Tag Archives: phil giunta

Book Review: Rise of the Machines by Kristen Lamb

There was once a time when an author’s only true concern was producing the best quality manuscript.

Over the last decade, that has changed drastically with the advent of social media and blogging. Now, writers are expected to have a platform—including a strong online presence—well before their first book is published.

What’s more, unless you’re of the stature of Stephen King or J.K. Rowling, no longer can published authors simply sit back and let others do the work of promotion and marketing. These days, the onus is ON US.

Enter Kristen Lamb, social media Jedi and author of Rise of the Machines: Human Authors in a Digital World. I had the pleasure of hosting Kristen as the keynote at the 2015 Write Stuff writers conference in Allentown, PA where I purchased her book. I was curious to learn more about how to properly leverage social media and my blog to bolster my platform.

In her book, Kristen divides her lessons into five sections, providing a brief history of the publishing industry, the changes that have occurred (and are still occurring), and fascinating insights into human psychology and communication. She also explains why the traditional marketing methods are no longer effective today.

Before delving into specifics about social media sites, Kristen leads the reader through very focused chapters and sections about identifying your short term and long term goals, creating your writers platform, creating your brand, the types of friends and followers who will help writers with these efforts, and what it means to “go viral.”

With those concepts understood, we then delve into specifics about a few of the hottest social media sites such as Facebook and Twitter. In addition to providing advice on how to manage your time and content, Kristen also offers tips on social media etiquette, how to avoid conflict and potentially sensitive topics, and handling internet “trolls” who insult and harass rather than politely disagreeing with something you post.

Along the way Kristen’s humor and anecdotes provide entertainment along with education that held my attention and prevented the material from becoming “dry”.

Although I have worked in the IT industry for over 20 years and have a solid grasp of technology, and although I am a published author who is active on social media, I came away from Kristen’s book with insights on how and where I need to improve my approach, especially to blogging.

I only wish I had known about Kristen before I published my first novel in 2009!

 

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Send the Elevator Back Down

An unexpected honor came today when fellow writer and GLVWG member David Miller asked me to type up the improv speech I gave on Saturday at the Lower Macungie Library local author event. David shared it with other members of the Greater Lehigh Valley Writers Group today.
 
The exercise provided an opportunity to polish the speech, improving the focus and making it less frenetic as improv routines can sometime be. Truly, it’s a touch of personal history about my journey as a writer and to honor those who have mentored me, guided me, and eventually invited me to publish with them.


Send the Elevator Back Down

Phil Giunta

Comedian Steven Wright once told this joke: “When I was little, my grandfather used to make me stand in a closet for 5 minutes without moving. He said it was elevator practice.”

Today, I’d like to talk to you about elevators.

There’s a wonderful quote making its way around the internet from actor Kevin Spacey. “If you’re lucky enough to do well, it’s your responsibility to send the elevator back down.”

I began writing in the realm of fan fiction back in the late 1980s. For the uninitiated, fan fiction is generally a story based on your favorite characters from television or movies such as Captain Kirk, Luke Skywalker, Indiana Jones, the list goes on. I know people who wrote fan fiction based on everything from Bonanza to Quantum Leap.

I found fan fiction to be a marvelous training ground for storytelling. Of course, I couldn’t sell these stories because they were based on copyrighted characters, but I did pass them around and the general feedback was overwhelmingly positive.

It was at about this same time, when I began attending an increasing number of science fiction conventions such as Farpoint, Shore Leave, and Balticon in Maryland and I-CON in Long Island, New York. In addition to meeting so many actors I’d grown up with, I also met many of my favorite writers such as Harlan Ellison, Peter David, Michael Jan Friedman, Howard Weinstein, Bob Greenberger, Steven H. Wilson, and others.

There I was, holding my stack of novels and comic books eagerly waiting to get them signed and to chat with bestselling authors I never thought I would meet. Little did I know that when I was waiting in autograph lines, I was actually waiting for the elevator.

Over the years, I continued to write and to glean advice from many of the aforementioned writers who would return as regulars to Farpoint and Shore Leave. I appreciated their patience and guidance, hoping I was not making a nuisance of myself.

Of particular note was Steven H. Wilson. By the time I met him, Steve had just written a few issues of Star Trek and Warlord for DC Comics and was beginning to craft what would become his science fiction audio drama series, The Arbiter Chronicles. Like me, Steve had also started in fan fiction, but was further along the road than I was. Yet not so far that getting there seemed daunting. I wanted to be that guy.

Steven also founded Farpoint in 1993, and it was at that convention where I came in second place in a writing contest. Steven personally encouraged me to keep writing. Little did I know that the friendship we were forming was also the elevator door opening.

Flash forward to 2007 and Steve had already won both the Parsec and Mark Time audio awards for his podcasts of The Arbiter Chronicles. He had also self-published his first novel based on that series and had received an excellent review from the Library Journal.

By this time, I had moved on from fan fiction and had outlined an original paranormal mystery novel. I asked Steve for the particulars of self-publishing, as the option certainly interested me. However, the business aspects of it seemed a bit overwhelming at the time (not so much today) so I asked him if he was accepting submissions. He agreed and two years later, Testing the Prisoner was published by Firebringer Press, followed in 2013 by my second paranormal mystery, By Your Side.

By 2010, I was attending Farpoint and Shore Leave as an author guest, which I still do today. The reviews for Testing the Prisoner were outstanding and I was beginning to blog.

I was now in the elevator and let me tell you, it was nice and shiny in there.

In June of 2012, I received an email from the aforementioned Bob Greenberger, who is a fantastic SF writer in addition to his long tenure as an editor at DC Comics. Along with another comics veteran Paul Kupperberg and fellow award-winning writer Aaron Rosenberg, Bob had co-created a new fantasy series called ReDeus. Deus is, of course, Latin for God. Slap the “Re” in front of it and it becomes a bit of a pun as in “Again God”. The series ponders what would happen if all of the ancient mythological gods returned to Earth in the 21st century. It was to be published by Crazy 8 Press, a small press formed by Bob, Aaron, Michael Jan Friedman, Peter David, Glenn Hauman, and Howard Weinstein.

Bob was reaching out to other Shore Leave writer guests to see if they would be interested in contributing a story to their first anthology. What an honor! I eagerly accepted, knowing very little about mythology. Bob then sent the series bible with a story deadline of about two weeks. Yikes! They wanted to debut the book at the upcoming Shore Leave convention in August.

The elevator was going up…and fast! I remember researching and writing furiously until 2AM and even writing while on a Saturday conference call for my day job. I work full time in IT. Another technician and I had to migrate a physical server to a virtual machine. If you’re not a tech geek, don’t worry about it. The point is that it became a 12-hour ordeal. When it was the other tech’s turn to take over for a few hours, I wrote like a maniac. I finally finished and submitted the piece on my birthday, July 1.

Two days later, it was accepted with minor revisions. Not only was I published in the first volume, Divine Tales, I returned for the second, Beyond Borders—where all stories take place outside of the USA. I was invited back for the third volume, Native Lands (stories of Native American gods), but was overwhelmed with recording the audio for By Your Side and planning my upcoming wedding. I politely declined, avoiding the risk of promising a story, then failing to deliver.

It was during this time when I decided to pitch an idea to Steve Wilson. I know several wonderful writers who came up in fan fiction and had moved onto crafting original fiction. Some were submitting to magazines but getting nowhere. I knew their work was outstanding and I wanted to find a way to showcase them. I asked Steve if I could submit a collection of their original genre stories with an eye toward publication. Steve agreed, as long as I edited. He and I also tossed in a few of our own tales.

At Shore Leave in 2014, we launched Somewhere in the Middle of Eternity, an anthology of SF, fantasy, and paranormal fiction. Through this book, we brought about five new authors to the public eye and showcased the wonderful work of an Allentown artist.

What a joy it was for me to see these writers at their first launch, signing books and engaging with readers. I had just barely started my own elevator ride when I was holding the door open for others to take the journey with me (thank you, Steve!). In three months, we’re launching a second volume, Elsewhere in the Middle of Eternity, and possibly a third in 2018.

If you’re lucky enough to find success and you know talented, burgeoning artists, give them a chance to blossom by sending the elevator back down. If you’re just beginning your career, as I am, attend conferences and library events. Network with those further along the road, and learn as much as you can about your craft.

You never know what can happen simply by waiting for the elevator.

Write Here, Write Now!

I am proud to announce that my essay, “You Will Live Through It: A Letter to My Younger Self” will be published in April as part of Write Here, Write Now. This is the second anthology published by the Greater Lehigh Valley Writers Group.
The book will premiere at the Write Stuff writers conference, April 7-9, 2016 in Bethlehem, PA. It will be available initially in paperback, then Kindle a few weeks after.
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Write Here Write Now Cover
 

About This Writing Stuff…

This week, Chuck Wendig and Kristen Lamb eviscerate Huffington Post for exploiting contributors. Kathryn Craft encourages writers to consider how much they’re willing to give away.

Eric Wecks ponders a better info dump while Chris Winkle guides us from concept to story and Larry Brooks leads us even further to story structure. Jane Friedman explains the purpose of author websites, and Konrath dissects Lee Child regarding Amazon’s brick and mortar bookstores.

All that, and a little more. Enjoy!

***Please note that this will likely be the last installment of About This Writing Stuff for at least six months as I have become far too busy. My publisher and I are releasing a new anthology in July, I have a novella coming out after that, and I am writing the first draft of a science fiction novel.  

Additionally, I need to pass two more Microsoft exams to achieve my MCSE (Microsoft Certified Solutions Expert). I work in the IT field and–as with writing and most other areas of life–continuing education is critical to success and longevity.*** 

Scream It Until Their Ears Bleed: Pay the Fucking Writers by Chuck Wendig

Shame on You AOL/Huffington! NO More Literary Booty Calls by Kristen Lamb

How Much Will You Give Away? by Kathryn Craft

Info Dumps Aren’t Evil by Eric Wecks

Lee Child on Amazon’s Real-Life Bookshops-and Why We Should Be Worried by Lee Child

Fisking Lee Child by Joe Konrath

How to Turn You Concept into a Story by Chris Winkle

Let’s Address a Common Misunderstanding About Author Websites by Jane Friedman

A Kinder, Gentler Perspective on Story Structure by Larry Brooks

Visiting the Oldest Bookstore in America–and its Resident Ghost by Gregory Lee Sullivan

Coming Soon: The “Write Stuff” Writers Conference in Bethlehem, PA!

 

Write Stuff 2016 Conference

About This Writing Stuff…

This week, Rachel Thompson offers sage advice on book marketing while K.M. Weiland and Jami Gold talk story structure. Gwendolyn Kiste gives us the low down on how to properly share your Amazon links.

Mary Carroll Moore provides wonderful tips on using sensory details to engage readers’ emotions. For a little fun, comic-book industry veteran Paul Kupperberg delves into the novelizations of A-list superheroes…and B-listers, too!

All that and a little more.  Enjoy!

This is Why Your Books Aren’t Selling: 4 Ways To Improve Now and These Are the Reasons Most Authors Fail at Book Marketing by Rachel Thompson

Indie Bookstores are Back with a Passion by Francis X. Clines

How Writers Ruin Their Amazon Links by Gwendolyn Kiste

Using Ebooks to Understand Story Structure by Jami Gold

Planting Sensory Details-What to Use, When to Use It-for Emotional Impact in Your Writing by Mary Carroll Moore

Your Book’s Inciting Event: It’s Not What You Think It Is and How to Study Plot and Character in Your Favorite Stories: 5 Easy Steps by K.M. Weiland

How to Overcome Procrastination and Finish Writing Your Book _ Part Two by Jan Yager

Is Self-Publishing Coming of Age in the Digital World? by Dougal Shaw

Capes, Cowls, & Costumes 4: Stars and Second Stringers by Paul Kupperberg

Book Review: Childhood’s End by Arthur C. Clarke

Secretary General Stormgren of the United Nations finds himself in a unique position as ambassador to the Overlords, a group of enigmatic–and seemingly omniscient–alien beings whose ships have hovered over Earth’s major cities since their sudden arrival five years before.

Stormgren is regularly flown to one of the vessels to meet with Karellan, the apparent leader of the Overlords. However, Karellan conducts each encounter from behind a one-way mirror and thwarts  Stormgren’s attempts to catch a glimpse of him.

It is not for another fifty years before Karellan reveals himself to the human race. During that time and shortly after, the Overlords bring peace and prosperity to the planet, ushering in a golden age for mankind, but also a stagnation in science, art, and general cultural development.

Over time, most of the Earth’s population becomes complacent and docile, as there is no longer a need to work for a living or struggle to make ends meet. However,  a small colony forms on a remote island called New Athens with the purpose of maintaining independence from the Overlords and continuing the pursuit of art and culture.

It is around this time when the children of man begin to manifest extraordinary and frightening mental abilities. What does this development mean for the future of Earth, if indeed there is one?

What is the ultimate objective of the Overlords and are they, in fact, serving an even more powerful master?

Childhood’s End has become one of my all-time favorite science fiction novels. One of the golden age masters, Clarke adroitly covers a century of humanity’s relationship with the Overlords without losing momentum.

As with most films that find their genesis in a novel, the contrast between Clarke’s vision and SyFy’s lackluster mini-series are evident.  SPOILER ALERT, but some examples include:

Stormgren (Mike Vogel) remains through far more of the series than he did the novel and dies of a slow, debilitating illness caused by his repeated flights from Earth’s surface to Karellan’s ship. This did not occur in the book.

The scientist character of Milo Rodricks (Osy Ikhile), who stows away aboard an Overlord ship to become the only human to see their world, was named Jan Rodricks in the novel and did not actually step foot on the Overlord’s home planet, but rather, one of their moons.

In the book, Jan had no girlfriend. Thus, the scene in the mini-series where the Overlords return Milo/Jan to Earth after his 80-year expedition and present him with the levitating, preserved corpse of his girlfriend was new for the film and utterly pointless to the story.

The ultra-religious character of Peretta (Yael Stone) did not exist in the novel, nor did anyone fire a gun at Karellan (brilliantly portrayed by Charles Dance). The fact that the SyFy film decided to focus rather heavily on the destruction of religion was a departure from Clarke’s novel, which devoted hardly a page to this.

The mini-series attempted to condense a century into six hours, all the while adding unnecessary characters and subplots and failing to clarify the main plot.  Still, kudos to the SyFy channel for attempting to return to its roots. Childhood’s End was a refreshing and intelligent change from such tripe as Sharknado, various reality shows, and WWE wrestling (which has been thankfully moved to USA).

Childhood's End Book Covers