Tag Archives: rhiannon richardson

About This Writing Stuff…

This month, book consultant and developmental editor Mary Kole encourages writers to diversify their skills in the age of AI. Now that self-publishing is no longer a “new thing,” Anne R. Allen advises indie writers on how to keep expectations grounded.

Kristen Lamb reviews the Johari Window and how it can be used as a tool for character and story development. Over at the Write Practice, Joe Bunting gives us a detailed lesson on first and third person points of view.

Fantasy writer Philip Athans defends the adverb—with some caveats—and, along with PJ Parrish, provides guidance on the skillful use of description in narrative.

All that and much more. Enjoy!

The Irrelevance of the Modern Writer by Mary Kole & Good Story Company

The Über Skill for Writers by Tiffany Yates Martin

How to Write the Beginning of a Novel by Rhiannon Richardson

How to Tighten Your Midpoint Twist by Ley Taylor Johnson

Is an Unpublishable Book Worth Writing? by Lory Widmer Hess

Is Self-Publishing a Good Choice for Authors in 2024? by Anne R. Allen

Adverbs Are Fine! by Philip Athans

Describe Characters as You Go Along by Philip Athans

How Much Description Does Your Book Need? by PJ Parrish

The Johari Window & Character Blind Spots by Kristen Lamb

How to Get Your Plot Arcs Working Together by Chris Winkle

Ninety-Nine Words to Seek and Destroy by Chris Winkle

Fresh Perspective Sells by Kathryn Craft

Types of Point of View: The Ultimate Guide to First Person & Third Person POV by Joe Bunting

 

About This Writing Stuff…

This week, we’re doing it by the numbers. At Career Authors, Polly Stewart offers five tips for creating suspense while Barbara Butcher explains six rules for writing true crime.

Mythcreants Chris Winkle and Oren Ashkenazi give us five ways to maintain tension in our stories and five mistakes to avoid when crafting our villain’s master plan.

Over at the Kill Zone, Sue Coletta shows us a formula for writing effective back cover copy while James Scott Bell reviews the latest news in the publishing industry.

If you want to make sure your characters aren’t boring, listen to Amy Wilson at Good Story Company. If you want your characters to be iconic, take some advice from literary agent Donald Maass.

All that and a lot more. Enjoy!

CRAFT

Boring Characters by Amy Wilson

3 Helpful Tips for How to Rewrite a Novel by Rhiannon Richardson

Better Book Descriptions in 3 Easy Steps by Sue Coletta

Five Secrets to Writing Suspense by Polly Stewart

Five Ways to Restore Tension by Chris Winkle

Five Questions to Ask About Your Villain’s Master Plan by Oren Ashkenazi

Six Rules for Writing About True Crime by Barbara Butcher

Iconic Characters: Made Not Born by Donald Maass


BUSINESS

Eye on the Publishing Business by James Scott Bell

The Balance Between Indies by Lauren Wise

8 Unexpected Benefits from BookBub’s New Releases for Less Promotions by AJ Yee

Top Tips on BookBub Cost-Per-Click Bidding from 15 Advertisers by Carolyn Robertson

KKR in Advanced Talks to Buy Simon & Schuster for $1.65 Billion by Anirban Sen and Milana Vinn

 

 

 

 

About This Writing Stuff…

This week, we focus more on craft than business. From Good Story Company comes advice on writing authentic female characters, enticing opening lines, and effective descriptions.

Jami Gold reviews the different types of character arcs and how they can be applied to short stories.  Over at Mythcreants, Chris Winkle delves into the use of foreshadowing and also explains why realism has no place in fiction.

From Writer Unboxed, John J. Kelley shows us how social events can be used to help with character and plot development while Kim Bullock offers self-care advice for writers during trying times.

All that a lot more. Enjoy!

Writing Descriptions by Good Story Company

Writing Female Characters by Amy Wilson

3 Ways to use AI for Screenwriting (Other Than Writing a Bad Script) by Ken Miyamoto

Writing the Opening Line by Rhiannon Richardson

Using TikTok to Promote Your Writing by Ellen Levitt

Short Stories: Can They Still Have Character Arc? by Jami Gold

Traditional or Self-Publishing – That is the Question by Rod Martinez

Subtext – Guest Post by Karen Albright Lin via Debbie Burke on Kill Zone

The Why and How of Foreshadowing by Chris Winkle

10 Things to Know About BookBub Readers [Infographic] by Carlyn Robertson

Handling Editorial Feedback without Getting Overwhelmed by Tessa Barbosa

Self-Care for Writers in a Pseudo-Dystopian World by Kim Bullock

The Big Event – Using Social Occasions to Elevate Your Story by John  J. Kelley

Why Realism is Toxic to Fiction by Chris Winkle

The Last Word: Epilogues by Sophie Masson