Tag Archives: terry odell

About This Writing Stuff…

Nice to hear from a few writer friends on the blog this month. Sara Karnish reminds us about proper critique etiquette and discusses the writer/editor relationship with Pattie Giordani.

It is said that your focus determines your reality. That applies to fictional characters as well. However, there are occasions in real life when we deliberately ignore or avoid something unpleasant. Writer pal Kathryn Craft shows us effective ways to depict that in our characters.

Over at Good Story Company, Amy Wilson draws a distinct line between editing and revision while Kristen Overman delves into the “chosen one” trope and how to ensure your hero is up to the task.

Struggling with book marketing? With a writing drought? With imposter syndrome? We got you covered on all three this month.

All that and a little more. Enjoy!

Follow the Energy of Denial by Kathryn Craft

Chosen One Stories: Is Your Hero Worthy of the Journey? by Kristen Overman

How Right Do Your Characters Have to Be? by Terry Odell

How to Give a Critique (Without Being Too Critical) by Sara Karnish

I Would Rather See My Books Pirated Than This (Or Why Goodreads and Amazon are Becoming Dumpster Fires) by Jane Friedman

How to Market Your Books to Get Worldwide Exposure by Diana Urban

How Authors Use Preorders to Promote New Books in 2023 by AJ Yee

5 Things Influencers Look for in a Book by Ryan Steck

5 Ways to Survive a Publishing Drought by Katrina Kittle

The Difference Between Editing and Revising by Amy Wilson

The Author/Editor Relationship: A Q&A with Pattie Giordani by Sara Karnish

How to Escape Imposter Syndrome in Your Writing Life by Lynette M. Burrows

 

 

About This Writing Stuff…

It has been three weeks since my last blog post. How the hell did that happen? Well, I’ve been stretched thin as of late with my FT job, a few expensive home renovations, health problems, managing eBay auctions (the time has come to downsize), and yes, writing projects.

I have a short story in progress for a contest, the second draft of my SF novel awaits my attention after that, and I’m waiting to hear back from two small presses on short stories I submitted to them. I’m also scheduling a book signing or two for a speculative fiction anthology I just released with a group of fantastic writers and I’m reviewing a presentation on self-editing that I wll be giving to a local writers group on Monday evening (24 May).

However, the fact that I’ve been neglecting my blog has been gnawing at me, so here we go!

This week, Steve Hooley reviews several sites for serialized fiction, including Kindle Vella, while Jodie Renner discusses close and deep third person POV.

Mary Alice Monroe and KL Burd use fiction to raise awareness of environmental issues and social issues, respectively, while Philip Athans offers advice on blending SF, fantasy, and horror. James Scott Bell provides tips on increasing productivity, Terry Odell delves into crafting character descriptions, and Kathryn Craft wages war against the lame apology.

All that and much more. Enjoy!

Serialized Fiction and Vella – What Do You Think? by Steve Hooley

Tips for Deepening the POV in Your Fiction by Jodie Renner

Weaving Real-Life Environmental Issues into Your Fictional World by Mary Alice Monroe

Fantasy and/or Science Fiction and/or Horror by Philip Athans

The Five Things You Need When Writing a Mystery Novel by Melodie Campbell

6 Practical Business Tips for Authors to Market Their Story of Success by Taylor Payne

7 Tips for Producing More Words by James Scott Bell

Character Descriptions Part I by Terry Odell

Character Descriptions Part II by Terry Odell

Why Bookshop.org is Not the Savior the Book World Needs by Ellen Peirson Hagger

The Magic Number by Todd Sattersten

Legal Protection for Fictional Characters by Matt Knight

Kick Your Story Up a Notch by Knowing Your Character’s Conflict Style by Kelsey Allagood

Unapologetic Characterization by Kathryn Craft

Incorporating Social Issues Into Your Manuscript by KL Burd

 

About This Writing Stuff…

The past several weeks have been hectic, leaving me little time for blogging. Unfortunately, I’ve also been contending with depression, burnout, and fatigue for reasons too long to elucidate here (and you probably don’t care anyway).  Winter and ongoing pandemic stress have exacerbated the problem. Whatever. I’m working through it.

On a lighter note, I’m thrilled to announce that four of my short stories will be published across two anthologies in late March. More information on that soon! For now, I lined up another fantastic selection of helpful articles about writing and publishing.

Monica Valentinelli discusses the ingredients of dark science fiction and offers a generous helping of positive writing advice to keep us motivated.

Ken Miyamoto explains the difference between story and plot while Susan DeFreitas delves into strategies for presenting backstory.

Over at Mythcreants, Oren Ashkenazi warns prose writers against emulating TV and film while Chris Winkle teaches us how to improve reader engagement.

Brian Andrews guides us through writing believable action scenes, Julie Duffy provides pointers on transitioning between novels and short stories, and Philip Athens summarizes the history of pulp magazines.

All that a little more. Enjoy!

When Science Fiction Meets Horror in World-Building by Monica Valentinelli

101 Softly-Delivered Writing Lessons by Monica Valentinelli

What the 2021 Facebook Changes Mean for Authors by Thomas Umstattd, Jr.

Plot vs. Story: What’s the Difference? by Ken Miyamoto

Backstory and Exposition: 4 Key Tactics by Susan DeFreitas via Jane Friedman

Focus on Short Fiction by Julie Duffy

Five Bad Habits Writers Learn from Movies and TV by Oren Ashkenazi

Optimizing Your Story Ideas for Better Engagement by Chris Winkle

How to Write Amazing Action Scenes by Brian Andrews

How to Write A Bestselling Thriller by Hank Phillippi Ryan

Doublespeak: A Look at Voice by Terry Odell

A Brief History of Pulp Fiction by Philip Athans

 

 

 

 

About This Writing Stuff…

This week, Anne R. Allen reminds us that a story is more than just a series of disjointed, tragic episodes. Brian Andrews encourages us to use strong opening lines while Dana Isaacson, Barbara O’Neal, and Kim Bullock offer ideas for writing through these disconcerting times.

Jami Gold lists various ways a character’s occupation can be used to enhance a story and Terry Odell urges us to foreshadow some of our character’s skills before revealing them in a pivotal scene.

All that and a little more. Enjoy!

Promoting Your Sci-Fi or Fantasy Novel on Social Media by Erica Verrillo

The Biggest Writing Craft Issue New Novelists Face, and 7 Ways to Avoid It by Anne R. Allen

How to Write a Powerful, Enticing, Intriguing, Amazing Opening Line for Your Novel by Brian Andrews

How to Write (or Not Write) about the Pandemic by Dana Isaacson

How to Write During a Pandemic, Even if it Feels Like You Can’t by Barbara O’Neal

What’s Our Character’s Job? by Jami Gold

If They Buy the Premise by Terry Odell

Description Makeover: Creating Magical Atmosphere by Chris Winkle

Crime Fiction is Complicit in Police Violence—But It’s Not Too Late to Change by Aya de Leon

Trademarks and the Writer’s Brand Strategy by Matt Knight

Writing Througnh Turbulent Times: Using Uncertainty to Enhance Your Story by Kim Bullock

A Plotstorming Technique by Jan O’Hara