Tag Archives: phil giunta

About This Writing Stuff…

It has been three weeks since my last blog post. How the hell did that happen? Well, I’ve been stretched thin as of late with my FT job, a few expensive home renovations, health problems, managing eBay auctions (the time has come to downsize), and yes, writing projects.

I have a short story in progress for a contest, the second draft of my SF novel awaits my attention after that, and I’m waiting to hear back from two small presses on short stories I submitted to them. I’m also scheduling a book signing or two for a speculative fiction anthology I just released with a group of fantastic writers and I’m reviewing a presentation on self-editing that I wll be giving to a local writers group on Monday evening (24 May).

However, the fact that I’ve been neglecting my blog has been gnawing at me, so here we go!

This week, Steve Hooley reviews several sites for serialized fiction, including Kindle Vella, while Jodie Renner discusses close and deep third person POV.

Mary Alice Monroe and KL Burd use fiction to raise awareness of environmental issues and social issues, respectively, while Philip Athans offers advice on blending SF, fantasy, and horror. James Scott Bell provides tips on increasing productivity, Terry Odell delves into crafting character descriptions, and Kathryn Craft wages war against the lame apology.

All that and much more. Enjoy!

Serialized Fiction and Vella – What Do You Think? by Steve Hooley

Tips for Deepening the POV in Your Fiction by Jodie Renner

Weaving Real-Life Environmental Issues into Your Fictional World by Mary Alice Monroe

Fantasy and/or Science Fiction and/or Horror by Philip Athans

The Five Things You Need When Writing a Mystery Novel by Melodie Campbell

6 Practical Business Tips for Authors to Market Their Story of Success by Taylor Payne

7 Tips for Producing More Words by James Scott Bell

Character Descriptions Part I by Terry Odell

Character Descriptions Part II by Terry Odell

Why Bookshop.org is Not the Savior the Book World Needs by Ellen Peirson Hagger

The Magic Number by Todd Sattersten

Legal Protection for Fictional Characters by Matt Knight

Kick Your Story Up a Notch by Knowing Your Character’s Conflict Style by Kelsey Allagood

Unapologetic Characterization by Kathryn Craft

Incorporating Social Issues Into Your Manuscript by KL Burd

 

Book Review: The Lavalite World by Philip Jose Farmer

The Lavalite World by Philip Jose FarmerOn an artificial world created by the immortal Lord Urthona, the landscape is forever shifting. Mountains crumble into plains, flesh-eating trees roam the surface, chunks of the planet are ejected into orbit as temporary moons only to fall back and crash into the surface. It is on this world that Earthman Paul Janus Finnegan—known as Kickaha among other aliases—and his companion, the Lady Anana, find themselves stranded with the devious Urthona, Red Orc, and their human henchman, McKay. Somewhere on this vexing planet floats Urthona’s palace and the means for finding a gateway to another world. Before Kickaha and Anana can find it, however, they must survive the treachery of the other three—not to mention the dangerous plants, animals, and natives.

In this fifth and penultimate volume in his Word of Tiers series, Farmer provides enough detail about previous events involving the characters that you don’t need to read the previous books to enjoy The Lavalite World. However, what this story fails to mention is that the series began with a character named Robert Wolff also known as Jadawin, one of the immortals lords. Thus, to grasp the full scope and breadth of the World of Tiers, it is advisable to begin with book one, The Maker of Universes.

I can’t help but to compare Farmer’s World of Tiers to Jack Vance’s Planet of Adventure series or to some of Farmer’s other works such as The Stone God Awakens, The Green Odyssey, or even Riverworld. In all cases, a human finds himself (by whatever means) in a strange world and in order to escape, must venture across the planet, battling dangerous tribes, animals, and the environment along the way, all while earning the companionship of a beautiful woman and making a few unlikely allies. There is nothing wrong in these comparisons and each story puts its own spin on that basic premise, making every one a rip-roaring adventure.

About This Writing Stuff…

This week, Ken Miyamoto discusses five categories of SF and Fantasy worldbuilding while Anne R. Allen lists several reader pet peeves that writers should avoid.

Kris Calvin and Philip Athans provide their points of view on writing multiple points of view, Brian Andrews concludes his lesson on crafting believable action scenes, and Penny Sansevieri offers strategies for book marketing and author branding.

All that and a little more. Enjoy!

The Craft and Rules of Worldbuilding in Science Fiction and Fantasy by Ken Miyamoto

Three Things Your Query Letter Needs to Stand Out by Lucinda Halpern via Anne R. Allen

How to Avoid Writing Stuff Readers Hate by Anne R. Allen

30+ Ideas for Bite-Sized Book Marketing by Penny Sansevieri

Writing from Multiple Points of View by Kris Calvin

Whose POV Should it Be? by Philip Athans

How to Write Amazing Action Scenes (Part 2 of 2) by Brian Andrews

5 Great Tips: A Beginner’s Guide to Author Branding by Penny Sansevieri

Make Your Protagonist an Actor by Kathryn Craft

7 Awesome Foreshadowing Tips for Fiction Writers by Mia Botha

 

 

About This Writing Stuff…

The past several weeks have been hectic, leaving me little time for blogging. Unfortunately, I’ve also been contending with depression, burnout, and fatigue for reasons too long to elucidate here (and you probably don’t care anyway).  Winter and ongoing pandemic stress have exacerbated the problem. Whatever. I’m working through it.

On a lighter note, I’m thrilled to announce that four of my short stories will be published across two anthologies in late March. More information on that soon! For now, I lined up another fantastic selection of helpful articles about writing and publishing.

Monica Valentinelli discusses the ingredients of dark science fiction and offers a generous helping of positive writing advice to keep us motivated.

Ken Miyamoto explains the difference between story and plot while Susan DeFreitas delves into strategies for presenting backstory.

Over at Mythcreants, Oren Ashkenazi warns prose writers against emulating TV and film while Chris Winkle teaches us how to improve reader engagement.

Brian Andrews guides us through writing believable action scenes, Julie Duffy provides pointers on transitioning between novels and short stories, and Philip Athens summarizes the history of pulp magazines.

All that a little more. Enjoy!

When Science Fiction Meets Horror in World-Building by Monica Valentinelli

101 Softly-Delivered Writing Lessons by Monica Valentinelli

What the 2021 Facebook Changes Mean for Authors by Thomas Umstattd, Jr.

Plot vs. Story: What’s the Difference? by Ken Miyamoto

Backstory and Exposition: 4 Key Tactics by Susan DeFreitas via Jane Friedman

Focus on Short Fiction by Julie Duffy

Five Bad Habits Writers Learn from Movies and TV by Oren Ashkenazi

Optimizing Your Story Ideas for Better Engagement by Chris Winkle

How to Write Amazing Action Scenes by Brian Andrews

How to Write A Bestselling Thriller by Hank Phillippi Ryan

Doublespeak: A Look at Voice by Terry Odell

A Brief History of Pulp Fiction by Philip Athans

 

 

 

 

Book Review: The Stone God Awakens by Philip Jose Farmer

Encased in stone for millions of years as a result of a failed experiment, atomic scientist Ulysses Singing Bear is liberated from his imprisonment by a bolt of lightning during a battle between two races of bipedal creatures. One group appears to have evolved from cats while the other, raccoons. Ulysses soon learns that humans have long since become extinct and the earth populated by sentient beings evolved from familiar animals of the late 20th century.

The Stone God Awakens by Philip Jose FarmerAs Ulysses acclimates to his new environment, the Wufea come to worship him as a god and ask for his help in defeating the Great Devourer known as Wurutana. To uphold his status as a deity, Ulysses has little choice but to agree and, along with an army of Wufea warriors, treks across the wilderness to do battle with what he understands to be an enormous tree that is spreading across the land. Along the way, he manages to form a truce between the Wufea and their enemy, the Wagarondit. He even recruits Wagarondit warriors to join the offensive.

All the while, they are guided by Ghlikh, a pygmy creature with batwings who offers Ulysses information about the land and peoples ahead of them, including a village of humans who live along the southern coast. In order to reach them, however, Ulysses and his armies must cross Wurutana. Yet, Ulysses senses that Ghlikh is withholding information and possibly leading them into a trap.

Will Ulysses and his troops survive their passage through Wurutana and their encounters with the treacherous denizens within its vast network of tangled branches, vines, trunks, and waterways?

At its core, The Stone God Awakens is a fish out of water adventure much like Farmer’s The Green Odyssey published 13 years earlier, or Jack Vance’s Planet of Adventure series, or even The Time Machine by H.G. Welles. In this case, Farmer adds a few imaginative twists including the evolution of various animal species, an uncommon antagonist, and the development of plant-based science and engineering. The fact that an atomic scientist displays such exceptional prowess in survival, military tactics, and political leadership is, at times, a stretch. Still, The Stone God Awakens is another outstanding tale from one of the giants of the genre.

About This Writing Stuff…

This week, learn how to deal with writer burnout from Tom Meitner, and let attorney Joseph Perry explain the critical components of a publishing contract.

At Career Authors, Erin Celello urges us to take our story idea on a date while Hank Phillippi Ryan offers advice on self-editing.

Kelly Jensen reminds us of the value of mood to both writer and reader while over at the The Write Practice, Joslyn Chase and Ruthanne Reid discuss the proper use of cause and effect and the elements of plot, respectively.

Janice Hardy give us some strong opening lines and Anthony Ehlers shows us how to be visual storytellers.

All that and a little more. Enjoy!

Stretched to Your Limits? How to Avoid—and Cure—Writing Burnout by Tom Meitner

Know Your Rights: Key Provisions in a Publishing Contract by Joseph Perry via Anne R. Allen

How to Cut 20,000 Words by Hank Phillippi Ryan

4 Questions to Ask Before You Start Writing that Book by Erin Celello

How Much Really Needs to Be in Your Novel’s Opening Sentence by Janice Hardy

5 Tips on How to Fit Your Book’s Hook into a Super Short Amazon Ad by Bryan Cohen

10 Powerful Visual Storytelling Techniques for Writers by Anthony Ehlers

How to Maximize the Power of Cause and Effect in Your Stories by Joslyn Chase

What is Plot? The 6 Elements of Plot and How to Use Them by Ruthanne Reid

Mood is the Most Underrated Literary Device—and the Most Valuable by Kelly Jensen

Wattpad to Be Acquired for $600 Million by Korean Internet Conglomerate Naver by Todd Spangler for Variety

Class Action Suit: Amazon and Publishers Face Price Collusion by Personanondata