Tag Archives: ruth harris

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

In this month’s roundup, Becca Puglisi reminds us to enhance our characters by imbuing them with unique talents and skills.

Struggling to write a compelling start to your novel? Maggie Smith can help. Over at Career Authors, Brian Andrews and Gina Panettieri show us how loglines help authors answer that dreaded question, “what’s your book about?”

If you’re grappling with impostor syndrome, as many creatives do, Ruth Harris and Tiffany Yates Martin have some encouraging advice for you.

There’s no denying that TikTok has become one of the hottest sites for book promotion. Shailee Shah offers a roster of writers who are using the platform to build an enormous following.

All that and a lot more. Enjoy!

Character Traits & Skills: Beyond the Superficial by Becca Puglisi via Jami Gold

Seven Components of a Successful Novel Opening by Maggie Smith

Exposing Inner Conflict in non-POV Characters by Kathryn Craft

It’s Messy in the Middle: Unpacking Cultural Appropriation by Colice Sanders

Understanding the Three Types of Character Arcs by Britton Perelman

Why a Strong Plot Requires a Significant Goal by September C. Fawkes

The Upside of Impostor Syndrome by Ruth Harris

Are You Telling Yourself the Wrong Stories? by Tiffany Yates Martin

What is Your Book About… Do You Know? by Brian Andrews

Loglines and Comps by Gina Panettieri

14 Indie Authors to Follow on TikTok for Ideas and Inspiration by Shailee Shah

How to Build an Amazing “About the Author” Page by Jason Hamilton

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anne R. Allen warns us against career-killing marketing tactics, Ruth Harris shows authors how to build a better bio, and Beth Barany provides strategies for developing characters and plot.

At Writer Unboxed, Kathryn Craft offers sage advice on handling copy edits while over at the Kill Zone, James Scott Bell helps us determine when our book is ready for prime time.

Angela Ackerman explains how to use setting as more than a mere backdrop and my favorite article of this batch is Lauren Sapala’s timely (for me) discussion of the paralyzing stress that can occur when writers become too “attached to outcome.”

All that and a little more. Enjoy!

How Bad Marketing Can Destroy Your Author Brand, Lose Friends, and Influence Nobody by Anne R. Allen

How to Plan, Write, and Develop a Book: Word Count Goals for the Three Acts of Your Novel, Memoir, or Non-Fiction Book by Mary Carroll Moore

6 Ways Your Author Bio Can Help You Sell Books by Ruth Harris

Top Digital Marketing Takeaways from U.S. Book Show 2022 by AJ Jack via BookBub

Copy Edits: To Challenge or Concede? by Kathryn Craft

When Is Your Book Ready to be Published? by James Scott Bell

7 Essential Tips to Plan Your Novel Like a Pro by Beth Barany via Anne R. Allen

Serialization Rights for Traditional and Self-Published Authors by Matt Knight at Sidebar Saturdays

Publishing Contracts 101: Beware Internal Contradictions by Victoria Strauss at Writer Beware

Setting Description Mistakes that Weaken a Story by Angela Ackerman

Stressed About Your Writing? What’s Really Going On (and How to Get Over It) by Lauren Sapala

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Ruth Harris offers sage advice on writing that ever daunting blurb. Over at the Kill Zone, James Scott Bell carves out a middle ground for plotters and pantsers while PJ Parrish ponders what comes first, plot or character.

Speaking of characters, Donald Maass encourages us to create fully realized characters by first being real with ourselves. Rebecca D’Harlingue offers advice on dual-timeline plots, Steve Myers argues that our protagonist’s outer journey is fundamentally an inner journey, and Barnes and Noble’s restructuring might be the comeback story of the year.

All that and little more. Enjoy!

How to Improve Your Writing Skills: Take Your Writing from Good to Great by Nicole Dieker

How to Write the D*mn Blurb by Ruth Harris

Writing About the Pandemic—or Not? by Paula Munier

Plot or Character: What’s Your Starting Point? by PJ Parrish

Five Questions to Ask Before Starting a Dual Timeline Novel by Rebecca D’Harlingue

Plotting for Pantsers and Pantsing for Plotters by James Scott Bell

B&N Rides a Wave of Positive Trends by Jim Milliot

Have Print ARCs Become a Hot Commodity? by Weronika Strzyżyńska

The Inward Path of the Protagonist’s Journey by Scott Myers

Purple Prose and the Word Surgeon’s Scalpel by Tom Bentley

Creating Character Safety Zones by Donald Maass

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

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This week, Ruth Harris reminds us that writing is a marathon, not a sprint while Meghan Ward offers tips for ramping up the action in our stories.

Jami Gold provides a three-part series on point of view, Kristen Lamb discusses the benefits of using an unreliable narrator, Sandra Beckwith guides us through the challenges of book marketing, and Chris Winkle walks us through plotting a novel series.

All that, and a little more. Enjoy!

A Writer’s Guide to Patience, Practice, and Persistence by Ruth Harris via Anne R. Allen

Is Your Story a Bit Lazy? Five Ways to Improve the Action by Meghan Ward via Anne R. Allen

7 Questions to Ask Before Creating Your Book Marketing Plan by Sandra Beckwith

Is Our Story’s Point of View Really What We Think It Is? by Jami Gold

How Does Our Characters POV Affect Our Story? by Jami Gold

What Do Readers Want from a Story’s POV? by Jami Gold

Deception as a Storytelling Device: Introducing the Unreliable Narrator by Kristen Lamb

Will China’s Entry into U.S. Publishing Lead to Censorship? by Ed Nawotka

How to Plot a Novel Series by Chris Winkle

Getting Comfortable with Failure by Jael McHenry

Into the Woods by Dave King

Learning from Pinocchio: Creating Charaters Who Are Fully Alive by Barbara Linn Probst

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Lawrence Block reminds us that while real life often does not make sense, our fiction must. Ruth Harris provides a handy checklist on effective dialogue while Jami Gold and Janice Hardy expound ways to ensure that our characters are not puppets to plot.

Calling all Scrivener users, Gwen Hernandez and Joslyn Chase offer tips on using some of the app’s features to organize our work.

Jennifer L. Harris shows us how to determine whether or not our story ideas will support a full-length novel. Over at the Write Practice, David Stafford reviews methods for applying the principle’s of the Hero’s Journey, and Jane Friedman delivers a comprehensive guide to writing query letters.

All that a little more. Enjoy!

Stop Making Sense: Explaining Some Fiction Rules of Logic by Lawrence Block

He Said. She Said. Fifteen Keys to Writing Great Dialogue by Ruth Harris

How Can We Make Our Protagonist More Proactive? by Jami Gold

Things to Consider When Adding a POV Character by Janice Hardy

What is Causing the Uptick in Independent Bookstores? by Mike Shatzkin

Using Bookmarks in Scrivener 3 for Quick Access to Supporting Materials by Gwen Hernandez

How to Use Scrivener to Write Scenes That Work by Joslyn Chase

5 Essential Hero’s Journey Themes and Symbolic Archetypes That Will Thrill Your Readers by David Stafford

The Complete Guide to Query Letters by Jane Friedman

13 Tips for Writers Who Just Want to Finish Something For Once by Meg Dowell

How to Test Your Story Idea: Is Your Idea Strong Enough to Support a Novel? by Jennifer L. Harris

Why I Don’t Write Every Day by Phoebe Quinn

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

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This week, Ruth Harris lays solid groundwork when it comes to cliffhangers and David Safford reinforces the concept of the hero’s journey.

Mary Anna Evans helps us find our author voice while Nancy Bilyeau provides tips on crafting believable historical fiction. Struggling to avoid those ugly info dumps? Let Kris Kennedy show you how to adroitly divulge all those details you’re dying to share with the reader.

Although writers must develop a thick skin when it comes to receiving criticism, we’re often called upon to give it as well. PJ Parrish and Jim Dempsey discuss constructive methods for offering valuable and relevant critiques.

All that and a little more. Enjoy!

How to Write a Page-Turner: Master the Seven Rules of the Cliffhanger by Ruth Harris

The Hero’s Journey: How to Write the Crossing the Threshold Scene by David Safford

How to Find Your Author Voice by Mary Anna Evans

4 Tips for Writing Historical Fiction by Nancy Bilyeau

How Can We Make Scenes Feel Stronger with Sequels? by Jami Gold

Backstory: Avoid Info Dumping by Making it Essential Part One / Part Two / Part Three by Kris Kennedy via Jami Gold

The Fine Art of Giving Out Criticism by PJ Parrish

How to Give Useful Criticism by Jim Dempey

Seven Tips for a Satisfying Mystery by Oren Ashkenazi

Advice to Writers Who Are In It by Annie Neugebauer