Tag Archives: write practice

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

After a two-month hiatus, About This Writing Stuff is back. What was once a bi-weekly blog post became monthly and now it happens whenever I can get to it. As I’m working on a new novel, blogging has fallen off the radar… mostly. Onward!

This week, the folks at MasterClass provide tips and examples for writing an effective novel synopsis while over at Screencraft, Ken Miyamoto warns against embellishing your screenwriting creds until you have legitimate screenwriting creds.

Speaking of creds, Liza Nash Taylor and Patricia Bradley offer advice on getting your work out there whether submitting or promoting. Hank Phillippi Ryan discusses proper etiquette when requesting a book blurb, Chris Winkle teaches best practices when using foreshadowing, and Joslyn Chase reviews writing techniques in the mystery, suspense, and thriller genres.

All that and a little more. Happy Holidays!

What is a Novel Synopsis? Here are Two Examples by MasterClass Staff

3 Most Common Screenwriter Exaggerations, White Lies, and Embellishments by Ken Miyamoto

How to Tell a Story: The Rule of Three by Anne R. Allen

How to Handle the Blurb Thing by Hank Phillippi Ryan

Getting Your Book Noticed by Patricia Bradley

Foreshadowing Reveals is Easier Than You Think by Chris Winkle

Street Cred: Getting Your Work Noticed by Liza Taylor Nash

Uses for Scrivener Beyond Your Manuscript by Gwen Hernandez

Genre Conventions: How to Satisfy Suspense Readers by Meeting Expectations by Joslyn Chase

How to Use Vivid Verbs to Bring Your Scenes to Life  by J.D. Edwin

Articles, Blog, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Shanee Edwards offers advice on creating a powerful antagonist while James Scott Bell teaches us practical thaumaturgy for conjuring short stories.

Brian Andrews explains the importance of self-editing and developmental editing, while mythcreant Chris Winkle delves into crafting effective descriptions.

Joslyn Chase steps us through ten  ways to add foreshadowing, and Porter Anderson discusses the dangers of self-censorship.

All that and little more. Enjoy!

 

5 Tips for Negotiating Your Author Agreements by Joseph Perry via Anne R. Allen

Writing Rising Action by Linda S. Clare

A Love of Mystery is Woven into Our Biology, and Edgar Allan Poe was the First to Find the Formula for a Very Specific Dopamine Hit by Jonah Lehrer

7 Tips for Writing Bad Ass Antagonists by Shanee Edwards

The 3 Pass Rough Draft—Embracing Editing (Part I) by Brian Andrews

Developmental Editing —Embracing Editing (Part II) by Brian Andrews

Dialog and POV by Philip Athans

Creating and Resolving Conflict in Your Novel by Clare Langley-Hawthorne

The Alchemy and the Craft by James Scott Bell

What Do Writers Need to Describe? by Chris Winkle

Flights of Self-Censorship by Porter Anderson

Foreshadowing: 10 Clever Methods to Write an Engaging Plot Twist by Joslyn Chase

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Anne R. Allen urges us to promote our books regionally while Jodie Renner provides a rundown on loglines, taglines, and back cover copy.

Donald Maass and Joslyn Chase pick up the pace while Kathryn Craft helps our scenes become better oriented by asking the three (or five!) W’s.  Kelsey Allagood and Mckenzie Cassidy offer tips on self-care for creatives.

Over at Mythcreants, Oren Ashkenanzi shows us how to identify troubled throughlines while Chris Winkle helps us polish our prose.

All that and a little more. Enjoy!

The Inherent Nature of Story Structure by Jim Dempsey

Want to Be a Bigger Fish? Try a Smaller Pond. Regional Fiction Sells! by Anne R. Allen

You Are Doing it Completely Wrong and You Are Doomed to Fail! by Philip Athans

How to *Easily* Publish on Apple Books by Gary Rodgers

Hook Your Readers with a Compelling Storyline, Tagline, and Back Cover Copy by Jodie Renner

The Three W’s of Scene Orientation by Kathryn Craft

On Pacing: Faster Than the Speed of Thought by Donald Maass

Story Pacing: 4 Techniques That Help Manage Your Plot’s Timeline by Joslyn Chase

Writing While Languishing: How to Be Creative When You’re Feeling ‘Blah’ by Kelsey Allagood

Six Signs of a Weak Throughline by Oren Ashkenazi

Five Simple Ways to Make Your Prose Easier to Read by Chris Winkle

Preserving Your Creativity with Self-Care by Mckenzie Cassidy

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Deb Caletti offers reliable tips on unreliable narrators while Chris Winkle explains the importance of planning character arcs. Emma Lombard and Carol Van Den Hende discuss developing a marketing plan and creating an author brand, respectively.

At the Write Practive, Jeff Elkins provides six critical steps to creating a good villain and J.D. Edwin gets back to basics with four foundational skills for writing fiction.

Claire Armitstead delves into the growing theme of climate fiction (cli-fi) and if you’re struggling to write the perfect ending to your novel, the folks at NaNoWriMo might be of help.

All that and a little more. Enjoy!

8 Tips to Writing Unreliable Narrators by Deb Caletti

How to Develop a Marketing and Promotion Plan as an Indie Author by Emma Lombard

Don’t Cheat Your Reader by Mae Clair

Keeping it Real—or Not: Fact and Fiction in the Novel by Carol Goodman

Planning Character Arcs by Chris Winkle

How Twitter Can Ruin a Life by Emily VanDerWerff

Stories to Save the World: The New Wave of Climate Fiction by Claire Armitstead

Selling Foreign Book Rights – How Authors Generate International Income by Matt Knight

How to Write Good Fiction: 4 Foundational Skills and How to Build Them by J.D. Edwin

How to Write a Villain – 6 Scenes Your Story Needs by Jeff Elkins

8 Mistakes to Avoid While Writing the Perfect Ending to Your Novel from the NaNoWriMo Blog

The Myth of Quality vs Quantity in Publishing by Kristina Adams (podcast)

What is Author Brand and How to Craft Yours by Carol Van Den Hende

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, Paula Munier offers advice on transitioning from writing nonfiction to fiction while Anne R. Allen reminds us that self-publishing is serious business. Anne’s article has a few points in common with Sue Coletta’s tips on maintaining etiquette in the writing community.

TD Storm discusses the pros and cons of using filtering language, Alison Flood delves into the effects of cancel culture in publishing, and Kathryn Craft explains how we can increase tension in our stories through the eyes of an observer.

Oh, I almost forgot—Hanna Mary McKinnon provides tips on crafting characters with amnesia.

All that and much more. Enjoy!

How to Write About Amnesia by Hanna Mary McKinnon

Your Nonfiction is Showing by Paula Munier

Self-Publishing is a Business: Don’t Treat it Like a Childish Game by Anne R. Allen

To Filter or Not to Filter by TD Storm

What is DRC and How to Make it Work for You by IndieReader

Writing Community Etiquette by Sue Coletta

Six Ways to Add Stakes to a Mystery by Chris Winkle

Publishing’s Debate over Cancel Culture by Alison Flood

Managing a Motif by Dave King

Heighten Tension with a Watcher by Kathryn Craft

Character Description: 6 Tips from Stephen King’s Memoir by David Safford

Bringing a Character to Life by Barbara Linn Probst

The Unintended Consequences of a Lack of Setting by Amanda Patterson

 

 

 

Articles, Blog, Craft, Opinion, Writing and Publishing

About This Writing Stuff…

This week, learn how to deal with writer burnout from Tom Meitner, and let attorney Joseph Perry explain the critical components of a publishing contract.

At Career Authors, Erin Celello urges us to take our story idea on a date while Hank Phillippi Ryan offers advice on self-editing.

Kelly Jensen reminds us of the value of mood to both writer and reader while over at the The Write Practice, Joslyn Chase and Ruthanne Reid discuss the proper use of cause and effect and the elements of plot, respectively.

Janice Hardy give us some strong opening lines and Anthony Ehlers shows us how to be visual storytellers.

All that and a little more. Enjoy!

Stretched to Your Limits? How to Avoid—and Cure—Writing Burnout by Tom Meitner

Know Your Rights: Key Provisions in a Publishing Contract by Joseph Perry via Anne R. Allen

How to Cut 20,000 Words by Hank Phillippi Ryan

4 Questions to Ask Before You Start Writing that Book by Erin Celello

How Much Really Needs to Be in Your Novel’s Opening Sentence by Janice Hardy

5 Tips on How to Fit Your Book’s Hook into a Super Short Amazon Ad by Bryan Cohen

10 Powerful Visual Storytelling Techniques for Writers by Anthony Ehlers

How to Maximize the Power of Cause and Effect in Your Stories by Joslyn Chase

What is Plot? The 6 Elements of Plot and How to Use Them by Ruthanne Reid

Mood is the Most Underrated Literary Device—and the Most Valuable by Kelly Jensen

Wattpad to Be Acquired for $600 Million by Korean Internet Conglomerate Naver by Todd Spangler for Variety

Class Action Suit: Amazon and Publishers Face Price Collusion by Personanondata