Tag Archives: phil giunta

Book Review: Enemy Mine by Barry B. Longyear / Another Orphan by John Kessel

Enemy Mine_Another Orphan Book CoverIn the middle of a war, two enemy pilots crash land on a desolate and inhospitable world. The human, Willis Davidge, and the Drac, Jeriba Shigan must overcome their mutual hatred and learn to work together not only for their own survival, but for that of the child that Jeriba is carrying.

Barry Longyear’s Hugo and Nebula award-winning novella was adapted to the 1985 film starring Dennis Quaid and Louis Gossett, Jr.

In John Kessel’s Nebula award-winning novella, Another Orphan, stockbroker Patrick Fallon is plucked from his civilized life by an unknown force and dropped on the whaling ship, Pequod, as a member of Captain Ahab’s crew during his quest for the white whale. However, the story doesn’t proceed as written by Melville and Fallon learns a grueling lesson about the nature of reality and freewill.

About This Writing Stuff…

This week, Kristen Lamb asks, “Would you STILL write even if I told you you’d never make a dime and likely die in obscurity?” Something to ponder as you embark on your writing journey.

Christina Delay explains how to clear our creative “ley lines” when we’re feeling blocked while Anne R. Allen encourages us to create (or resurrect) a blog rather than relying on the train wreck that is social media.

James Scott Bell helps us avoid sinkholes in our plot, Dave King speaks out in defense of the prologue, and Oren Ashkenazi points out typical mistakes when writing fight scenes—both with and without weapons.

All that and much more! Enjoy…

The Prologue is Past? by Dave King

Finding Those Laser Beam Words by PJ Parrish

To the Pain: Is Writing a Career or a Hobby? by Kristen Lamb

Three Things That Can Sink Your Novel by James Scott Bell

Creativity: Avoiding Blocks and Refreshing Ideas by Christina Delay via Jami Gold

Five Common Weapon Mistakes in Speculative Fiction by Oren Ashkenazi

Six Common Mistakes in Fight Scenes and How to Avoid Them by Oren Ashkenazi

7 Tips from Ernest Hemingway on How to Write Fiction by Open Culture

Stephen King’s 20 Rules for Writing by Open Culture

Blogging is Essential in the Era of Fragmenting Social Media by Anne R. Allen

Honey, I Shrunk the Plot! Learning to Love Synopses by Diana Giovinazzo

The Art of Misdirection: How to Keep Readers on Their Toes by Maggie Smith

TikTok to Sell Books Directly to Users via Marketplace by Arwa Mahdawi

BookBub Ads 101: How the Auction Model Works by AJ Jack

Book Review: Robert A. Heinlein’s Red Planet

Red Planet by Robert HeinleinOn Mars, members of Earth’s South Colony prepare to migrate north before winter arrives. It is also the beginning of a new school year at the academy on Syrtis Minor, near the North Colony. Returning to the school are best friends Jim Marlowe, Frank Sutton, and Jim’s pet, Willis. The latter is a round, furry Martian creature with the uncanny ability to remember everything it hears and repeat it with perfect accuracy.

This talent comes in handy when Jim, Frank, and Willis arrive at the academy and find themselves subject to the draconian rules and regulations of the new headmaster who confiscates Willis and locks the Martian in his office. While there, Willis overhears a conversation between the headmaster and the colony’s leader, Harold Beecher. After he is liberated by Jim and Frank, Willis recites all that he heard, including a plot to prevent the colonists in the south from migrating, thereby assuring that many will not survive the winter. With the headmaster monitoring all communications to and from the academy, there is no way to send a warning.

Can Jim and Frank break out of the school with Willis and survive the journey back to the South Colony on their own?

Published in 1949, Red Planet is the third in Heinlein’s juvenile novel collection (what might be called young adult in today’s vernacular). It’s a delightful romp with an imaginative take on indigenous Martians and their world’s landscape. I couldn’t help but think of Percival Lowell upon reading about the canals that our heroes traversed during their journey home.

About This Writing Stuff…

It’s been three months since I gathered a collection of informative articles here, something that was once a monthly feature on this blog. My life took an unexpected and disquieting detour in September which affected my health and my writing. I’m struggling to put both back on track as we head into the new year, but for now…

Philip Athans thinks there should be a little bit of Harlan Ellison in all of us and I agree. Harlan remains one of my literary heroes.

Kristen Lamb warns us against self-sabotage in all its forms while over at Good Story Company, Mary Kole offers advice on dealing with criticism.

Anne R. Allen encourages believability over realism in our fiction, Jami Gold explains the differences between foreshadowing and spoilers, and Amanda Patterson shows us how to use motifs.

All that and much more. Enjoy!

Maybe We Should All Be More Like Harlan Ellison by Philip Athans

How to Deal with Negative Criticism by Mary Kole

Self-Sabotage: I Don’t Deserve Success by Kristen Lamb

5 Tips to Boost Your Professional Writing Cred by Lori Freeland

7 Ways Public Readings Can Help Your Writing by Kathryn Craft

Revise for Success – A Stree-Free Plan for Polishing Your Novel by Jodie Renner via Anne R. Allen

Why Realism is Irrelevant in Fiction: Aim for Believability Instead by Anne R. Allen

How to Enhance Contrast In Your Writing by Jessica Strawser

Foreshadowing vs. “Spoilers”: What’s the Difference? by Jami Gold

Do You See Dead People? by PJ Parrish

How to Motivate Yourself to Write and Finish Your Novel by Lorna Faith

What is a Motif in Fiction? by Amanda Patterson

After Action Report – Lehigh Valley Comic Con

Enjoyed a fantastic day at the final Lehigh Valley Comic Con of 2022. It was a bleak and soggy day and attendance seemed lower than the August show, but I sold a few books, caught up with old friends, and as always, the cosplayers were outstanding. Looking forward to returning next year, hopefully with a few new titles.

My table at Lehigh Valley Comic Con

Writer pal Chris Ochs at Lehigh Valley Comic Con

Chewbacca Ewok

Spiderman

Santa Claus Ghostbuster   Santa Claus Ghostbuster

Tie Fighter Pilot

Rogue from X-Men Peacemaker

Stormtrooper Two Face from Batman

After Action Report: Philcon 85 – In the Presence of Giants

In GPS we trust and that’s precisely what I did on my way to Philcon when my usual route through the City of Brotherly Love turned into a parking lot. If you know the area, you probably guessed the Schuylkill Expressway and you would be correct.

So instead of ol’ Ben Franklin, it was Walt Whitman what got me into New Jersey this time. I landed at the Cherry Hill Doubletree around 4PM, checked in, schlepped my baggage to my room, then proceeded to con registration to collect the usual accoutrements (badge and program book) before I was sent up four floors to con ops to pick up my tent card and free drink tickie for the opening reception.

Philcon Program & Badge

In the lobby, I reunited with friends Ef Deal, Serg Koren, and Susanna Reilly. It was wonderful to catch up with them before my 7PM panel, Writing: The Long and Short of It adroitly moderated by writer pal, Hildy Silverman. Fellow panelists included Elektra Hammond, Marilyn “Mattie” Brahen, and Jim Stratton. We discussed such topics as developing short story plots, number of characters and points of view, and crafting short stories as standalone works versus passing off the opening chapter of a novel.

Writing: The Long and Short of It - Discussion PanelPhoto credit: Michael Ventrella

As that was my one and only panel of the evening, I stopped by the freebie table where I picked up a few gems including a copy of Nate Segaloff’s authorized biography of one of my literary heroes, Harlan Ellison.

Harlan Ellison - A Lit Fuse

At 9PM, I attended an edifying panel on Finances for Creative Professionals led by veteran writer Susan Shwartz with James Stratton, Nate Hoffelder, David M. Axler, and Russell J. Handelman. The discussion went beyond tax deductions and touched on wills, trusts, long term care insurance, and literary executors. I walked out of there with a short list of items to take care of in the coming year.

Later, I meandered over to the opening reception where I used my drink ticket for a Pepsi (no booze for me) and chatted with writer buds Aaron Rosenberg and Russ Colchamiro from Crazy 8 Press and Neil Clarke, founder and editor of Clarkesworld Magazine before calling it a night.

Since I didn’t have a panel until noon on Saturday, it was time for more book shopping. Philcon’s dealer room never disappoints when it comes to vintage SF as you can see…

Vintage SF Books!

My noon panel was also my second and final one of the con (they took it easy on me this year). Horror Without Gore was moderated by Bram Stoker award nominee Carol Gyzander and included Amy Grech, Gary Frank, and Martin Joseph Berman-Gorvine. Through a lively discussion, we determined that yes, you can write a fine horror story without graphic blood and guts through the use of suspense, atmosphere, and psychological terror. Photo credits (below): Alp Beck.

Horror Without Gore discussion panel Horror Without Gore discussion panel

The rest of the afternoon was spent sitting in on such panels as State of the Short Fiction Market moderated by Stephanie Burke with participants Neil Clarke and Margaret Riley followed by We ARE Living in Philip K. Dick’s Future, Aren’t We? with Michael Swanwick as impromptu moderator (in lieu of Gregory Frost), Ken Altabef, Lawrence Kramer, and Anatasia Klimchynskaya. The group analyzed aspects of contemporary society in the context of how it compares to Philip K. Dick’s dystopian vision. The short answer to the panel’s title is… yes we are.

After that, it was time for a delightful dinner in the hotel restaurant with friends Susanna Reilly and Francis Barron after which, fatigue set in and a power nap was in order. By the time I awoke, it was well past 8PM and I decided to stay in my room, write for a bit, watch some TV then call it a night.

The highlight of the con occurred on Sunday during my noon autograph session when Nebula-award winner Michael Swanwick invited me to his home in Philly for a small after party. I grew up in the section of the city where he has lived for decades but never knew it until we connected on Facebook three years ago. While there, I was honored yet again to meet SFWA Grand Master Samuel R. “Chip” Delaney. Michael and Chip are legends in science fiction literature and beyond and for two and a half hours on Sunday evening, I was in the presence of giants much in the same way as when I met another literary hero, Harlan Ellison, back in 1999. I drove home that night with treasured memories and an invitation from Michael to return next year. I look forward to it!

Phil with Michael Swanwick
Phil with Samuel R. "Chip" Delaney