Tag Archives: phil giunta

About This Writing Stuff…

This week, Alice Sudlow and Dan Brotzel each offer ten tips for entering and winning short story contests. Joe Bunting provides a guide to story arcs and writing an effective first chapter, while Robert Wood challenges us to add a radical twist to our plots.

At Writer’s Digest, David Corbett teaches us how to develop our characters with each new scene while Elizabeth Sims shows us ways to elevate our stories to greatness. KD Holmberg reminds us that inanimate objects can also be powerful characters, and Chris Winkle helps us fill in our story’s middle.

All that and little more. Enjoy!

How to Write a Good First Chapter by Joe Bunting

Story Arcs: Definitions and Examples of the Six Shapes of Stories by Joe Bunting

Ten Lessons from Entering Hundreds of Short Story Competitions by Dan Brotzel

10 Steps to Win a Writing Contest by Alice Sudlow

6 Daring Plot Twists to Try in Your Writing Part I and Part II by Robert Wood

7 Simple Ways to Make a Good Story Great by Elizabeth Sims

Inanimate Objects as Characters by KD Holmberg

How to Craft Characters Scene by Scene by David Corbett

Backstory for Writers: When and How by Ane Mulligan

Filling in Your Story’s Middle by Chris Winkle

Publishers File Suit Against Internet Archive by Association of American Publishers

Publisher Rocket vs. KD Spy: Which is Best for You? by Brendan Hufford

 

 

 

Book Review: The Masks of Time by Robert Silverberg

The Masks of Time by Robert SilverbergOn Christmas Day in 1998, a charismatic being in the form of a nude man materializes from a shimmering electrical field in the middle of Rome. Calling himself Vornan-19, he claims to have traveled back in time 1,000 years to observe the cultures of primitive Earth.

Soon after, the United States government assembles a motley team of five scientists to escort Vornan across the nation, around the globe, even to the moon colonies, all the while studying him in an attempt to determine or debunk his authenticity. Yet, Vornan offers little more than nebulous scraps of information about the future and evades direct questions about the mechanics of time travel, asserting ignorance about all matters scientific and technical.

Rather, Vornan admits to being little more than a bored dilettante from the future seeking to amuse himself by partaking in the sexual customs of “underdeveloped” humans. He reveals only that he hails from a land known as the Centrality and that poverty, starvation, even death have been eliminated, somehow, during the 1,000 years between our time and his.

Among Vornan’s cadre of guardians is Leo Garfield, a middle-aged physicist stymied in his current academic career and in need of a distraction. It is his through Garfield’s point of view that we experience the escapades of Vornan-19, for it is with Garfield that Vornan forms the closest bond.

Vornan’s habitual venery not only extends to the female scientists of the group, but almost any random woman, or man, he happens to encounter in his travels. Despite Garfield’s attempts to keep him in check, Vornan manages to leave chaos and frustration in his wake wherever he goes. Whether that is intentional or a merely the result of being a stranger in a strange land is anyone’s guess.

His popularity in the media rapidly escalates, to the chagrin of a cult known as the Apocalyptists, who believe that the world will end on January 1, 2000. Their public protests and orgies become more fervent as they rail against Vornan, even while he amasses a rabid following of his own. To desperate millions around the world, this prophet from the future brings hope and wisdom. He becomes their new messiah.

Is Vornan-19 merely a simple observer from the future seeking an escape from ennui and indolence, or is he a sham taking advantage of a gullible and “underdeveloped” humanity?

The Masks of Time was published in 1968, during the Vietnam War and a period of violent civil unrest in the United States. People sought hope, equality, peace, but most of all meaning, and many of them looked to various new-age religions and cults to find it. Robert Silverberg deftly adopted all of these elements into the tale of Vornan-19.

While the story opens with the amusing and engaging arrival of Vornan in Rome, the second chapter is loaded down with exposition during Garfield’s initial visit with his friends Jack and Shirley in Arizona. From there, the pacing remains uneven, but the story held my attention to the end.

About This Writing Stuff…

This week, Ruth Harris reminds us that writing is a marathon, not a sprint while Meghan Ward offers tips for ramping up the action in our stories.

Jami Gold provides a three-part series on point of view, Kristen Lamb discusses the benefits of using an unreliable narrator, Sandra Beckwith guides us through the challenges of book marketing, and Chris Winkle walks us through plotting a novel series.

All that, and a little more. Enjoy!

A Writer’s Guide to Patience, Practice, and Persistence by Ruth Harris via Anne R. Allen

Is Your Story a Bit Lazy? Five Ways to Improve the Action by Meghan Ward via Anne R. Allen

7 Questions to Ask Before Creating Your Book Marketing Plan by Sandra Beckwith

Is Our Story’s Point of View Really What We Think It Is? by Jami Gold

How Does Our Characters POV Affect Our Story? by Jami Gold

What Do Readers Want from a Story’s POV? by Jami Gold

Deception as a Storytelling Device: Introducing the Unreliable Narrator by Kristen Lamb

Will China’s Entry into U.S. Publishing Lead to Censorship? by Ed Nawotka

How to Plot a Novel Series by Chris Winkle

Getting Comfortable with Failure by Jael McHenry

Into the Woods by Dave King

Learning from Pinocchio: Creating Charaters Who Are Fully Alive by Barbara Linn Probst

 

“Burn After Writing” – A Tribute to Harlan Ellison

On what would have been Harlan Ellison’s 86th birthday (May 27), Episode #11 of Got a Story for Ya is LIVE with “Burn After Writing,” a short story dedicated to Harlan and soon to be published in SCARY STUFF, an anthology by Oddity Prodigy Productions.

Legendary writer Adrian Halka has died. Disobeying his mentor’s instructions to burn all incomplete manuscripts upon his death, struggling writer Shane Conrad pilfers one of Halka’s unreleased novels. After publishing it as his own, Conrad learns the blistering consequences of playing with fire.

Harlan Ellison

Harlan Ellison_Phil Giunta ICON 1999

“For a brief time, I was here, and for a brief time, I mattered.”

Harlan Ellison, 1934-2018

About This Writing Stuff…

This week, Melodie Campbell offers advice on how to save that sagging middle in your novel while Penny Sansevieri shows you how to optimize your Amazon Author Central page.

Jennie Nash provides a short checklist of common mistakes that might land your manuscript in the rejection pile and Jami Gold explores how our characters can drive the narrative—despite our best laid plans.

Esther Jones extols the benefits of reading SF and fantasy,  Julie Glover defends the practice of editing as you go, and Donald Maass helps us to understand how to develop a meaningful narrative.

All that and a little more. Enjoy!

My Novel is as Mess: How to Survive the Chaos Point in Your Novel by Melodie Campbell via Anne R. Allen

Science Fiction Builds Mental Resiliency in Young Readers by Esther Jones

5 Quick Fixes for Making the Most of Author Central (and Why it Should be a Top Priority) by Penny Sansevieri

Do Your Characters Take on a Life of Their Own? by Jami Gold

In Defense of Editing as You Go by Julie Glover

The Secret to More Efficient Revision: Pattern Recognition by Jennie Nash

The Meaning of Meaning by Donald Maass

The Art of Condensing an Entire Book into a Brief Sales Pitch by Florence Osmund

Six Common Problems with Short Stories by Oren Ashkenazi

The Rich Can’t Hide from a Plague. Just Ask Edgar Allan Poe by Maya Phillips

About This Writing Stuff…

This week, we start strong right out of the gate with Gabino Iglesias and ten types of authors who, let’s just say, he doesn’t like.

Anne R. Allen advises us on how to prepare for life after death on social media, while Hank Phillippi Ryan, Brian Andrews, and Meg Dowell offer tips on writing—and surviving—during the pandemic.

Jami Gold reviews the concept of Scene and Sequel, the folks at Now Novel wax lyrical about crafting captivating prose, and Callie Sutcliffe differentiates between creating a new draft of your work versus editing.

All that and a little more. Enjoy!

Ten Types of Authors Who Can Go F*ck Themselves by Gabino Iglesias

Don’t Become a Social Media Ghost: Appoint a Social Media Executor by Anne R. Allen

Getting Your Writer Brain Back on Track by Hank Phillippi Ryan

A Submariner’s Guide to Crisis and Isolation by Brian Andrews

12 Tips for Writing When You’re Not Calm and the World is Burning by Meg Dowell

Scenes & Sequels: Adding Reflections for Meaning by Jami Gold

Can Comic Books Survive the Coronavirus Era? by Dave Itzkoff

Using Letters in Creative Work—What Writers Should Know About Copyright Protection by Matt Knight

The Practice Novel by Dave King

First Draft, Second Draft, or Editing: How to Know What Draft You’re On by Callie Sutcliffe

Lyrical Writing: 5 Tips for Crafting Richer Prose by Now Novel