Prepare to be scared! Coming November 15, Fae Corps Publishing‘s two-volume horror anthology, Fae Shivers, includes Forgotten Horrors and Remembered Nightmares.
My demonic possession story, “Break and Enter,” will be featured in Remembered Nightmares. After a fugitive breaks into an old country chapel, the pastor learns that he’s running from something far more terrifying than the death penalty.
A busy week resulted in a delayed after-action report of my first experience with Creatures, Crimes, and Creativity (C3). While this annual writers conference in Columbia, MD is geared toward crime fiction, mystery, paranormal, fantasy, and science fiction, all genres are welcome. This year’s keynote speakers were Hank Phillippi Ryan, NYT bestselling author and 37-time Emmy-award winning journalist andSherrilyn Kenyon, NYT bestselling author of over 80 novels. Sherrilyn’s inspiring, poignant speech damn near brought many of us to tears.
With Vaughn Jackson and Sherrilyn Kenyon at Creatures, Crimes, and Creativity Con (C3).
Special guests included Kathleen Barber, whose novel Are You Sleeping was the basis for Apple TV’s Truth Be Told, and James Grady, author of Six Days of the Condor, which was made into the classic 1975 Robert Redford film, Three Days of the Condor. I suspect the other three days were victims of Hollywood budget cuts, but I digress.
With James Grady at Creatures, Crimes, and Creativity Con (C3).
The conference delivered a fun and edifying variety of discussion panels and presentations on various aspects of writing and publishing, ranging from creating captivating characters and writing believable fight scenes to the value of deep listening and the elements of world building. I participated in the latter panel as well as another on writing in the paranormal and speculative fiction genres.
Friday night’s Noir at the Bar treated us to eight talented storytellers who read samples of their work from a breadth of genres including crime fiction, fantasy, steampunk, and paranormal.
It was a joy to meet and chat with several amazing writers throughout the weekend including Lanny Larcinese, Ef Deal, Glenn Parris, Vaughn Jackson, F.J. Talley, Frank Hopkins, Sharon Buchbinder, and former MMA fighter, J.R. White. A special shout-out to Weldon Burge on the debut of his first novel, Harvester of Sorrow. Weldon is also the owner of Smart Rhino Publications and had published my ghost story, “Bottom of the Hour,” in his anthology A Plague of Shadows in 2018. He and I have stories in about four different anthologies, each from different presses.
Speaking of anthologies, C3 produces a limited edition anthology available only to attendees of the conference each year. Although the book is not available to the public, it was no less exciting to see my Sherlock Holmes and Johnny Watson tale, “The Five-Day Killer,” in print for the first time since I wrote it six years ago. Perhaps it’ll become a valuable collector’s item if I ever hit the big time.
I carpooled to the con with fellow speculative fiction writer, Chris Ochs, who also happens to be the president of the Greater Lehigh Valley Writers Group. After the con ended on Sunday, Chris and I drove to the Common Kitchen in Clarksville where we met several local friends for lunch before heading home.
My deepest gratitude and admiration to redoubtable C3 organizers Austin Camacho, Denise Camacho, Cynthia Lauth, Susan Henry McBride, and Jodi Schwartz for their Herculean efforts to make the conference a success!
The C3 Team! (L to R): Jodi Schwartz, Cynthia Lauth, Austin Camacho, Susan Henry McBride, Denise Camacho
This week, Ruth Harris offers sage advice on writing that ever daunting blurb. Over at the Kill Zone, James Scott Bell carves out a middle ground for plotters and pantsers while PJ Parrish ponders what comes first, plot or character.
Speaking of characters, Donald Maass encourages us to create fully realized characters by first being real with ourselves. Rebecca D’Harlingue offers advice on dual-timeline plots, Steve Myers argues that our protagonist’s outer journey is fundamentally an inner journey, and Barnes and Noble’s restructuring might be the comeback story of the year.
This week, Shanee Edwards offers advice on creating a powerful antagonist while James Scott Bell teaches us practical thaumaturgy for conjuring short stories.
Brian Andrews explains the importance of self-editing and developmental editing, while mythcreant Chris Winkle delves into crafting effective descriptions.
Joslyn Chase steps us through ten ways to add foreshadowing, and Porter Anderson discusses the dangers of self-censorship.
This week, James Scott Bell offers practical advice on crafting stronger scenes. At Writer Unboxed, Donald Maass examines what it means to write authentic characters while Kathryn Craft urges us to elevate our descriptions from the prosaic to the extraordinary.
Lincoln Michel sheds light on nearly every facet of being a professional writer, Janice Hardy discusses character agency, and over at TIME, Megan McCluskey exposes the career-damaging extortion and fraudulent book reviews running rampant on Goodreads.
I began reading The Writer’s Journey in April 2019, then put it aside for a few years when I became busy with several short story projects, a new novel, and a few harrowing life changes. When I picked up The Writer’s Journey again in late May 2021, I started from page one again and found Vogler’s interpretation and application of Joseph Campbell’s analysis of mythology useful. I approached it in much the same way I approach outlining my novels and short stories. It is a roadmap, not a strict rule book and even Vogler admits this. When developing any story, there are many avenues a writer can take and crafting the story is an organic process. Often while writing, I will have an epiphany that takes the story in an even better direction than what I had originally outlined.
Vogler’s guide is no different. I know other reviewers accuse Vogler of diluting or cheapening Campbell’s work. I’ve heard other writers at conventions and conferences deride The Hero’s Journey as an obsolete model that no longer has a place in modern storytelling. To each their own. I enjoyed The Writer’s Journey and found Vogler’s voice and style easy to follow. Even after three novels and over 20 short stories in my young writing career, I never stop learning and will keep this book close at hand as I work through the latest revision of my next novel.
Coming November 15, Fae Corps Publishing‘s two-volume horror anthology, Fae Shivers, includes Forgotten Horrors and Remembered Nightmares. 
