Tag Archives: screencraft

Blog, Writing Contest

Screencraft Cinematic Short Story Competition 2024

In September, I submitted two stories to the Screencraft Cinematic Short Story Competition for 2024. One was a Finnish fantasy tale called “The Forest for the Trees” and the other a Jewish-Christian story called “All That Matters is What You Believe.”
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I’m pleased to see that “The Forest for the Trees” advanced to the Quarterfinals. While “All That Matters…” did not place in the competition, it achieved single-digit rankings in the Faith category as shown in the screen shot below. Not a shabby way to start the year! Semi-final results will be announced next month.
 Forest for the Trees Screencraft 2024
All That Matters is What You Believe Screencraft 2024
Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

In this month’s roundup, Becca Puglisi reminds us to enhance our characters by imbuing them with unique talents and skills.

Struggling to write a compelling start to your novel? Maggie Smith can help. Over at Career Authors, Brian Andrews and Gina Panettieri show us how loglines help authors answer that dreaded question, “what’s your book about?”

If you’re grappling with impostor syndrome, as many creatives do, Ruth Harris and Tiffany Yates Martin have some encouraging advice for you.

There’s no denying that TikTok has become one of the hottest sites for book promotion. Shailee Shah offers a roster of writers who are using the platform to build an enormous following.

All that and a lot more. Enjoy!

Character Traits & Skills: Beyond the Superficial by Becca Puglisi via Jami Gold

Seven Components of a Successful Novel Opening by Maggie Smith

Exposing Inner Conflict in non-POV Characters by Kathryn Craft

It’s Messy in the Middle: Unpacking Cultural Appropriation by Colice Sanders

Understanding the Three Types of Character Arcs by Britton Perelman

Why a Strong Plot Requires a Significant Goal by September C. Fawkes

The Upside of Impostor Syndrome by Ruth Harris

Are You Telling Yourself the Wrong Stories? by Tiffany Yates Martin

What is Your Book About… Do You Know? by Brian Andrews

Loglines and Comps by Gina Panettieri

14 Indie Authors to Follow on TikTok for Ideas and Inspiration by Shailee Shah

How to Build an Amazing “About the Author” Page by Jason Hamilton

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This month, personal experiences come into play as Kathryn Craft reminds us to cultivate a productive and fulfilling writing life, Gwen Plano examines different aspects of character diversity, and Scott Hines creates meaningful connections on social media.

In the marketing department, Jan Sikes delves into BookTok while AJ Jack offers seven methods for analyzing reader habits. Want to know more about the book-to-screen process? Literary agents Allison Hunter and Jennifer Weltz give us the low down.

All that and a lot more. Enjoy!

The Book that Tore Everyone Apart by Gaby Hinsliff

The Fight Between Authors and Librarians Tearing Book Lovers Apart by Pranshu Verma

How Are Books Adapted for the Screen? Two Agents Demystify the Process by Sangeeta Mehta

Transparency in Slush: The Wizard Behind the Curtain by AJ Cunder

Dear Writer: Advice on Cultivating Connection in the Internet Age by Scott Hines

Fill Your Writing Life by Kathryn Craft

7 Clever Ways Authors Can Learn More About Readers Online by AJ Jack

8 Sequence Structure: The Best-Kept Screenwriting Secret by Britton Perelman

#MKTG 17 – TikTok by Jan Sikes

Characters and Diversity Part I: Race by Gwen M. Plano

Characters and Diversity Part II: Wealth by Gwen M. Plano

Characters and Diversity Part III: Physical Ability by Gwen M. Plano

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

2 Comments

This week, screenwriter Taika Waititi weighs in with morsels of screenwriting (and storytelling) wisdom. Niesha Davis explains the value of sensitivity readers while Allison Williams provides guidance on the effective use of social media. Speaking of which, Philip Athans ponders how much writers need to reveal about themselves online.

Over at Career Authors, Erin Flanagan offers guilt-free advice for those burned out on writing and Paula Munier reviews the rules on POV and how to break them with authority.

All that and a lot more. Enjoy!

Craft a Killer Fantasy Premise Using Good versus Evil by Amy Wilson

What Do Our Readers Need to Know About Us? by Philip Athans

Sweet Emotion by James Scott Bell

10 Pieces of Screenwriting Wisdom from Taika Waititi by Ken Miyamoto

Hiding Your Villain in Plain Sight by Sarah Penner

Being the Boss of Your Author Business by Karen A. Chase

The Daring Writer’s Guide to Point of View by Paula Munier

Burnt Out on Writing? 5 Tips for a Productive Break by Erin Flanagan

Nine Ways to Describe Your Viewpoint Character by Chris Winkle

Writers, Stop Using Social Media (Like That) by Allison Williams via Jane Friedman

Don’t Self-Publish a Book Before Answering These Crucial Questions by J.J. Hebert

Ten Years of Self-Publishing (2012-2022) by Alliance of Independent Authors

What to Expect When Hiring a Sensitivity Reader by Niesha Davis via  Leigh Shulman’s blog.

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anne R. Allen explains the need for sensitivity readers and the consequences of disregarding them. Also on Anne’s blog, Stefan Edmunds presents The Adversity Cycle as a method for storytelling.

On the Screencraft blog, Ken Miyamoto offers advice on how to secure a manager and agent for your screenplay and David Young shows us effective ways to describe our characters beyond mere physical appearance.

At Career Authors, Brian Andrews delves into methods for managing backstory while Erica Ferencik provides valuable guidance on navigating the writing life. Kathryn Craft and Barbara Linn Probst discuss ways to breathe life into our secondary characters.

All that and a little more. Enjoy!

Screenwriting Basics: How to Sign with a Manager (and Agent) by Ken Miyamoto

7 Unusual Ways to Describe Characters in Your Screenplay by David Young

The Difference Between Jeff Bezos and Me by Bradley Graham

The Adversity Cycle by Stefan Edmunds via Anne R. Allen

Writers, Do You Need a Sensitivity Reader for Your Book? by Anne R. Allen

3 Successful Strategies to Write a Short Story by Sarah Gribble

4 Tips for Writing Backstory by Brian Andrews

11 Hard-Earned Lessons from Three Decades of Writing by Erica Ferencik

Are You Drowning Your Story in Your Imagery? by Dave King

Secondary Characters Deserve a Life of Their Own by Kathryn Craft

Secondary Characters with Purpose and Pzazz by Barbara Linn Probst

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!

This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.

Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.

All that and a little more. Happy Holidays!

What is a Novel Synopsis? Here are Two Examples by MasterClass Staff

3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto

How to Tell a Story: The Rule of Three by Anne R. Allen

How to Handle the Blurb Thing by Hank Phillippi Ryan

Getting Your Book Noticed by Patricia Bradley

Foreshadowing Reveals is Easier Than You Think by Chris Winkle

Street Cred: Getting Your Work Noticed by Liza Taylor Nash

Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez

Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase

How to Use Vivid Verbs to Bring Your Scenes to Life  by J.D. Edwin