Scott Bell

Creativity: Avoiding Blocks and Refreshing Ideas by Christina Delay via Jami Gold

Five Common Weapon Mistakes in Speculative Fiction by Oren Ashkenazi

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

7 Tips from Ernest Hemingway on How to Write Fiction by Open Culture

Stephen King’s 20 Rules for Writing by Open Culture

Blogging is Essential in the Era of Fragmenting Social Media by Anne R. Allen

Honey, I Shrunk the Plot! Learning to Love Synopses by Diana Giovinazzo

The Art of Misdirection: How to Keep Readers on Their Toes by Maggie Smith

TikTok to Sell Books Directly to Users via Marketplace by Arwa Mahdawi

BookBub Ads 101: How the Auction Model Works by AJ Jack

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anne R. Allen urges us to promote our books regionally while Jodie Renner provides a rundown on loglines, taglines, and back cover copy.

Donald Maass and Joslyn Chase pick up the pace while Kathryn Craft helps our scenes become better oriented by asking the three (or five!) W’s.  Kelsey Allagood and Mckenzie Cassidy offer tips on self-care for creatives.

Over at Mythcreants, Oren Ashkenanzi shows us how to identify troubled throughlines while Chris Winkle helps us polish our prose.

All that and a little more. Enjoy!

The Inherent Nature of Story Structure by Jim Dempsey

Want to Be a Bigger Fish? Try a Smaller Pond. Regional Fiction Sells! by Anne R. Allen

You Are Doing it Completely Wrong and You Are Doomed to Fail! by Philip Athans

How to *Easily* Publish on Apple Books by Gary Rodgers

Hook Your Readers with a Compelling Storyline, Tagline, and Back Cover Copy by Jodie Renner

The Three W’s of Scene Orientation by Kathryn Craft

On Pacing: Faster Than the Speed of Thought by Donald Maass

Story Pacing: 4 Techniques That Help Manage Your Plot’s Timeline by Joslyn Chase

Writing While Languishing: How to Be Creative When You’re Feeling ‘Blah’ by Kelsey Allagood

Six Signs of a Weak Throughline by Oren Ashkenazi

Five Simple Ways to Make Your Prose Easier to Read by Chris Winkle

Preserving Your Creativity with Self-Care by Mckenzie Cassidy

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

The past several weeks have been hectic, leaving me little time for blogging. Unfortunately, I’ve also been contending with depression, burnout, and fatigue for reasons too long to elucidate here (and you probably don’t care anyway).  Winter and ongoing pandemic stress have exacerbated the problem. Whatever. I’m working through it.

On a lighter note, I’m thrilled to announce that four of my short stories will be published across two anthologies in late March. More information on that soon! For now, I lined up another fantastic selection of helpful articles about writing and publishing.

Monica Valentinelli discusses the ingredients of dark science fiction and offers a generous helping of positive writing advice to keep us motivated.

Ken Miyamoto explains the difference between story and plot while Susan DeFreitas delves into strategies for presenting backstory.

Over at Mythcreants, Oren Ashkenazi warns prose writers against emulating TV and film while Chris Winkle teaches us how to improve reader engagement.

Brian Andrews guides us through writing believable action scenes, Julie Duffy provides pointers on transitioning between novels and short stories, and Philip Athens summarizes the history of pulp magazines.

All that a little more. Enjoy!

When Science Fiction Meets Horror in World-Building by Monica Valentinelli

101 Softly-Delivered Writing Lessons by Monica Valentinelli

What the 2021 Facebook Changes Mean for Authors by Thomas Umstattd, Jr.

Plot vs. Story: What’s the Difference? by Ken Miyamoto

Backstory and Exposition: 4 Key Tactics by Susan DeFreitas via Jane Friedman

Focus on Short Fiction by Julie Duffy

Five Bad Habits Writers Learn from Movies and TV by Oren Ashkenazi

Optimizing Your Story Ideas for Better Engagement by Chris Winkle

How to Write Amazing Action Scenes by Brian Andrews

How to Write A Bestselling Thriller by Hank Phillippi Ryan

Doublespeak: A Look at Voice by Terry Odell

A Brief History of Pulp Fiction by Philip Athans

 

 

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff

In our final edition of About This Writing Stuff for 2020, Ken Brosky offers advice for managing multiple narrators while Abigail Perry helps us decide when our story can support two protagonists.

Even as an inveterate plotter, I admit that Hank Phillippi Ryan makes a strong case for writing without an outline (aka pantsing, but I like her use of “emergent design”).

In the Kill Zone, Sue Coletta provides insightful tips for crafting a series bible while James Scott Bell shows us three ways to weave humor into our stories. Over at Mythcreants, Oren Ashkenazi discusses how to handle content edits and Chris Winkle suggests clever ways to describe your POV character.

If you’re considering self-publishing, I encourage you to take some pointers from Anne R. Allen, and if you’re struggling to find that powerful opening to your story, let Josyln Chase help.

All that and a lot more. Enjoy… and Happy Holidays!

How to Effectively Manage Multiple Narrators in Your Novel by Ken Brosky via Jane Friedman

5 Tell-Tale Signs of an Amateur Self-Published Book by Anne R. Allen

How to Write Without an Outline by Hank Phillippi Ryan

Productive Procrastination: Re-Purposing Downtime to Profitably Promote by Ellen Byron

6 Tips to Help You Network Like a Natural by Penny Sansevieri

Tips to Create a Series Bible by Sue Coletta

On Using Humor in Fiction by James Scott Bell

Five Things to Know When You Get Content Editing by Oren Ashkenazi

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Staging the Scene by John J. Kelley

The Secret for Creating Characters that Readers Want to Root For by J.D. Edwin

Can You Have More Than One Protagonist in Your Story? by Abigail Perry

How to Start Your Story: 10 Ways to Get Your Story off to a Great Start by Joslyn Chase

A Look at Literary Devices: What is Motif? by Sherry Howard

How a Limited vs. Tight Point of View Can Confuse Writers by Janice Hardy

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Melodie Campbell offers advice on how to save that sagging middle in your novel while Penny Sansevieri shows you how to optimize your Amazon Author Central page.

Jennie Nash provides a short checklist of common mistakes that might land your manuscript in the rejection pile and Jami Gold explores how our characters can drive the narrative—despite our best laid plans.

Esther Jones extols the benefits of reading SF and fantasy,  Julie Glover defends the practice of editing as you go, and Donald Maass helps us to understand how to develop a meaningful narrative.

All that and a little more. Enjoy!

My Novel is as Mess: How to Survive the Chaos Point in Your Novel by Melodie Campbell via Anne R. Allen

Science Fiction Builds Mental Resiliency in Young Readers by Esther Jones

5 Quick Fixes for Making the Most of Author Central (and Why it Should be a Top Priority) by Penny Sansevieri

Do Your Characters Take on a Life of Their Own? by Jami Gold

In Defense of Editing as You Go by Julie Glover

The Secret to More Efficient Revision: Pattern Recognition by Jennie Nash

The Meaning of Meaning by Donald Maass

The Art of Condensing an Entire Book into a Brief Sales Pitch by Florence Osmund

Six Common Problems with Short Stories by Oren Ashkenazi

The Rich Can’t Hide from a Plague. Just Ask Edgar Allan Poe by Maya Phillips